Lesley Gore's part-time field was pop singer, and in her brief but urgent prime, she was the Queen of Teen Angst. She endured heartbreak as a birthday girl betrayed by her beau in 'It's My Party,' savored revenge in the sequel 'Judy's Turn to Cry' and belted the proto-feminist anthem 'You Don't Own Me.'
I grew up in this little farm town, and I've always dreamt of Hollywood and pop culture, and then I suddenly found myself plopped in the middle of it.
The Busted thing happened when I was 16. I saw an opportunity, took it and it was better than being at school. It was a fun job but I'd never claim Busted was anything other than a pop band.
I think all these pop cultural media often reflect conversations we're having in the real world at that moment in time. I think one of the big conversations we're having as a culture is we thought we'd solved sexism and racism, and we're realizing more and more that we haven't.
I don't see myself as a pop star, just a singer.
There were so much affairs of me created by the media... of course I was not always a true single. I had some relations, once also to a famous pop star.
Being in a rock n' roll and pop world, it's very easy to act like a kid.
Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.
I'd be a pop star. Although, I was once sat front row at a Rihanna concert when she came down to the audience and sat on my lap, pointed the microphone towards my mouth, and I couldn't sing a line.
iTunes kind of feels like Sam Goody to me. I don't feel cool when I go there. I'm tired of seeing John Mayer's face pop up.
I think there are ways in which shows can pop their heads up a little bit in the morass of everything you can watch.
I don't really feel part of the pop scene.
I had no plans to be a writer. My teenaged bid for stardom was to be a pop star... which, ahem, didn't exactly work out.
I made it this far eating fruit roll-ups and having soda pop and having fun. I feel like I tried changing that to do like everyone says I should, and I just feel better being me.
I treat every album as a new beginning, so I'm asking myself, 'What is pop music now? What are people consuming?' and I take these things into effect.
When the audition for 'Cats' came up, even though I'd been making pop records, it felt like something I was attracted to.
The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.
I wrote a song for Icona Pop which boosted my confidence quite a lot.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
I was always interested in mixing experimentation with pop music, and Brian Eno, Kraftwerk, Tangerine Dream - we were all doing it at the same time, just very isolated from each other, all in our different cellars, in different worlds, without the Internet - underground in every sense.
I'm honestly all over the board. I think if I had to pick one, I'd probably say it's country first, but I listen to literally everything: country, pop, rock, rap.
I was giving some of my teammates a hard time, saying I've got more pop than they do.
My grandparents don't really listen to pop music, and they only speak Spanish and only listen to Spanish music.
Someone had an eye on me as I was leaving high school. I had a chance to record demos, but they were kind of wanting to make a pop singer out of me, of the 'X Factor' variety. I didn't feel comfortable with it. I wanted to be a songwriter.
The perils of credit and debt, especially perilous in the computer age, have long been acknowledged in pop culture, but very infrequently by TV.
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
I love anything by Tchaikovsky. He was the real pop star of his day.
In the mid-'60s, AM radio, pop radio, was just this incredible thing that played all kinds of music... You could hear Frank Sinatra right into the Yardbirds. The Beatles into Dean Martin. It was this amazing thing, and I miss it, in a way, because music has become so compartmentalized now, but in those days, it was all right in one spot.
It worries me that young singers think you can shortcut the training and go straight to fame and fortune, and programmes like Pop Idol have encouraged that.
Moving and motion tends to make things pop up. But things pop up for me, really, at just odd intervals or at random times that aren't really convenient, so I'm a big fan of the voice memo recorder on my phone. That's the only way I can remember things.
I'm not at the hoarder stage, but there are two or three storage units here and there. I have things that a lot of people put a lot of heart and soul into, a lot of mental energy. I'm good at keeping those things. When it comes to pop culture, as you move through this fast lane, you wonder where it all goes and how you can hold onto it.
My beauty tricks revolve around eyes. For the early morning shoots, I pop eye pads in the freezer the night before, and when I take them out in the morning they are already cold and active and are great under my eyes. I keep my eye pads right next to my red velvet Ben & Jerry's in the freezer.
I wanted to create a bridge between experimental music and pop.
Iggy Pop is a pure Michigan product - gritty, smart, but not afraid of looking stupid or foolish. His father was once a high school English teacher. I love Iggy as a physical entity, sinewy, twisty - even in old age - an embodiment of rock and roll history.
The relationship between East and West needs to be and can be fixed via pop culture.
I've never really thought of my real life - you know, the one I wake up to and fall asleep to at night - as being a pop star's life.