A documentary film is a great way of helping people understand because, somehow, when one is able to see the people involved, it lends a certain immediacy and understanding that is hard to get on the page.
I don't see anything wrong with being comfortable with my own skin.
For anyone with half a brain they can see that this play is about the human condition.
I see no reason to use offensive tools unless you're defending the country or in a state of war, or you want to achieve some really important thing for the good of the nation and others.
It's going to be interesting to see how society deals with artificial intelligence, but it will definitely be cool.
I am not facing the problem of emigration. I want my music to be acknowledged here first of all, in this country: after that, we shall see - perhaps the question will than become urgent.
I'm not good with sci-fi stuff. I'll be in it, as long as I can see what I'm dealing with and know it's fake. As soon as I watch it on TV, though, my brain registers it as 'Everything's real!'
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
All I want to see from an actor is the intensity and accuracy of their listening.
Doubting what you see is a very odd experience. And doubting what you remember is a little less odd than doubting what you see. But it's also a pretty odd experience, because some memories come with a very compelling sense of truth about them, and that happens to be the case even for memories that are not true.
And I think most people in this country want to see a president that's got the courage to say we're going to cut the tax burden, and reduce the regulatory climate, and we're going to get Americans working.
It's not the way you want to get a job, to see someone you admire and look up to and learned so much from get fired.
I want to see if the player communicates with his teammates and how he responds to coaching. Another thing to remember is players' bodies can develop better than their skills.
I'd see movies, comedies, and I loved 'Animal House', I loved all the John Hughes stuff, but I never saw me and my friends totally represented.
After an eternity of seeking the sudden threshold of seeing and finding leaves one filled with a strange paradox of ecstasy and grief. I was born to see.
Pharrell is a person who has influenced the world. I see myself in him, so I said, 'You're an alpha, and I'm an alpha, and I want to be able to express myself in every way, like you do.'
An outsider can see some things much better.
The motivation for making movies is that people actually see them.
I believe if you go to a movie theatre, and you see something you think is incredible, if you walk out of the theatre and there was a bin in the lobby of DVDs of the film you just watched, you would buy four of them - one for you and three for your friends.
People always call me a comedian. And I don't really see myself like that. I guess I just consider myself an actor who does comedy. But who wants to do other things as well.
Everyone should see Hollywood once, I think, through the eyes of a teenage girl who has just passed a screen test.
I don't really think they saw anything in me, except the fact that I was interested in it. Some of the kids would miss a week here and miss a week there, I think they could see that I really enjoyed it.
I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.
It's astonishing what you learn and feel and see along the way. That's why a reporter's job, as you know, is such a joy.
It is a lonely existence to be a child with a disability which no-one can see or understand, you exasperate your teachers, you disappoint your parents, and worst of all you know that you are not just stupid.
Right now I just want to chill for a while. Take a hiatus from all the craziness. To clean my house, see my family. Just see some movies and pick some strawberries.
When you first start photographing a show or being into photography, you might think it's cool to see people with their phones, like, 'It's so novel; everyone cares about this moment so much,' but then it becomes... trite, y'know, and shallow. I think the best moments of my life have been spent without phones.
I'm obsessed with giving the audience something they don't see coming.
If you see something that speaks to you and you can swing it, don't question. I don't regret anything that I've ever bought, only the things that slipped away.
I am nowhere near my limit. I just want to see if there are such things as limits. I want to go and find out.
Don't be afraid to see the gift and talent you have, because that thing could lead to a substantial career for you. Because we all do something as good or better than most people.
American people are very patriotic, but there is no driver to get behind and support. I don't see why Formula One cannot be something America is a part of. I wouldn't say it's too European at all.
No one ever wants to see his or her name linked to anything bad. Conscience is like a baby. It has to go to sleep before you can.
I'm making the art for me first. I'm making it because these are the pictures I want to see. I'm making pictures that don't yet exist.
I got involved in script development from the beginning. It was nice to see how a film gets made right from the beginning. It was quite hands-on for me.
We're all born with different talents. I'm really not that smart, but I can see things - financially and development-wise. It's just the way we're made.
