The rumor is Chu Hing really wanted the 'Green Turtle' to be Chinese American, but the publisher didn't think that would sell. If you read those books, the hero almost always has his back facing the camera so you can't see his face. When he turns around, his face is obscured.
Every time I see Peter Falk in the movie I think that would be great. We'd be fun together.
The version of me you see on TV now and in my feature films is a pretty happy guy, isn't he?
There are so many opportunities to see the sun go down in the evening and the sun come up in the morning. The colors change on the trees, on the snow. I'm surrounded by people who are friendly and helpful.
I like to keep a bottle of stimulant handy in case I see a snake, which I also keep handy.
Dogs are a really amazing eye opener for us humans because their lives are compressed into such a short period, so we can see them go from puppyhood to adolescence to strong adulthood and then into their sunset years in 10 to 12 years. It really drives home the point of how finite all our lives are.
We measure our days out in steps of uncertainty not turning to see how far we've come. And peer down the highway from here to eternity and reach out for love on the run.
Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller.
Everything I do from now on, I'll have a mustache. I can promise you that. I don't care who I have to convince. If you see me with a mustache in a movie or on stage in the future, you'll know that I pitched the idea.
Once every lunar eclipse, you should be able to see me smile!
It is rare that one can see in a little boy the promise of a man, but one can almost always see in a little girl the threat of a woman.
I was actually the one who decided to move to LA. Mom and I were driving on Sunset Boulevard during one of our trips back to see her family, and I said, 'Can we just stay?' So we did.
I am a perfectly normal woman. If what we do is storytelling and represent people that we see all day and every day, well, we do not see supermodels all day and every day.
If you sit at your desk and reach and grab a cup of coffee, you don't look directly at the cup, focus on it, and get your fingers lined up before grabbing the coffee. In real life, you reach for a cup that you see out of the corner of your eye, and when you feel it, you know you can grab it.
Strange to say, the luminous world is the invisible world; the luminous world is that which we do not see. Our eyes of flesh see only night.
Into The Woods was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.
For a sculptor, a painter, a weaver, a potter, the dialogue between one's materials and what one makes from them is easy to see: discover a new material or a new way to use a familiar one, and new things can be made, sometimes leading to the discovery of more new material, leading to more creation.
I think I really see myself doing TV more than ever.
I would sort out all the arguments and see which belonged to fear and which to creativeness. Other things being equal, I would make the decision which had the larger number of creative reasons on its side.
Fortunately, this is not something that we see a lot of. Very rarely do you see a dog in this terrible shape from starvation. People just aren't that cruel.
When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.
People don't see me in traditional roles; I'm not getting cast in the revival of 'Company' as Bobby.
I think we carry around the idea of being a Kid in the Hall as part of our identity. It's a big part of how we see ourselves now.
Since we cannot change reality, let us change the eyes which see reality.
Decolonization actually boosted slavery. As foreign powers withdrew from the colonies, people were enslaved by their own countrymen. And we see it in Africa, we see it in Asia.
We can't change anything until we get some fresh ideas, until we begin to see things differently.
If someone talks about union, fidelity, a monogamous relationship, love, blessing; I would say it sounds like marriage to me. And blessing, you see, I think is undermining our sacrament of marriage.
If you start trying to communicate ideas, I think you don't allow the audience to see themselves.
When I grew up Carl Lewis was still running, Maurice Greene was running - he was that figure I see, like Michael Johnson. I really wanted to look up to the fast guys - so those two guys were some of the guys I looked up to.
So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.
It was announced as a French victory by the French Minister of War. I did not see any sign of victory but only the retreat of the French forces engaged in the battle.
Gimmicks come and go; the cop show seems one genre that will never leave - not as long as people like to sit at home in the suburbs and see what awful things go on in the cities.
If you see something that you feel is familiar it gives you an important kind of emotional connection.
When a television show like 'Scandal' becomes the biggest show in recent history, suddenly advertisers and networks want to jump on that. And what it's showing is that people want to see diversity.
By depending on the great, The small may rise high. See: the little plant ascending the tall tree Has climbed to the top.
I've not met a soul who wants to see The Wanted over One Direction. The thirst for those boys is insane.
