My high school job was putting insulation in attics - in Louisiana in the summer. It must have been 95 degrees every day, and the insulation used to get all over me. It was not fun. But I didn't know any different. It wasn't like I was spending summers on Cape Cod.
My parents were ballet dancers, and I did a lot of ballet, too, so I think I learned quite early on how to hold my body. Although I do recall desperately wishing I was shorter at school.
School is such an encouraging and safe environment. It's filled with idealism and just really working on your craft. When you enter the business world - where art meets commerce - it can become quite depressing.
I haven't lost an election since middle school.
I am definitely of the method-acting school. Everything to me is about sound. I don't dress up in period costumes or anything like that. I'm very aural. When I'm working, I try to soak up the sounds of an era.
I spent a lot of time staring at the clock in school, so I have that kind of personality.
When I got out of Yale Drama School, I was completely broke.
I went to Acton-Boxborough Regional High School in Massachusetts and Emerson College in Boston.
I never missed a birthday. I never missed a school play. We carpooled. And the greatest compliment I can ever get is not about my career or performance or anything; it's when people say, 'You know, your girls are great.' That's the real thing for me.
At 11, I went to Misha's school for two summers. So when I wasn't in that school, I was taking classes at David Howard or Robert Denver's studios - kind of legendary places - and there was one summer where Alexander Godunov sort of took me under his wing; the memory's a little murky, but I felt as if I was his project for those weeks.
Larry King and his producers ought to go back to school and learn what 'fair and balanced' really means.
Right out of school, I did this show called 'Natasha, Pierre & the Great Comet of 1812.' It is based on a classical text with new music - not necessarily confined by a certain genre. It was a diverse, interesting group of musicians, actors, nonactors, and singers all creating this thing that is bigger than all of us.
School didn't work for me. I hated it.
I don't watch anything of mine much. I haven't gone to drama school, or college, either. I just like to watch other actors in action. I learned so much from working with De Niro. I'd be in a scene with him where I was supposed to be acting, and I was just watching.
A lot of times, I faced bullies - or the 'big dogs' at school. What I wanted 'Red Rising' to be is not necessarily an indictment on bullies, but it reflects my experiences and attitudes that I had with bullies growing up.
I love all sports! I'm always impressed by athletes. I also love watching the Olympic Games. In high school, I played co-ed soccer and basketball. I really enjoyed both of those sports, but I have to admit basketball wasn't my calling.
I went to an ordinary primary school, and then I started performing in a show called 'Billy Elliot' on the West End, and that was sort of my drama school.
When I was younger, I always liked acting. You know, like, acting locally, or community theater at school. But it's not an especially insured career choice, so I was like, 'It's a hobby. Whatever.'
I was a very good student. Procrastinating gives me anxiety, and getting a B really ticked me off. Sure, I didn't always want to do my homework, but I actually really liked school. As nerdy as it sounds, I love learning.
School boards are, for the most part,made up of political wannabes who see a board seat as a stepping stone for political office, or well-meaning parents who represent an ethnic group or geography, or have some other narrow interests. Few people on them understand what governance is about.
We got a copy of the 'New Statesman' at my grammar school in Wigton, Cumbria, in the 1950s. It sat mint fresh every week on the library table, with two or three other bargain-offer magazines. The 'Statesman' came out of the unimaginable Great World. I started to read it then and have pegged along ever since.
I am an unconventional beauty. I grew up in a high school where if you didn't have a nose job and money and if you weren't thin, you weren't cool, popular, beautiful. I was always told that I wasn't pretty enough to be on television.
In secondary school I was floating - I wasn't passionate about anything. I did a little sport, but it was pretty joyless because the competitiveness was too much to bear.
Playing in my early bands, working as a studio musician, producing and going to art school was, in retrospect, my apprenticeship. I was learning and creating a solid foundation of ideas, but I wasn't really playing music.
When I switched to screenplays - 'cause I had done musicals and plays - the first assignment in film school was, you have to write a silent film. And it's tremendously helpful to learn how to do that because dialogue can be a crutch. If you can master a silent film, you're golden.
At school I was always taller than the rest of my class, and because I was an only child, I was comfortable with adults but shy and awkward with other kids. I was quiet, bookish, and in spite of my size, hopeless at sports. In short, I was different. And even in the earliest grades, I got pounded for it.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
Growing up in this post-apartheid era, the first generation of teens in South Africa living in this new democracy, I often found myself feeling different. I was often the only person of color in an otherwise all-white school. And within the Indian community, because of my training with an English acting teacher, my accent was very different.
I didn't go to drama school, so I didn't really have many true friends in the business; 'Game Of Thrones' has definitely brought me that.
I played every sport in high school for one year. If I couldn't be great at it, I quit. I would rather not do it than be average.
I mean, I never liked being told what to do. It's one of the reasons I dropped out of school.
My husband and I have known each other since kindergarten. I had a crush on him in school, but we never dated. Then we saw each other again after high school, and there was something instantly familiar about him. I'm a very shy person and was very closed off. But he allowed me to be myself. And there's a safety in that.
I'm at the National Theatre School, which is like the Juilliard of Canada.
The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it.
I met my agent when I was 10 years old on a family skiing vacation. He asked if I was interested in acting, and I had been doing school plays. A couple of years later, I called him up, and I started auditioning.
I think that anybody that stays in school, gets good grades, pays the price, I think we are wealthy enough in the public and the private sector in America to make sure that every child in America that wants to continue their education, they should be able to do that.
