You can mostly forget ethnic or religious differences. The competition for a bigger share of the oil proceeds is behind much of the fighting.
People say to me, Would you like to swap your life with me for 24 hours? Your life must be very strange. But of course I have not experienced any other life. It's not strange to me.
In a lot of ways, success is much harder than I thought it would be. I figured that you'd get here and then everything would be happily ever after. But, it's hard work, almost harder once you're successful because you've got to maintain it.
Hoods are good parts because they're always flashy and attract attention. If you've got any ability, you can use that as a stepping stone.
You know when you become friends with someone, you don't even remember? When you weren't friends? You're just kinda like, 'When were we not friends? When I met you, weren't we just already friends?' I have the same thing with the Strokes guys.
I've always been drawn more to film. But 'Bloodline,' to me, feels like a 13-hour piece of cinema. And the great thing about Netflix is you get to be almost like an editor. You choose how much of the narrative you want to watch at a time, which makes you complicit in the story.
Look at something like cooking. Now, you would hear a lot about smart kitchens and augmented kitchens. And what do those smart kitchens actually do? They police what's happening inside the kitchen. They have cameras that distinguish ingredients one from each other and that tell you that shouldn't mix this ingredient with another ingredient.
People come up to me and say, 'You changed my life.' I don't think I changed anyone's life. I think their life changed while they were listening to the music.
It is so important that you don't stay with someone just for the children and for the wrong reasons.
If the seller has a player that they think is going to have a lot of value, they're aware of it, protect that value. You have to go get it. That's the way the trade market works.
You know, I'm just grateful to be in this business and to be able to stay in it.
You have to train a dog to think.
There's a lot of women out there, some of whom are my age who've never been married and some who have been married and would like to be married again but think their ship has sailed, and I'm like, 'Oh no, honey, let Miss Niecy show you it is never too late for love!'
If you're going to immerse yourself in a project for three years, why not stake out a chunk of the world that is completely alien to you and go traveling?
All pressure is self-inflicted. It's what you make of it or how you let it rub off on you.
If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.
If you read any of my books, they tend to have a strong historical perspective.
My dad said if you become a tennis professional just make sure you get into the top hundred, because you have to make a little bit of money. You make a living so you can pay your coaching and, you know, your travels.
For film and games, there is now a fantastic method of actors portraying characters which don't necessarily look like themselves. And yet you've still got the heart and soul of the performance.
To succeed in business it is necessary to make others see things as you see them.
If you look at my bookings, they've gone down each season. That's something I'm trying to keep improving. On the pitch you don't want any silly bookings.
When you become famous, being famous becomes your profession.
People are predominant in my paintings. Although they are not obvious, you can feel their presence.
In this day and time, with no competition you are really walking a tightrope. I mean you may think that no competition is good, but in reality no competition is really bad.
There are a lot of people who wait tables. And especially because you can do it at night and you can do your work in the day, she and I had a very similar experience.
It's difficult to have the Africa Cup of Nations during the season because you focus on the league, and then you go to Africa, then straightaway you come back and have to refocus in the league.
I may be drunk, Miss, but in the morning I will be sober and you will still be ugly.
I always just wanted to write and maybe direct. I'm really only interested in that. And yet the business that I'm in has forced me into being a salesman - that's the last thing that 17-year-old me would imagine I'd end up being. I'm uncomfortable trying to sell anything, but that's what you're doing every time you walk into a pitch.
Well I think always, when you remake films, I always think the first one is most original, authentic.
I'm trying to take all the media attention with a grain of salt. It is nice, but you are never as great as people say you are. And you're never as bad as others say you are.
I think diva is an inevitable outcome of the industry, and I don't think it reflects on the person at all. You take a normal human being, and basically, for 24 hours, seven days a week, apart from sleeping, you introduce them to places and things almost every minute that are brand new.
As an actor, a role can be a great excuse not to be in shape. I mean, you wouldn't want to see the Dude with a six-pack, so you eat that Haagen-Dazs. My weight goes up and down.
Where I grew up - I grew up on the north side of Akron, lived in the projects. So those scared and lonely nights - that's every night. You hear a lot of police sirens, you hear a lot of gunfire. Things that you don't want your kids to hear growing up.
If you're a painter, you're not alone. There's no way to be alone.
George of the Jungle is a cartoon. He's a guy who swings around on a vine all day. Are you not buying that?
I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.