We're shaking loose viruses and dislodging them from their natural ecological limitations, places where they aren't very abundant and have competition, even within a single animal. We introduce them into a new, rich habitat called the human population, where they can flourish more abundantly and cause more trouble.
As a creative agency, the film industry is thinking great subjects, presenting them wonderfully well, and giving opportunity to new faces each day.
As a comedian, I'm forced to have a tough skin. Until people laugh, they are detractors. You walk into a new audience where nobody knows you, they go: 'Make us laugh. Show us what you're made of. Prove why we should be listening to you.'
When I went back to New Hampshire after graduating from law school, my plan was to go work for a private firm because I had to pay some student loans off and make money and really just be in the private practice of law. Which can be very rewarding.
When starting a project, your influences are the things around you. It doesn't mean you have to sound like it or look like it or anything. It's just something new, and your curiosity becomes enthralled by it.
The grim reality is that most start-ups fail. Most new products are not successful. Yet the story of perseverance, creative genius, and hard work persists.
The light dims a little bit as you get older and new generations come along. But it's around the holidays when I am remembered the most. It is very special, and I get a kick out of it now as much as I did when I first started.
I got a brand new flugelhorn today in this gorgeous case, it's beautiful.
I think the Winter Olympics are definitely on a smaller scale than the summer games, but with the inclusion of cool new sports like slope style skiing and snowboarding, it is going to breathe new life into them and attract a whole new crowd.
There's a grace period where being a mess is charming and interesting, and then I think when you hit around 27, it stops being charming and interesting, and it starts being kind of pathological, and you have to find a new way of life. Otherwise, you're going to be in a place where the rest of your peers have been moving on, and you're stuck.
I'm an absolute fan of 1970s New York in films like 'Mean Streets' and 'Dog Day Afternoon.'
In New Orleans, where I'm from, the average household income, with two working parents, two kids, a dog and a little fence is $16,000 a year, so $15,000 for a movie sounds pretty good.
I came from a tradition where souls were a theological reality, not a faith reality. Souls were for saving, not for communing. Souls were for converting and, once they were converted, they were to be left alone. Souls were too mystical, too subjective, too ambiguous, too risky, too... well, you know - New Age-ish.
I get a little sick of these New Yorkers who want me to make some psychic thing, like 'The Left-Handed Gun.' They don't know anything about Western history.
The New Age, I think, is a term that is well laid to rest.
For 'Star Wars' I had to develop a whole new idea about special effects to give it the kind of kinetic energy I was looking for. I did it with motion-control photography.