Zitat des Tages über Poster / Posters:
I write back to all the soldiers who write to me and send them posters and calendars.
Gene Autry was the most. It may sound like a joke - Go and have a look in my bedroom, It's covered with Gene Autry posters. He was my first musical influence.
There are people who want me to do a cologne. They want to call it 'Patrick.' I was offered a fortune to make exercise videos. Posters, all kinds of stuff - something like $10 million worth. It's insanity. I'm not going to do any of it.
I got to meet Mark Hamill. He signed some Star Wars posters for us. I saw the fight scenes he had. He was really into making fun of himself and Star Wars.
I include myself in the posters because I feel like it forms a more intimate relationship between the artist and the person passing by. And it's important to include some vulnerability and use fears and rejections and various aspects from my own life so people look at my work as more than greeting card fodder.
My dad's Nigerian, and I remember going to Nigeria, and all of these kids and adults and everyone in-between knew who TuPac was. They had TuPac t-shirts, TuPac posters, TuPac cassettes... everyone knew TuPac, and sometimes that was the only English that they spoke, was TuPac lyrics.
I'm hoping that word-of-mouth on the film - people seeing it and liking it - that that will drive more people to the theaters, because I haven't seen the billboards or the posters or anything.
I would be delighted to show my film in the Viennale. I do not offer press kits. I do not offer stills. I do not offer screeners. I do not offer DVD's. I do not offer posters. I require a first-class flight to bring the print however I do not offer any photo ops or press exchange in any way. My fee for showing my film is $35,000 dollars US.
We had a poster of the Davis Cup in 1986. It was in Prague, the Czech Republic against Sweden, and we went to watch, so I got the poster. You couldn't get all the posters. You were lucky if you got one.
I always wanted to get into the horror genre. I like scary movies. I want to go to the fan shows and sign posters with my head hanging by a thread like a B-movie actress.
When I first joined the team, I was playing with the likes of Mia Hamm, Shannon MacMillan, Tiffeny Milbrett - all those big-time players. It was very intimidating. I had some of these players' posters on my wall growing up, and now I was able to play with them.
College graduates should not have to live out their 20s in their childhood bedrooms, staring up at fading Obama posters and wondering when they can move out and get going with life.
But one thing that's constant is we've always appreciated fans. They put us on the map and they keep us on the map. I always put myself in their position. If I loved someone and had their posters all over my wall and met them and they were rude it would be very hurtful.
I'm not a kid. You don't get in this business for anonymity. It's not like I have posters of myself on the wall, but at the same time, I'm kind of ready for a little bit of it, but I worry for my little one, and my family - their privacy. That's what I'm more protective of.
Handwritten political posters - often composed in an artless and unadorned style, usually just words on plain white paper - were ubiquitous in South Korea in the 1970s and 1980s and were one of the few outlets available for expressing political views. Most posters were anonymous and put up under the cover of night.
It's cool to go to a place that has posters up and it's one night only. It feels more special.
In a way, I was spoon-fed, if you will, a career. It was fully manufactured by a studio that believed that they could put me on their posters and turn me into their bottle of Coca-Cola, their product.
I've done over 125 posters and I have worked with some of the best photographers in the world. They made me America's Number one Pin Up.
In 1986, I was attacked in the street as I helped Neil Mullarkey from the Comedy Store Players to put up posters. We were in the wrong place at the wrong time - midnight - and we were English. I got kicked in the head.
I always performed when I was a child. My parents got very annoyed, because my brother and I had our little bedrooms upstairs, and I would plaster the house with posters with arrows pointing upstairs.
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
But when I started writing songs, I stopped painting completely, and the only art things I do are connected to the career, like album sleeves and, to some extent, posters and things like that.
Because we do not sell photographs, we have no royalties on books, posters, postcards.
I was a pretentious teenager, so of course I had, you know, 'Raging Bull' posters and all of that. 'Raging Bull' is not a pretentious movie, but me having the poster was a pretentious action. I even grew a goatee and had a Knicks cap, because I thought I wanted to be like Spike Lee.
I collect old Coon Chicken Inn memorabilia. I collect black memorabilia, like old minstrel posters. It was a real place. There was one in Seattle, one in Portland, and one in Salt Lake City. They started in 1925, and then they went out of business around 1958.
Yeah, I did some small parts in high school and the first year of college and then fairly soon thereafter I settled into the backstage scenery, and then at the University of Maryland I was doing posters for their productions.
When I was a child, I had posters of James Dean in my room. I was a big admirer of his work and was fascinated by him living on the edge. Looking back, my life was kind of the same.
In 1980, during my sophomore year at MIT, I realized that the school didn't have a student space organization. I made posters for a group I called Students for the Exploration and Development of Space and put them up all over campus. Thirty-five people showed up. It was the first thing I ever organized, and it took off!
If people are like, 'Oh, you're an icon,' then whatever. But who thinks of themselves like that? It's not like I have posters of myself on the wall.
Sometimes I have chosen to see films just by their posters.
After 'Sesame Street,' it's a hyper-familiar world to me and I have this childlike ability to ignore the fact that I'm talking to scraps of cloth. Every country I go to, I see posters promoting the film in different languages. 'Los Muppets' - I love that!
We need to band together in solidarity. There's so many portions of our community that are under-represented. You rarely see disabled actors on movie posters or black men or Latino guys.
I just stick to my job, which is acting. Things like posters, publicity material, and promotions are entirely the film-maker's prerogative. I don't get into all of that.
When Mike Tyson was only 18, his managers used to market him on posters, reminding you that if your grandfather had missed Joe Louis, or your father Muhammad Ali, don't you miss Tyson.
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.
You know how most kids have posters of sports heroes on their walls? They gave me reams of the old news copy, and I had those taped in my bedroom. And I would practice reading the news.
