A lot of people go off and have fun adventures, or hard adventures, and their impulse is to write about them right away. What really makes a difference is having some perspective on what happened.
It takes time; you look at what happened with LeBron, Wade, and Bosh. It took them a year or two to get their legs underneath them and figure things out, and even then, that run was relatively short.
When you go in to get your car serviced, they plug it in and tell you everything that happened for the last six months. I walk in and get a stress test from my doctor, and they make a conclusion based off of that. That doesn't make sense to me. I would much prefer to have all of the data about myself and less about my car.
I started out doing things like 'Flash Forward,' where I was the girl-next-door, and then, I did a show called 'Higher Ground,' where I played this really mean, sarcastic girl. Then 'Firefly' happened, and everybody thought of me as this bubbly, sweet girl-next-door again.
When I was young, football and theatre were the only places I was happy. I remember school as just what happened in between the things that I liked.
My first encounter with video games was pretty conventional. I was travelling with my parents - we used to take long cross country trips in the United States every summer - and we went into a restaurant where there happened to be a Pong machine, and I was... a lot of quarters went into that Pong machine, let's just say.
I was married for four years, then success happened.
I went through real darkness, but the ring was my light. That was the one place I felt safe. I could control what happened in the ring. My heart turned icy.
Ever since 'Bigg Boss' happened, a lot of entertainment and movie offers poured in.
When kids run up to me and ask, 'What happened?' I just lean over and whisper, 'Cigarettes.' And once I was in a car and this girl at traffic lights was giving me the eye. She could only see my head, so I decided to do a 360 in the car seat to freak her out. Her face was like, 'Whoa, what is going on?' She sped off really quickly.
I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.
I want to see movies I can walk away from and say, 'Wait, what happened there? Hold up, what did I just see? What?' and then it connects to something that you personally, unequivocally know to be truth.
When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on.
I have no regrets about being 'Doctor Who'. It was the greatest thing that ever happened to me.
I tend to be really pragmatic, but ultimately tend to be attracted to people who pull me into more spontaneity. I've really learned that, through surrender, the best experiences of my life have happened.
Working together, they will dig out the truth and nothing but the truth about what happened in '99, to assign responsibility, and to look at the institutional failings.
'Close Encounters of the Third Kind' ends with the spaceship lands and Richard Dreyfuss' character best on, but a bunch of pilots and sailors from the 1940s get off. You kind of wanted to know what happened next.
Everything that has happened in my life is because of good government and because the United States of America was the greatest nation on the face of the earth.
Whatever happened during the French presidential campaign will leave no hard feelings. I perfectly understand why Angela Merkel supported Nicolas Sarkozy because of the action they have taken together, even though I have questioned its results, and because of their shared political sensibility.
I don't think any rapper can go back. You can be a car salesman, a bank teller - I mean, really good jobs, and people are still gonna look at you and be like, 'You used to rap; what happened?'
When the AIDS epidemic broke, because I happened to be a science nerd and knew a lot about viruses and a lot about that virus at the time, I felt a moral obligation to go out and try to stem the fear and get out and explain to people what the disease was and how it worked.
Twenty years ago, there were dozens and dozens of independent television producers. There are a couple now, at the most. Mark Burnett, Endemol. It's gone. Everybody works for the Man now. And it's natural law, how that happened: Nobody prescribed it, but it's how things worked out and how it has been for decades, period.
Partying and having all of those pictures taken distracts from the work that I do. It's not why I started acting. I didn't get into acting to be written about. It kind of just happened - so I accept that it's my life.
With my first book, 'A Letter to a Young Brother,' I figured it would be my only book I was ever going to write. What happened with that is a lot of young men would reach out to me.
It is important that carbon storage is carefully regulated, that the process is transparent to the public, and that there is a clear accounting of what happened to the CO2. This is particularly true of underground storage, where there is always a small chance that pressurized CO2 could escape.
Outside of the oppressive nature that the South offered to the black people, black gay people, black gay people who happened to be Christian, who wouldn't want to leave? I couldn't wait to get out of there.
For a long time, sure, I was letting the pressure of being Rodney King get to me. It ain't easy. Even now, I walk into a place wondering, 'What people are thinking? Do they know who I am? What do they think about what happened? Do they blame me for the all those people who died?'
I remember a distinct moment when it was my junior year of college, and the content I was making was changing and not really myself, and I tried to switch back to just putting me out there. I'm happy that happened really early in my career, because that was before I started doing podcasts or writing.
If I were to meet the most incredible man, and he just so happened to not make as much money as I do, I wouldn't hold it against him.
People are tuning in for one reason and one reason only: to find out what's happened. That's what took me a very long time at 'SportsCenter' to figure out.
If we dispense with some of our self-made boundaries, India can really take its place in the world as an economic power. It hasn't happened because we, sadly, don't look at ourselves as Indians but as Punjabis or Parsis, unlike the Americans. Don't make such boundaries.
The revolutions of the Arab Spring happened because people realized they were the power.
I travel all the time, but when I come back to the South, I see such progress. In a real sense, a great deal of the South has been redeemed. People feel freer, more complete, more whole, because of what happened in the movement.
I'm pretty restless in bed, so I can lie there for a couple of hours and be like, 'Hey, that happened today. What if that happened at a zoo?' I'll jot the idea down. Then I'm like, 'All right, so now that it's a zoo, that penguin's loose,' or, whatever. I usually start with broad ideas.
I've always wanted to act; I just didn't know how to get into it. It kind of just happened. Dance brought me into it.
