When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff.
You can't pretend that everybody likes Versace. It would be boring. It's better to create a reaction than to create no reaction. That's dangerous.
If you erased New York, I hate to say it, if you erased Frankfurt, even London, the world would not have changed.
Any film is about heroism: the triumph of good over evil. If you look back at my films, you will see that as a recurring theme.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
I wish records got made faster and looser with less thought in them, but since touring is so much more profitable than records, you spend so much time on the road that it's hard to work on them. And the records get further and further apart.
Belief is so important in everything. You need to believe in magic. You need to believe in yourself. You need to believe in your family.
If you want to tell grown-up fairy tales, you have to look for the dark side.
Your family is unavoidable. You cannot escape them or trade them in for another family. You also can't change them... but you can change your response to them.
I do think that it's better for a musical to live its life first because if you see it on the screen, would you like to go to the theater after that? Probably not. You've seen it. And that's the mystery of a musical that hasn't been filmed. You're bloody meant to go there and buy your ticket.
If you want to tell stories, be a writer, not a filmmaker.
Anytime you put yourself in a creative box, it's going to stifle you; it's not conducive to the writing or recording process.
And if we don't have a test, what we may end up doing is going back to what this country has done before. We could use social class and we still do, but in the 50s, it was, do you have the right last name and are your parents in privileged positions?
My interest as an artist is to illuminate the lives of black folks. I definitely am focused on films that illustrate all that we are and all our nuance and all our complicated beauty and mess, and when you're telling those stories, you gotta have black actors.
When you think back in history about producers and artists or writers who've had good synergy, a lot of times they date, or they're married, or there's a friendship and a kinship.
You have to be physical. If you are not, defensive backs will try to pick on you.
You see, I'm also a futurist. I dream about the world 50, 100, maybe even 1,000 years in the future. But I also realize I'm probably not going to see it. However, I wouldn't mind having at least a copy of myself see the future, maybe 50, 100, 1,000 years into the future. It would be a fantastic ride.
I say to my kids all the time - and this is absolutely true - I always say, 'Who's the boss?' and they go, 'You are.'
I think, as directors, they may recognize, more than the rest of the body of filmmakers, exactly what you do as a director, because I think sometimes the conception is if the camera isn't swinging around, and it's not pyrotechnic or worthily melodramatic, then the direction is uninvolved.
Improv definitely made me a better auditioner, without a doubt. We did do an audition semester in grad school, and that was helpful for those times that you have a script and you have a few days to prepare it, to really work on sides. But the auditions I was doing in New York, if you got it the night before, you were very lucky.
My instincts tell me that you will spiral into a very unhealthy place if you start pondering about how other people think about you and, quite frankly, I don't want to go there.
In Europe, you would almost never have people with large amounts of income being happy with a two-volume vehicle like a hatchback or a minivan. They want to structurally show their societal position, which is why three volumes are so popular. They show 'I'm part of that hierarchy.'
If you look at U.S. Congress, 80 percent of them have never left the U.S.A., so I'm not surprised about Russophobia in Congress.
Being cold for a short period of time is not life-threatening. You can perform a task when you're cold. We proved that when the Vikings played outside.
Believe it or not, one of the things I try to do around here is try to look for opportunities to work with people across the aisle. I know that's not the common narrative. But the truth is if you want to get anything done, that's an absolute requirement.
You can only judge anything that happened in the times, in the times that that happened.
Webern was a kind of 'Kamchatka of music,' an unknown country of music. That's true; for me and people of my generation, he was a radical - you couldn't be more radical than he was.
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I'm an infant with Shakespeare; I'm kind of learning how to walk. I am trying to decipher the code, you know? I do my research. And I get a clear understanding of what the language is. It is a tremendous process I have to go through as I am sure all actors do, finding the gems hidden in his language.
Success is like food caught in your teeth: much more noticeable when it happens to other people. If it happens to you, other people have to take you aside and say something.
If you want to relax, watch the clouds pass by if you're laying on the grass, or sit in front of the creek; just doing nothing and having those still moments is what really rejuvenates the body.
When you start out in a team, you have to get the teamwork going and then you get something back.
I think it's sort of disrespectful to the partner you're having sex with to talk about it.
Moving around a lot allows you to experience many different cultures and learn about the ways that different people in different parts of the country live, and it probably made me somewhat more adventuresome and allowed me to meet my future wife in Pensacola.
When you can tailor your act, you want it to be about yourself but also about the people in the room and the experience you guys are having in that moment; it is really a special thing.
I've got enough miles under my belt to know that whatever you envision in your mind, even if it comes true, will only keep a shape in the most general way.