You play with the audience, and they play back with you. They get into it, and then everybody gets into it. I don't want to be like a monkey on stage and just go through the motions because then it wouldn't be fun anymore. I just pay attention to the audience and appreciate the fact that somebody wants to see us. That gets me psyched.
My daughter is full energy, like my wife and I, and strong-minded and has an opinion, like we do. And my boys, one's a bit more calm and chill, and the other is much more sensitive to things. You see this right away, when they're first born. One cried, one didn't, with the boys.
Money, for me, is just to create bigger and better things. A lot of guys in the deejaying world flaunt it, but I don't see any use in that. I don't need anything. I live in hotels. Most of my clothes I get for free. I like to invest in ideas. In people.
When I've written episodes of 'Doctor Who', when it comes to the monster chasing somebody, it's the Doctor and the companion, running down the corridor, being chased by a guy with a stick and a tennis ball on the end. Whereas, when I see the rushes of 'Being Human', we're actually looking at the werewolf, and it just looks real.
I would enjoy venturing into music, as I do write songs and compose music! And, of course, dance, rhythm and performance are in my blood, so eventually I see myself doing something in that area, surely!
Quit thinking that you must halt before the barrier of inner negativity. You need not. You can crash through... whatever we see a negative state, that is where we can destroy it.
I am totally fascinated by people and our history as I understand and continue to explore it. People have so much to give and so far to go and yet we have given and gone a great distance. It's really just interesting to ask: why not? And see where that takes me.
I would recommend anybody who gets a chance to see short track skating, make it a point to go out there when Apolo is skating because you won't see anybody better.
I don't want to see a 70-year-old on television.
One of the things about animal rights, which is not the only thing that I care about in this world, is that your money can bring success. I see results.
First let me report that the art in the Barnes Collection has never looked better. My trips to the old Barnes were always amazing, but except on the sunniest days, you could barely see the art. The building always felt pushed beyond its capacity.
L.A. is such a car-driven city, and it's great to see so many people - I think people are hungry to get on their bikes and get out of their cars and get off of oil and save money and save the environment.
He's the best practitioner I've ever seen of the Cuban style. But I think that what Rigondeaux sees as an immaculate performance has no corollary to what fans see as a perfect performance. In his mind, to make an opponent look terrible who has been lauded as exciting or favored against him gives him satisfaction.
I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.
I see procrastination and research as part of my artistic process.
I think that, to a lot of people, they don't like my brand of whatever I do. And I think that people - the ones that like me, at least - see me as their brother or their older uncle or their friend or their next door neighbour. I am the quintessential boy next door; I feel that way.
You know when I fight, I'm going to sell out the show. Everyone wants to see someone get knocked out or tapped out.
I see four principles as laying the foundations for the kind of economic recovery Europe needs: fairness, efficiency, solidarity and growth.
Artists should be free to create what we want. I believe there's a special value in work that is a reflection of oneself as opposed to interpretation. When I see a film or a TV show about black people not written by someone who's black, it's an interpretation of that life.
I've been acting for a long time now, but as narcissistic as this sounds - and I don't mean it to sound - every time I see my name up there, there is real sense of pride.
I think so many people are reactive... they see things in a short term way they're right up against it.
If I see a now-28-year-old woman coming up to me, she's probably thinking of 'Juno' because she watched it with her parents when she was 18 years old.
I always used to pretend to be different characters - cowboys, that sort of thing. I used to think that the Indians lived over the mountains that I could see out of my bedroom. As I grew up, I started to understand that acting was actually a craft, and there was no question about it, that was exactly what I was going to do.
People have nervous tics they don't know about, and I would advise asking around. Ask the casting director, 'Is there something I'm doing?' I would see people unconsciously rocking back and forth. I roll my lips. I bite my lips and roll them.
Fear warps our understanding of reality and even our ability to see reality clearly.
There's a big difference between needs and requirements for grid-based electricity versus those for distributed rural homes or remote locations, or even rooftop solar, where photovoltaics do OK. The more economical a technology is, the faster we'll see adoption.
I look at my jersey and see the NBA logo, I'm like, 'I didn't think I'd be here.'
If I like a movie, I see no reason not to go back for Parts 2, 3, 4, etc.
What has 'The Patchwork Girl of Oz' got in its favor? Quite a lot, from our point of view in 2009. If you want to see how Oz's creator envisioned his own work, here it is.
You see, you learn from all your bad experiences, so they're really positive. It's all part of the cosmic knowing.
You rarely see women being nice to each other on television anymore.
Those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences - they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.
It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.
I was excited that my films would finally see the light of day and people would see them. But I never imagined that such nice things would be said about a lot of my films.
One of the pleasures of looking at the world through mathematical eyes is that you can see certain patterns that would otherwise be hidden.
It wasn't until 1999 when my idols Mia Hamm and Kristine Lilly took home the women's World Cup trophy at the Rose Bowl in front of 40 million TV viewers that I remember thinking how rare it was to see women play sports on TV.
