I can always tell if a band has a British rhythm section due to the gritty production.
I want to show my versatility and how diverse I am, how I approach the track, my rhythm, my melodies. It's something different. Sometimes, the things I do haven't ever been done.
When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm.
Michael is the kind of guy who has rhythm; he has rock'n'roll in his soul, whether he really plays it or not.
An excellent habit to cultivate is the analytical study of the King James Bible. For simple yet rich and forceful English, this masterly production is hard to equal; and even though its Saxon vocabulary and poetic rhythm be unsuited to general composition, it is an invaluable model for writers on quaint or imaginative themes.
I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.
I can play rhythm guitar. I know how to hold a guitar and strum it.
What came to me as a revelation was the use of rhythm in developing an overall structure in music.
For me Brazilian music is the perfect mix of melody and rhythm. It just bubbles rhythmically. If I had to pick just one music style to play if would be Brazilian.
I think Wall Street is very important, especially to tech companies. Wall Street will get in their rhythm and go fund tech companies, and tech companies will go create jobs and employ a lot of people, so there's that aspect of Wall Street.
I love Ruth Brown, not just her singing, but Ruth Brown has more girl power than anyone, because she fought hard against people who ripped her off and then helped other artists through the Rhythm and Blues Foundation.
In college, I used to underline sentences that struck me, that made me look up from the page. They were not necessarily the same sentences the professors pointed out, which would turn up for further explication on an exam. I noted them for their clarity, their rhythm, their beauty and their enchantment.
I love the rhythm of tap dancing. It's sharp and quick. Plus, the sound is very appealing.
I did ballet, jazz, and all that, but I think hip-hop is really where I learned rhythm and groove, which has helped me in music.
I grew up doing sitcoms and theater and even playing with the Beach Boys, where you're programmed to perform, your body gets into a rhythm and you know it has to perform.
Comedy isn't necessarily all dialogue. Think of Buster Keaton: the poker face and all this chaos going on all around him. Sometimes it's a question of timing, of the proper rhythm.
Listen to any musical phrase or rhythm, and grasp it as a whole, and you thereupon have present in you the image, so to speak, of the divine knowledge of the temporal order.
Language in fiction is made up of equal parts meaning and music. The sentences should have rhythm and cadence, they should engage and delight the inner ear.
How can you not love a man banging on the drums? He knows how to keep a rhythm.
I've got to hear the rhythm of the sentences; I want the music of the prose. I want to see ordinary things transformed not by the circumstances in which I see them but by the language with which they're described. That's what I love when I read.
When you write, it's making a certain kind of music in your head. There's a rhythm to it, a pulse, and on the whole, I'm writing to that drum rather than the psychological process.
Simultaneity in light is harmony, the rhythm of colors which creates the Vision of Man.
For me, it's painful to make a movie. It's not my normal rhythm.
I could hear music playing in the background of works by certain authors, like Poe and Shakespeare. And I discovered Nikki Giovanni when I was in eighth grade. Her writing has a musical energy with pulse and rhythm, almost like jazz or hip-hop.
I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.
I certainly think, obviously, rhythm is a huge part of being an actor. It just is unconscious, to a degree, but particularly in comedy, rhythm is pretty essential, and there's probably something more physiological going on.
I have a lot of my mother in me, but I was just born with the same parts as my father. I don't sound like him. I mean, I can do an impression of him right now, and I do not sound like him. I sound like me. My sense of rhythm I learned from my mother. My melodies, I think sometimes, I get from my mother.
I've had the chance to watch Metallica's James Hetfield from the side of the stage night after night, listening to his monitors, and his playing is so perfect. Slash is an amazing lead guitarist, but when you listen to his rhythm playing, you can hear how he pulls everything together with such a great feel, which is the most important thing.
If you listen to the way I speak, I have a lot of rhythm, use a lot of accents. When I'm playing my instrument, that concept comes through very clearly.
I go out with my friends as often as I can on the weekends, and I'm always drawn to girls with rhythm.
I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.
I have a West Coast rhythm section and a New York rhythm section. I've got them spread out all over the place.
I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.
I think the interview form works best on the radio. There are a lot of personality traits conveyed in a person's voice, the rhythm of their speech or how confident they sound.
I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
Every set has their own personalities and their own quirks. It's funny comparing starring in a show to going in and doing recurring work - there's already a rhythm that's been established, and people know each other so well. It's like being a guest in someone else's home.
