I've never tried to pass myself off as anything more than a comedian who wrote a dating book.
I wrote 'Soul Keeping' because we are taught more about how to care for our cars than how to steward our souls. But you cannot have an impactful life with an impoverished soul.
I wrote 'Snowy' as a result of spending a week on a narrow boat with daily classes of children, helping them to write about canal life, the work of barges, the simple pleasure of watching the water creatures. There was no doubt that the star of their week was Snowy, the working barge horse who pulled us daily along the towpath.
Danny and I wrote 10 songs in seven days, which I thought might be close to the record until you probably look at some of the Beatles statistics.
I grew up listening in awe to stories of their wartime adventures. My granny, Joan, was a journalist and wrote amazing letters to my grandpa when he was a prisoner of war, while my nana, Mary, was a Land Girl, then a Wren. They were so independent, resilient and glamorous.
Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.
The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.
In 1981, I was a futurist - or at least I was a guy who put on a futurist hat occasionally - and I wrote about the 21st century.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
Then you start another book and suddenly the galley proofs of the last one come in and you have to wrench your attention away from what you're writing and try to remember what you were thinking when you wrote the previous one.
This book that I just wrote is going to be coming out very soon to Australia.
I'm an actor who they said was wrinkled and balding and everything else when I was in my early 30's. Most of the people who wrote that who thought they were younger than me are now bald and wrinkled.
I wrote that song for my wife, and it's what some guy who's sitting under a tree would be singing to the woman of his life, telling her how wonderful she is. To me, that's more lasting than something that sounds like it belongs on a movie soundtrack.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
Lincoln is distinguished from every other president, with the exception of Jefferson, in that we can be certain that he wrote every word to which his name is attached.
Well, writing was what I wanted to do, it was always what I wanted to do. I had novels to write so I wrote them.
I believe that the Framers of the Constitution made their intent clear when they wrote the First Amendment. I believe they wanted to keep the new government from endorsing one religion over another, not erase the public consciousness or common faith.
I saw the original that Gela Babluani wrote and directed called '13 Tzameti,' and that was very interesting. I believe it was a French film, and I was just intrigued by the awkwardness; the off-beatness of the film really just grasped me.
I worked as a carpenter for a few years. I began writing. I wrote a book about my time in Africa - that came out in 1988 - called 'The Village of Waiting.'
When I wrote about Mary Wollstonecraft, I found that here she was, in the late 18th century, going to work for the 'Analytical Review.' What was the 'Analytical Review?' It was a magazine that dealt with politics and literature.
I got it into my head that I was going to be starring in movies that I wrote, so that's what I did. I stopped acting in all things, and I wrote my first script, which was optioned a week after I finished it.
The first comedy screenplay that I wrote was Animal House and I always thought I could and should be a director but no one was about to give me that opportunity on Animal House.
I just wrote one song at a time. Kinda like an alcoholic. One day at a time.
I first wrote for adults, but when I started writing for young people, it was the most creative and liberating experience of my life. I was able to express my own deepest feelings far more than I ever could when writing for adults.
I know not, sir, whether Bacon wrote the works of Shakespeare, but if he did not, it seems to me that he missed the opportunity of his life.
As a pastor and as a dad, I want my son to know I tell the truth. He can read the book. He knows if I exaggerated or if I didn't. My son is forever gonna believe that I'm an honest person or I'm a liar by what I wrote in that book, because he can read.
And all of Laura's stuff, what they wrote originally wasn't as good and Constance wound up doing that herself. That was all her stuff, reading to the child, because she had children herself and that's what she would have done.
The first person that I ever heard sing a song I wrote was Jason Derulo. I was in the studio when he was doing it, and I mean, I've heard that guy's voice my whole life. When he was singing words I wrote, I started kind of choking up, but I tried to be all manly and puff my chest up and be all, 'Yeah, it's not a big deal.'
My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
I don't know where Bush is going - yet. But, Sharon obviously - I wrote somewhere in the last several months, that Sharon has adopted, essentially, the position of the Labor Party: that the Palestinians are here to stay.
But mostly, I wrote songs and Viv wrote songs.
So I wrote what I hoped would be science fiction, I was not at all sure if what I wrote would be acceptable even. But I don't say that I consciously wrote with humour. Humour is a part of you that comes out.
When I wrote those two songs, I couldn't have been any closer to the bottom.
I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
I had something to prove and went in the studio and started writing. I got into fitness and style and learned the whole craft. That was when I wrote everything on the album. I put out 'Don't Ya,' and it took off.
I made a movie when I was 15 years old with all my friends. This is when IMDb was a little more lax with its proceedings, so it's listed as one of my projects. I was 15 years old; it's a terrible movie. I wrote 50 percent of it because I wanted to kiss this one girl, and I wrote a kissing scene for it.
