I love New York. But the energy is so intense.
You can't expect the entire world to come to New York to see you. You have to travel to them.
Some of the most exciting space education in the country is not coming out of Washington or New York or California or even Texas. It's coming from a place in Kansas called the Cosmosphere.
There's nothing surprising about me. I'm dull. I am a fan of the New York subway. I love it.
New York is a wonderful place to be up, an awful place to be down.
I literally in the New York flea market - just when I was despairing of ever having a great serendipitous find - found a 1926 Chanel.
I usually spend the hiatus of 'Dexter' in New York in a way to balance things.
If you've ever been to Harlem, there's always something playing on the street, and there's this energy that feels different to anywhere else in New York.
My dad's French, and I spent my summers in France growing up. So I speak French fluently, and obviously, I speak English because I was raised in New York, and I grew up here.
When I was younger, all I wanted to do was be a singer, and then I got into a great acting class in New York and became obsessed with that.
New York has always had a love for Southern artists. There's no place else that makes me feel like the city does. I just love the immediate nature of the city, you can get whatever you want whenever you want it and do whatever you want whenever you want to.
The faces in New York remind me of people who played a game and lost.
I interned at NBC News and had a great experience there in both New York City and Washington. After graduating, I got an entry-level production job at PBS in Boston. There, I developed the bug for programming and production.
New York has changed amazingly; it's gentrified everywhere, and it's a much gentler place.
The future of publishing lies with the small and medium-sized presses, because the big publishers in New York are all part of huge conglomerates.
Because our daughters have school and it's just such a hassle going down to New York all the time, we can really only go on the weekends, we kind of... Steve came up here and worked out stuff for the second half of the record.
I was born on 22 March 1931 in New York, the elder child of Abraham and Fanny Richter.
My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.
You look around New York, and we are surrounded by restaurants and food trucks, and we celebrate food in this city like no tomorrow.
When I got to New York, all I wanted to do - or so I thought - was win a Tony award or, at least, be nominated.
'The New York Times' is a great newspaper: it is also No Fun.
I know a lot of people who say they want to leave Tulsa and go off to L.A. or New York City. But I can't wait to come back to Tulsa. It's a great place to be.
I wasn't a dancer learning to play Baby Houseman. I was Baby Houseman learning to play a dancer. I was someone who'd never done any Latin dance. I'd taken jazz classes and ballet growing up in New York, so I had dance in me, and I knew I loved it, but I'd never done a dance audition.
I sang a lot in college - I was in a choral group in college. But, then, when I moved to New York, I really just concentrated on acting.
I'm not a New York snob.
I was making projections about 'Humans of New York,' back when I had zero followers, that made all my friends and family roll their eyes. I'd throw out these huge numbers: 'One day, a million people are gonna be looking at this. Trust me.' And even those wild, wild numbers I was throwing out have just been smashed. So, it's a good feeling.
I have specific playlists for arrivals in different cities. Tokyo skews new wave, Paris more jazz, and New York is Top 40.
I went to Paris when I was about 18 and then went to Miami and New York. I did all of that alone. I did it to myself.
People don't come to New York out of resignation. They come here with a dream. Mine was to be an actress.
That is all that we want, what people want, what people want in New York, in Washington, in Pittsburgh, in any other place in the United States or in Europe. People want to live peacefully. That's what we want.
I was a mechanic at a go-cart place, a deejay at a roller rink, a telemarketer in New York, a grocery bagger.
I was living in New York. Sometimes, our gang of musicians would go to Louis Armstrong's home and play records. It was a lesson, like going to school at night. Ella Fitzgerald was an inspiration, too, a unique artist. When you had an opportunity to be with people like them, you cherished it.
All of a sudden I had a baby, because it went really quick. It was like, 'Oh! I have a baby!' So, it's great. I'm just having a great time with my children. They're here in New York with me.
New York is a fantastic city.
The Patriotic Millionaires campaign, pulled together quickly by the Agenda Project in New York City, just happens to appear on the same day as a new study from the Center for Responsive Politics revealing that half of the members of the House and the Senate are millionaires.
Everything has combined to make my life in New York an amazing experience. I told my manager a few years ago that I wanted to move here and try acting in the theater.
