It takes someone with a unique background to stand up to the threat of a strike and win.
Usually I'm the one who does the covers. And I just said, man, it would be nice to see what somebody else could do, outside of this thing. A fresher look. And I never, in a million years, would have come up with this. Believe me!
When I was growing up, there actually wasn't a lot of YA literature as it exists today. Most of the YA that I read was from the '60s and '70s, older than me.
I've grown up in the Treme, and I played in a bunch of brass bands. My brother, James Andrews, had a brass band.
I picked Dad's guitar up when I was 8. It hurt to play, so I put it down and picked it back up when I was 15 and dug in. The guitar helped me come out of my shell and kind of gave me an identity at school.
I didn't end up going bankrupt... I made some great investments and I held on to my money, which also enables me to have the freedom to do what I want now. But it's not about finances. No matter what, it's about keeping it real.
I've noticed a growth in Spike and definitely in myself. I feel like the seeds that he planted in me five years ago have ripened up to a place where I could even tackle this role in the way that I did.
I have always lived in Amsterdam. During the war, we inhabited the Rivieren neighborhood where many Jews lived at the time. Our downstairs neighbors were Jews, and there were also Jews a few houses from us. We saw how they were rounded up and taken away. That made a very great impression on me.
Growing up going to Christian school and the concept that you're born a sinner and you don't really have a choice to change who you are has been hammered into my head and created the entire reason why I made art and made a band and made records called 'Antichrist Superstar.'
Yes I have made a lot of money and I have a lot of respect, my films have done well, and I know there are loads of loads of people who look up to me and really love me. I really just thought this is like a strange dream. I have never thought this is a success - I don't have a standard.
I'm an incredibly emotional person, but I always feel bad about that. The work is therapy... I need to emote wildly while I write. I weep. I'll laugh, get excited, and get up and pace. I try to take the emotional journey with the characters.
In all honesty, I grew up a certain way. I never had to worry about money... that was my reality.
South Australia has transformed. There has been a range of changes to our economy over the past 10 years in which we have genuinely set ourselves up for the future. I think we have to start behaving like that's real and project a quiet confidence in the future of our state.
I decided to not be so dismissive of my music in favor of my acting. Acting has been such a consistent thing for me; a lot of times in the past, I wouldn't have had the confidence with my music to really make it a part of my schedule. I would easily push it to the side, or I would easily take up time that was needed for it.
I think we've all been kind of... everyone's been hurt, everyone's felt loss, everyone has exultation, everyone has a need to be loved, or to have lost love, so when you play a character, you're pulling out those little threads and turning them up a bit.
I regret not having had more time with my kids when they were growing up.
It seems extraordinary to have waited so long into one's life to have found the part that actually uses your basic rhythm. And I think that's always sort of what actors connect up with - their own sort of world.
A fishnet is made up of a lot more holes than strings, but you can't therefore argue that the net doesn't exist. Just ask the fish.
To grow up under really simple circumstances, and to understand that certain things were ornamental... that made an impression on me as a child and is something I use.
I had four children, we all had to struggle to get up and get educated, and they all did their part, and we all did the best we could, and that's what a family and a parent is supposed to do.
I know I always had a lot of energy growing up and I had to put it somewhere. Theater allowed me to really feel things, to laugh, to cry, to explode outward. I could do anything and it was totally accepted and appreciated. If I hadn't gone into the theater, I probably would have been a psychotic killer.
I am so happy to be alive. That's the one thing I'd like for people to know. Sometimes people walk by and slip up and say the wrong thing about me, and I'll smile. They wonder why am I smiling. Because I'm happy that I'm alive.
I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
Sex: the thing that takes up the least amount of time and causes the most amount of trouble.
Tied up with his dismissal of natural law is Hayek's continuous, and all-pervasive, attack on reason. Reason is his bete noire, and time and time again, from numerous and even contradictory standpoints, he opposes it.
That's another thing, we made up games. We didn't have equipment. When it snowed, we would play slow motion tackle football. We would play hockey, but we wouldn't skate. We just made things up. I loved doing that.
Every morning I have something to do, I'm better off. It's bad to get up and not have something to do.
To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.
I remember lying out in my bed and looking at the vast, quiet sky. Right up above my head, there were three stars in a row, and I remember thinking, 'Well, I'll have those three stars all my life, and wherever I am, they will be. They are my stars, and they belong to me.'
This is what I believe about performing: There is no reason to be on stage - there is no reason to be there - if you're not going to put all your baggage somewhere else and just be honest. Whatever you're doing - screw it up, do great - just be there, and be honest. That's the most important thing.
I was 12 years old, so auditioning for a TV show was something I didn't even think really happened. The next thing you know, I ended up booking the gig and I did four seasons on 'Emily of New Moon.' I got to learn on the job and kept going from there.
When I was younger and my parents used to always slap my hand if I was picking my nose or if I was running around screaming I was told to shut up.
Life seemed so simple and joyous when I was growing up.
When I go to the garage to pick up my clubs, I clean the spider webs off.
I love it when other people can come up with ideas and tell me what to do.
What's nice about playing somebody real is that generally there's more information about them, so a lot of the questions that you'd otherwise have to make up the answers to are already there.
