Keynesianism, if you add its flexible, muscular form during the Depression to its more rigid postwar version, lasted forty-five years. Our own Globalization, with its technocratic and technological determinism and market idolatry, had thirty years. And now it, too, is dead.
I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.
You get into such a routine of trying so hard each day and racing between 180 and 220 km., and as soon as you stop, it's weird, but you start to seize up. So it's easier if you keep the body ticking over. You just feel better for it come race day.
I would always stand up for women, but I don't want women's rights and all that sort of thing. I love to have men around, and I suppose if you're a true feminist, you get on and do it yourself. I love it when someone says, 'I'll get your coat' or, 'I'll look after you', or offers you a seat on the bus. I'm thrilled to bits. I'm not a feminist.
I think the key to getting rid of illegal immigration, no matter where its coming from, is that you need to have a good legal apparatus for immigration.
You've got to be flexible. If you want to win, you have to do whatever it takes.
There are people who will always want the genre, whatever it is, to stay traditional, to stay what it was like when you were 15 years old, but I just don't think music does that. Music is always changing and evolving, just like us as people.
It's crazy how the world evolves and the audience gives you an opportunity to really grow and live out your dreams.
I'm not mainstream. You gotta find me.
If you ask why I do what I do - I want to make a difference. I don't just want to maintain the status quo. I want to help people, to work with institutions or create ones when they don't exist.
There's too much darkness in the world. Everywhere you turn, someone is tryin' to tear someone down in some way; everywhere you go, there's a feeling of inadequacy, or a feeling that you're not good enough. I want to bring a certain light to the world.
'Mercy,' I love conceptually because I feel like you can either think about it as if it were a girl - which it sounds like it could be about a girl - but I like to picture it as 'pleading for mercy for my career' type of thing.
In 1973 I became heavyweight champion of the world with 38 victories, no defeats as a professional. You get to a point where you think you cannot lose. I felt like I had the greatest power with my fists, I was the strongest man in the world.
Who didn't cry at 'The Notebook?' If you didn't cry at 'The Notebook,' something is probably wrong with you.
I think the greatest privilege you have as an artist is time to nurture what you want to make; that's super luxurious. For you to rush into something, that doesn't feel fun to me. I'm living life in order to be able to write about it.
When you're in comedy, people always come up and say, 'Oh, it must be so hard.' It really isn't hard unless you're not good at it. If you can do it, its really kind of fun and easy.
I think it's almost easier to do a kissing scene with someone you don't know.
When you got a group like G-Unit... we sold millions of records, we got a lot of egos.
There are a lot of things you can say about the Bush tax cuts, but you can't say they didn't work.
One of the greatest compliments you can ever get is when you make fun of a certain sect of people and they are laughing the hardest. When we did 'Men on Film' on 'In Living Color,' gay men wrote in how much they loved it.
Before, I was writing a script to make a movie. At a certain point, I became A Writer in Film and Television. So I got TV deals to write stuff, film deals to write stuff. But it's dangerous. I got into the WGA, and I became kind of, you know, a slave! They just pay you to write a script, and it's hard to make the movies.
In a world where irony reigns, where you have to separate, protect and laugh at anything that is honest or has an emotional charge, I bet for catharsis. I like to invest emotionally in things. And catharsis, when it touches the emotional vein, can open the doors of even those who protect themselves.
I love my work, but there is no price you can put on what you miss when you are away from your kids.
Research the leaders in fields related to yours, synthesize their findings, and see how you can apply their hard-won wisdom to your work. Stand on their shoulders, and then make a leap into new territory that is distinctly yours.
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it. Either the character helps you discover that element of you or the other way around, where that element of you helps you discover the character.
One of the very, very exciting things I have found here in L.A. is that no one talks to you about being Scottish. Whereas, if you are in London and you are trying to put films together and be a film-maker, there is a kind of unspoken sense that, if you are Scottish, you have something to overcome or else you cannot really do that project.
Wine, like food, is so emotional. If you think about it, so much of the courting ritual is surrounded by wine and food. There's a built-in romance to wine.
There are so many low points with stand-up. You are perpetually humiliated, so it doesn't really matter anymore. I don't have any dignity left to lose. An audience can't hurt you anymore when you've been completely dismantled.
Certainly in the next 50 years we shall see a woman president, perhaps sooner than you think. A woman can and should be able to do any political job that a man can do.
So you know, everyone points out Greece's default record, but the history of a lot of sovereign nations is not a good one when it comes to lending them money.
I'm a terrific mimic, and you can feel my funny bone.
If you go back in American history, oysters were the food of poor people. New York was filled with oyster saloons in the 1800s.
You can't live your life blaming your failures on your parents and what they did or didn't do for you. You're dealt the cards that you're dealt. I realised it was a waste of time to be angry at my parents and feel sorry for myself.
I want to be known for having a recognizable style. I believe having your own personal identity is what makes you competitive. On the other hand, I would like to be versatile and be challenged to go in new directions.
People see me on the court only as a superhero, grunting and winning. They think you're a robot, and I'm not.
Frank Sinatra did 'Born Free', Tony Bennett did 'Walkabout,' but you have no control over who does what, really. So you just hold yourself responsible for the stuff you do, and then get filthy rich on all this stuff that other people have done.
