The Asian culture has to be a part of what we see on TV and in movies.
Everything bad happens to set up something good. I've always found that to be true. I think if most folks look back on the history of their lives, they'll see that.
General writing about science, even if we do it badly, helps us to see our work in perspective and broadens our vision.
I think both of my parents are unique in the way they don't live their lives as celebrities. They're both artists, first and foremost. My mom lives a very private life. So does my father. You don't really see them in the tabloids or anything like that. I think that's definitely a decision you can make.
I tend to think of Pluto and its moons as presents sitting under a Christmas tree. They're wrapped, and from Earth all we can do is look at the boxes to see whether they're light or heavy, to see if something maybe jiggles a bit inside. We're seeing intriguing things, but we really don't know what's in there.
When I see somebody in a Prius, sure, you drive a Prius and you get good gas mileage, but you probably feel like you drive a Prius.
Where I grew up, people obviously knew my dad because it's a small place and he was the top player for Swinton - they'd go and watch him play, see him in the papers, so they knew he was black.
We see ourselves in the House as sort of the engine room of the ship of the Republican Party. We're down in the bottom... in the bowels shoveling coal into the furnace. And, by the way, there's nothing wrong with coal.
We don't really get to see gay characters who are completely open with their sexuality, but it doesn't define who they are.
I see myself at 7:30 in the morning and it's not too pretty.
I don't think my daughter wants to see me on the toilet. Lila has seen me nude.
It's nice to walk into a club and see your picture. Then you know you've done something good.
If I'm talking to you, I can't see you, but I can see inside of you and what you're thinking. That's a mixed blessing.
All these movies are observational comedies. I see somebody, maybe a dry cleaner, and notice how they are. Maybe I'll decide to turn a person with those traits into a studio chief.
I know what the Giller nominee effect is, but we'll see what the next level is.
When people come to see my stand-up, they get a chance to see my characters interact with each other.
How are things visible? Can you see an egg against a white background? Not by drawing a line around it can you make it evident.
I don't want to see a movie twice. I don't want to do anything twice.
My only market analysis was to look around and see that, in one way or another, most watches are inspired by watches that were made in the 18th and 19th centuries. If I wanted a watch like that, I'd much rather buy the real thing at auction than a replica.
The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water.
When we make progress quickly, it feeds our emotions. Then, when there's a period of waiting or we hit a plateau, we find out how committed we really are and whether we're going to see things through to the finish or quit.
It was quite a thespian - 'thespy' - sort of household. My mum had a dance school, and my dad now works in a theatre, so I spent a lot of time going to see dance as a young child - it was just a part of who we were.
It is particularly pleasing to see how purely basic research, originally aimed at testing the genetic identity of different cell types in the body, has turned out to have clear human health prospects.
As commissioner, I will attempt to see that no man is judged by the irrational criteria of race, religion, or national origin. And I assure you, I use the word 'man' in the generic sense, for I mean to see that the principle of nondiscrimination becomes a reality for women as well.
The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.
We sort of have given up on the idea of taking any sort of personal responsibility for what we see. I don't understand it at all. There are many things that I won't let my kids watch.
You can see a lot of politics on a lot of different channels. I'm not interested, really, in talking in some wonky conversation about politics, though. It's not my speed. I'm not interested in the ins and outs of health care.
We Americans typically are more positive about our individual futures, which we have some control over, than we are the nation's or the world's, which we see largely through the media prism.
I don't think my name would necessarily draw people to come see the movie. It might hurt the movie, honestly.
When I was in Lochgelly as a boy, I went to the cinema every night - and on Sundays, I used to go to Cowdenbeath and see something there.
I see myself as a story teller.
Ultimately, so many things come down to money, but particularly when it comes to superheroes - people really thought that only men loved action movies and only men would go see a superhero movie.
It seems to me there is a change in what audiences want to see. I can only hope that's correct, because there's an awful lot of people of my age around now and we outnumber the others.
Life is always a problem. The fact that I'm on the radio saying that I don't necessarily see hope does not relieve people, does not relieve my son, does not relieve children, of the responsibility to struggle.
I flew to England to see the rough cut of 'Revolutionary Road.' I was quite moved. As a married man, it's kind of disturbing to see a couple try so hard to work things out and fail so miserably.
No one wants to see a tattoo on a stomach.
