Often, what makes my job so exciting is designing for the mother whose dream has been to wear one of my hats at her child's wedding. I feel as responsible for making her feel like a million dollars as I do for somebody in the public eye.
We live in the public eye, so if one of us makes a mistake, it affects everyone, which makes me think about what I'm doing in life more.
You get held to a high standard, almost an unmaintainable standard, in the public eye that you don't even come close to touching.
I'm more of a homebody type. I don't want to look like I want to be in the public eye. I didn't become an actress to be famous.
It's harder to do anything in the public eye now, in terms of if you're worried about scrutiny or being judged negatively. It's not as much of a free ride. If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets, and they all have an opinion.
How could these people in the public eye not be afraid of me, but my whole town was?
I've had some good moments at karaoke. Back in the day, oh my gosh... before, I was more in the public eye. Nowadays, I don't do it as much because if you do, it's going to be on the Internet.
My individual, psychological descent coincided, ironically, with my ascent into the public eye.
I am very fortunate to work with people I have seen on the screen so many times and admired, and they are in the public eye, and I have seen how they handle it. There are definitely ways to just keep on enjoying the profession and the work. Other people tell me that things are going to change.
It's unbelievable that people have the time and inclination to be as negative as they are on a public platform about people who accomplish whatever they do in the public eye.
If you take guys like Exequiel Bustillo, the architect who designed the early park infrastructure in Argentina, or the great American architects, these guys had a vision that thrust the national park idea into the public eye.
People can judge me for what I've done. And I think when somebody's out in the public eye, that's what they do. So I'm fully comfortable with who I am, what I stand for, and what I've always stood for.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
Being in the public eye puts you in a fix, and people are always wanting to know what you are up to.
People become actors because they want to hide, and it's not easy to talk about myself. I accept that a certain responsibility goes with being an actor in the public eye, but I haven't found a comfortable way to deal with it.
The problem with being in the public eye for a long time is there are 20 years worth of looks to come back and haunt you!
I'm just a normal girl who really enjoys her job, and so you have to take the other things that come with being in the public eye.
Being in the public eye, you're always worried about what angle people are going to take pictures of you at. I don't really care anymore.
I think part of being in the public eye is getting recognized and dealing with positive and negative scrutiny.
I learned everything along the way. I only performed five times before I was in the public eye.
I don't feel sorry for people in the public eye getting eyed by the public.
The general public will almost always stand behind the traditionalists. In the public eye, architecture is about comfort, about shelter, about bricks and mortar.
So much has changed since the '70s and '80s when it comes to acting and being in the public eye. We'd go out to a restaurant, and there would be five or six people. Now there's a lot more, plus social media, and this desire to bring other people down.
