I never went to school. I never went to acting school because I was so scared.
I wanted to be a doctor when I was a kid, but I started doing theater in high school because it was a requirement. At first, I was completely irritated. But I ended up loving it.
I think that there were only two people in my high school that were comfortable there, and I think they are both pumping gas now.
I was a classic attention deficit disorder kid, always bored and mouthing off at school.
When I left school I was full of angst, like any teenager, and I channeled it all into comedy.
Six hours a day I lived under school discipline in active intercourse with people none of whom were known to those at home, and the other hours of the twenty-four I spent at home, or with relatives of the people at home, none of whom were known to anybody at school.
At a school in Massachusetts where I once worked, we managed early on through consensus. Which sounds wonderful, but it was just a very, very difficult way to sort of manage anything, because convincing everybody to do one particular thing, especially if it was hard, was almost impossible.
If you would be just as content winning a local Golden Gloves fight as you would making a pile of money as a professional, then fine, go become a boxer. But if the whole idea is for you to get rich, my God, stay in school and learn a profession.
They basically said that if I didn't show up for school they'd mark me present, they wouldn't send the truant officer after me. At 16 I enrolled in something called continuing education. Once a month I'd go out to Jamaica, but I didn't take it seriously.
In the book, I write about children in first grade who were taught to read by reading want ads. They learned to write by writing job applications. Imagine what would happen if anyone tried to do that to children in a predominantly white suburban school.
I started out mopping floors, waiting tables, and tending bar at my dad's tavern. I put myself through school working odd jobs and night shifts. I poured my heart and soul into a small business. And when I saw how out-of-touch Washington had become with the core values of this great nation, I put my name forward and ran for office.
I was one of those kids who kept trying on different skins in high school. I was very afraid to be myself around all of these kids, to really reveal any part of myself that was true, so I would try on different skins, try on different masks, hoping I'd hit on one that was cool or quirky or interesting enough that suddenly I would be OK.
I never had a job. I bought my first house within a year of getting out of school, and I built a custom one four and a half years later. The Art Center didn't teach much about business, but I learned a lot from the Fortune 500 companies that were my clients.
I left school the day I turned 16, the earliest day I legally could. Determined to follow a life on stage, preferably with some dance connection, I applied for and won a place at the local drama school. I was on my way.
I contracted malaria in rural Mozambique. I was a youth ambassador for Australia. For a year after high school, you give positive speeches about Australia and as part of it I traveled to lots of different countries.
All through my school life I was appalled by the fact that masters and senior boys were allowed quite literally to wound other boys, and sometimes very severely.
I grew up as a British kid - I went to school in London, roamed the streets of London - but having these interactions with my roots and going back to Ghana, I'm like, 'Yeah this is sick.' I love my country and my people, and the energy and vibes that they bring back. So I want to rep that and be a part of it.
I don't make my own schedule - it's constructed around my sons' school schedules.
When I first thought of the idea for 'Sweet Valley High,' I loved the idea of high school as microcosm of the real world. And what I really liked was how it moved things on from 'Sleeping Beauty'-esque romance novels where the girl had to wait for the hero. This would be girl-driven, very different, I decided - and indeed it is.
I don't know about you, but I've saved cards that old high school flames wrote me as well as those that employees have written me over the years. The power of genuine, customized appreciation will never lose its value, even in a gloomy economy... in fact, it's probably what we're all thirsty for in this desert of a depression.
I slipped through every school I went to without leaving a trace. I was in no team; I was never a prefect. I was totally mediocre - well, I probably still am - but at places like Summer Fields and Eton, it's all about sport and doing your bit, and I always preferred to watch telly or read a book than run round a field.
My wife will tell you it's the little things, like driving my boys to school on my days off so she can rest. We're not into PDA, but every time we end a phone conversation, we say 'sarang,' which means love in Korean.
'Old School' is so breezy it could be a late-night talk show, especially when Craig Kilborn, of 'The Late Late Show,' sidles into camera range as a particularly loathsome competitor to Mitch.
Before this DJ thing, I was hopelessly taking things apart to try to figure out how they worked. I'd go mess around with burned-out cars, with my mom's stereo - I was public enemy #1 in my house for that. So my mom noticed that I was interested in this and decided to send me to school so I'd know what I was doing.
You gotta understand, there are two different kinds of Asians - the kind who are good at school, obey their parents, go to college - that kind of stuff. And then you have my family - me, my brother, all of my cousins - we're just wretched people.
The prevailing view was that girls were outside of school because of the resistance of families to their education. But when I visited a local village, what everyone told me - the chiefs, the parents, the children - was that girls weren't in school because it was the boys that had a better chance of getting paid work in the future.
My first acting job happened by accident when I was really young. I was in fifth grade and my teacher saw an ad in the paper and took me to the audition after school and I got the part.
I always wanted to go to the Chavez school but I could never afford it when I was growing up so a lot of my learning came from magic books and watching other magicians. I was also very lucky that I had a couple of really good magic teachers.
I grew up in Pennsylvania in a small town. Real small, like one high school and one movie theater. Well, there was a state college there, that was the only good thing about it.
I couldn't fight, and I wasn't particularly interested in the academic. So I started doing satiric bits in the school bathroom. Guys would cut class to come and see me.
I don't think I ever consciously separated 'school' books from any others; I just read anything that came across my path.
I first got really interested in Noh in about 1977. There was an independent bookstore in Bloomington, Indiana where I was going to high school. It was a really nice place. There was a New Directions paperback. It was the Pound/Fenollosa book, 'The Classic Noh Theatre of Japan.'
I think that the lady who is waiting on me at the local diner, who has kids in school and the mouths to feed, I think she probably has as nice a life as I have. And she only wants to improve her life, her lifestyle.
In the matter of the maintenance and rearing of children the Anarchists would neither institute the communistic nursery which the State Socialists favor nor keep the communistic school system which now prevails.
My mother is Turtle Mountain Chippewa, and she lived on her home reservation. My father taught there. He had just been discharged from the Air Force. He went to school on the GI Bill and got his teaching credentials. He is adventurous - he worked his way through Alaska at age seventeen and paid for his living expenses by winning at the poker table.
Me, I was waiting tables of 13 and married at 19. I graduated from public schools, and taught elementary school.
