Slightly embarrassing admission: Even when I was a kid, I used to have these little spy books, and I would, like, see what everybody was doing in my neighborhood and log it down.
In my neighborhood, when you've got something to say to a guy, you look him in the eye and you say it to him.
In my neighborhood growing up, 8, 10,12 kids were the norm. Those stay-at-home moms would handle so much physically and emotionally. Even in my early teens, I could tell those ladies were something.
On that terrible day, a nation became a neighborhood. All Americans became New Yorkers.
I was a student of Sanford Meisner for three years at the Neighborhood Playhouse, and I studied with Lee Strasburg for five years and became a member of the Actors Studio. What I studied came right from the horse's mouth. My students have a lot to learn from me, and I am so eager to share it.
I was raised in a mostly white neighborhood. I was this little white girl jamming out to Ella Fitzgerald and Bobby Brown.
In restaurants in my Brooklyn neighborhood, I always ask for a doggie bag to bring the leftovers home.
From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
And for the city's birthday, we will host events in every neighborhood of the city, inviting all of our residents to share in the celebration of Boston's great epic - the story of neighbors who support one another where it matters most.
I don't live in a fancy neighborhood.
I skated and rode bikes on ramps, and my mom was always super supportive. She was one of the only divorced moms in the neighborhood, so all the other parents looked down upon her for letting her kids do that kind of thing.
It was just a typical London flat, but it was in a great neighborhood. It was across from the Playboy Club, diagonally. From one balcony you could read the time from Big Ben, and from the other balcony you could watch the bunnies go up and down.
I feel like I made it already, because I got already what everybody on the corners of the neighborhood I grew up in is striving to get.
You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?
My neighborhood was like 'The Wonder Years.' We played until 10 o'clock at night. We used to tell scary stories. I was the one scaring them. We used to play football by this place called the Myer's House. It was a big, spooky house with the gables; we'd hang out there and scare each other.
I love the idea of a beautiful neighborhood that represents the very best of American values, but also as a fun backdrop to some darker, deliciously sneaky things going on in people's lives.
And besides, I'm so in Dutch with my neighbors here that I thought that was better than getting them all upset with what might be a fake bomb scare where they'd have to clear out the whole neighborhood.
I go for a nice walk in my neighborhood and search for vinyl, old jazz, classics. Then I go home and listen to them.
At the time I attempted to purchase the rights back for the 3 Homestead records, but the owner demanded an outrageous sum in the neighborhood of $10,000, about 10 times more money than I could get my hands on at the time.
I grew up in my neighborhood with salsa, of course bachata, but also hip-hop, Nirvana - it was just like a mixed culture. It was a beautiful thing for me because at the moment I started creating music, having all these different sounds and elements, it was very organic because I grew up with all these types different music.
When I was younger, I was one of the few girls in the neighborhood who could break dance. That's kind of my local, ghetto-celebrity claim to fame.
Eviction comes with a record, too, and just as a criminal record can bar you from receiving certain benefits or getting a foothold in the labor market, the record of eviction comes with consequences as well. It can bar you from getting good housing in a good neighborhood.
I was born in Detroit, in an all black neighborhood.
We all knew each other in the neighborhood. I loved living in El Paso. I had a wonderful childhood there.
I was never a 'bad' kid, but I did get into minor juvenile trouble. Look, I grew up in Brooklyn. This was the '60s, and the neighborhood was rapidly changing and not without its problems. All the kids of the neighborhood 'did their thing,' breaking windows and the like. I was no different.
I was the only white kid in my neighborhood for most of my youth even in high school, so reverse racism was just as apparent as racism.
My neighborhood now is all 21-year-old European supermodels. I go to the international newsstand on the corner, and they're all looking for their pictures in 'Italian Vogue.'
You have a very poor neighborhood. You have students that are required to go to school. They have no money, no habit of work. What if you paid them in the afternoon to work in the clerical office or as the assistant librarian?
I love kids. Every time I go around people neighborhood, they're like, 'Biz! Yo Gabba Gabba!' They want me to beatbox all the time for them.
Very few people live in the same house they move into when they're married or the same neighborhood when they're married. Very few people certainly live in the neighborhood they grew up in.
If you live in a yard sale kind of neighborhood - in good weather, most neighborhoods are crawling with them on weekends - do a sweep to see what the competition is charging. No one is going to buy your $7 book if they can get it down the block for $1.
I grew up in a poverty-stricken neighborhood, but I didn't really know I was a deprived, poverty-stricken child until the media made me aware of it.
It's a nice neighborhood, like the one I left. My home borough is Brooklyn and Queens.
I feel like my life experience is that of an outsider. Let me explain: my parents are from Panama, and they moved to the United States the year after I was born. They moved into an all-white neighborhood, where the previous black family had a cross burned on their lawn.
I grew up in New York, in a rough neighborhood where our biggest concern was not getting beat up. I was always far from the center of the Big Apple.
I come from Toledo, Ohio, a town that has been hurt badly by the shift of the automobile business towards Japan. And yet I remember how the car workers lived in the neighborhood that I grew up in. My father was a car salesman, and I remember how we lived. I remember how modestly we lived.