If you're talking about Java in particular, Python is about the best fit you can get amongst all the other languages. Yet the funny thing is, from a language point of view, JavaScript has a lot in common with Python, but it is sort of a restricted subset.
Having been subjected to the pigeonholing of Hollywood myself, I realized that once you become a studio-approved director, your chances of ever making your own film again are zero. You make the films that the studio wants you to make.
Hat-making is laborious and time-consuming. It's a very tactile medium, and you can develop the skills, but it's one of those things: you either have it, or you don't. I love bringing something to fruition with my hands that gives people pleasure.
Here's the secret to finishing that first book. Don't rewrite as you go.
Love lasts only for months, sometimes only for minutes. But if you like somebody, it's for a lifetime!
I think there are two ways to depict a family. One is what it's really like, and one is what the audience would like it to be. Between you and me, I think the second one is what I would prefer.
It's the way I study - to understand something by trying to work it out or, in other words, to understand something by creating it. Not creating it one hundred percent, of course; but taking a hint as to which direction to go but not remembering the details. These you work out for yourself.
The hardest thing when you're making a zombie movie is, 'How am I going to kill these zombies? I need a clever way to knock these guys off.'
Everyone's projecting onto you, or you feel like everyone is judging you. I feel like I'm being judged a lot of the time. You become really self-conscious.
Baseball players practice, runners practice, so how can you practice being funny? You get up onstage. You train as an improviser, playing make-believe, using the vernacular of improvisation, saying 'yes and' to other people's ideas, making statements.
When you see period films, it tends to often be with older actors.
The concept of emergent gameplay is really exciting. That's when players are really crafting their own experience. So if you're clever and creative, you can do things that even developers of the game didn't know were possible.
I never lose that terror of 'this is my last job, I'll never work again.' You can never relax and rely on whatever reputation you've built.
I feel like, with a television show, you're always biting your nails hoping you're going to get that next season.
When you worked in a studio it was the studio system that you kind of missed because it was a big, big family. I mean MGM had 5,000 people working a day there. You miss it.
The president's very right about one thing: When you have a disaster of that scale, whether it be natural or a terrorist attack, there's only one part of our entire government, state or local, that is equipped to handle it, and that's the U.S. military.
I've been an inveterate reader of literary magazines since I was a teenager. There are always discoveries. You're sitting in your easy chair, reading; you realize you've read a story or a group of poems four times, and you know, Yes, I want to go farther with this writer.
I guess I cringe when the discussion leads to, rather than books and sentences and characters and the stuff that writers are supposed to be concerned with, how to have an online presence and how many followers you have on Twitter. That stuff always makes me uncomfortable.
I don't like to sit still for long at all, which has probably helped me along the way, and partly why I was drawn to the heat of a restaurant kitchen. The rush of service means that you're always on your toes and keeps a chef pretty active.
It's as simple as you can explain all of 'Dallas.' We're a dysfunctional family forced to stay together.
My mother was a good recreational cook, but what she basically believed about cooking was that if you worked hard and prospered, someone else would do it for you.
I remember the first year at the Game Developers Conference I wore these big red giant knee-high boots. Nobody cared. You can wear anything you love, because that's what you do in games. You make yourself who you want to be.
When you're seventeen to early twenties, that's the time you're trying to work out who you are. If you're trying to make some kind of artistic or creative impact, that's the age when you start to figure out how to do that.
My 'Movember' moustache was never going to be as big as Nigel Mansell's, but I tried my best. The amazing thing is that when you try to grow a moustache, you notice everyone else's. There are some amazing moustaches on the grid.
Writing is always a restorative process. It's like paddling a kayak. When you're writing, you can't do anything else. You're in the space you're in. So, in that way, it's enormously centering and restorative.
If I ever did cross over I would like to do it tactfully. I don't want to offend anyone in country. Can you have the best of both worlds? I sure like the idea of it!
Glasgow is certainly a place where they will tell you if they don't think you are anything special.
As CNN saw our growth in African-American viewership, they affirmed a fundamental truth of news coverage - people will watch you if they see themselves in what you report. It doesn't hurt if the people doing the reporting look like them, too.
You shall hear a good account of me or of my death.
Time heals all wounds, unless you pick at them.
You really can't stereotype people or put them in boxes, it's unfair.
The moment for action has arrived, and I know that I can trust in you to save our country.
All the things you can do to prepare for a role that free you, in the moment, are great. You have this muscle memory for things. You don't have to act it as much, once you've done it enough.
Boredom, anger, sadness, or fear are not 'yours,' not personal. They are conditions of the human mind. They come and go. Nothing that comes and goes is you.
We buy a bottle of water in the city, where clean water comes out in its taps. You know, back in 1965, if someone said to the average person, 'You know in thirty years you are going to buy water in plastic bottles and pay more for that water than for gasoline?' Everybody would look at you like you're completely out of your mind.
I don't think I've necessarily been able to pick and choose in my career; I don't know how many people do. But I'll tell you what I've been able to do: I've been able to say no. It is the only thing you can hold on to sometimes, is that ability to say 'no.' And I think that in that way, you can create some kind of career.
