Being on set with my dad - that's so cool. People always ask me if that made me nervous, but it's the same element when you're a kid - when your parents come in the auditorium for those school performances. It calms you.
I tell my students, even if you are an opinion journalist, your opinion should be based on facts.
If I dig something, I'll throw it on. I like random stuff you can get at thrift shops.
When you've got good writing, you can kind of give up all the research, in a way, and start just following the emotional integrity of the journey of your character.
I think is important to give a child room to make mistakes in order to learn. Mistakes build wings so later in life they can fly and go on their own. Let them fall once in awhile... Be their friend and parent as well. When they're in trouble, they will come to you first. Don't try to change their opinion.
When you are writing a memoir, you have the advantage of knowing how it all ends. It's just taking your life apart and putting it together again.
You can get a bit bored of finding out about yourself. I know nothing about politics, for instance. There's nothing that's stopped me picking up a newspaper in the past, and it's something I really should start to do.
I called my book 'When I Stop Talking, You'll Know I'm Dead' because that's the truth. I will keep talking until the big hand comes down from Heaven. But I am a spiritual man and I believe that even that does not have to be the end.
Our intellect, our awareness, and our consciousness is the most powerful form of life on this planet. It's totally worthwhile. If our animal instincts stopped, we would die. We don't think about it, but if your consciousness were responsible for all of your bodily functions, you would die.
If you want to accomplish twice as much, you have to work twice as hard.
If you tweet for me, I'll tweet for you.
I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.
I've always been aware of my health - when you are having to go on stage and perform, you need to be feeling good - but when I was diagnosed with a life-threatening illness, I became really, really conscious of my health.
I don't allow Hollywood to define my joy, my happiness, and my peace because you'll be screwed. You have to be very careful.
From time to time, you have seminal personalities who really change the way the world sees itself - people like Gandhi, Martin Luther King, Nelson Mandela. Warren Buffett is that kind of person in the business world.
Continuity isn't actually something that I ever worry about. You use it where you need to, and you don't use it where you don't need to.
There's nothing like rejection to make you do an inventory of yourself.
If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for 'Twilight,' it's a pretty wide range.
You can only be yourself, and it sounds cheesy, but when it comes to filmmaking, there's really nowhere to hide.
I think that anyone who likes writing views 'The New Yorker' as the, you know, pinnacle of the publishing world. If you get 50 words published in 'The New Yorker,' it's more important than 50 articles in other places. So, would I love to one day write for them? I guess. But that's not my sole ambition.
Confrontation is not a dirty word. Sometimes it's the best kind of journalism as long you don't confront people just for the sake of a confrontation.
My parents said sticks and stones will break your bones but names will never hurt you. But I always felt a sense of exhilaration after a fight; it was the names that really hurt me.
How we absorb music is unique. I know what I do. When I'm listening to music, I tend to find myself in a song. That's what really makes you connect is if you feel what that song is saying.
You know, 'Viggo' is a pretty dorky name in Denmark. It's like 'Oswald' or something. It's a very old Scandinavian name, at least 1,000 years old.
You do have demons throughout the week; every coach does.
You never know, the way technology is going, we might all use the games for scouting by the time I retire.
Filming is like a house, you have to feel comfortable in it.
Not everybody gets a chance to go fly around the country and spend time in places with people who aren't like them, where, again and again, you realize we're all generally alike.
When you deal with Alan Ball, you're dealing with a person who is a genius in terms of how art imitates life.
Visit USA.gov and you'll find thousands of directorates, agencies, boards, offices, and services replete with overlapping responsibilities, ancient priorities, and divided accountability.
My father told me 'Name your price in the beginning. If it ever gets more expensive than the price you name, get out of there.'
E-books are preferable to paper; they can be delivered instantly. In many cases, they're cheaper; you can buy them with the press of a button.
First you help yourself, and then you can help everybody.
My first novel - the novel I wrote before 'Midnight's Children' - feels, to me, now, very - I mean, I get embarrassed when I see people reading it. You know, there are some people who, bizarrely, like it. Which I'm, you know, I'm happy for.
You learn from your mistakes, and I think it's a good thing as long as you learn something.
You could call me on the phone and say, 'Someone blew up your entire house, Mike.' If it's not a person involved, I would sort of blink, whatever. That's all replaceable, right?