Zitat des Tages über Moderne Kunst / Modern Art:
In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute.
I am the sort of guy who does go to modern art shows.
Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.
Pollock said several times that he couldn't separate himself from his art. Not knowing much about modern art when I began to read about him, I was much more his persona - his struggles as a human being - that was interesting to me.
They decided to establish a museum of modern art where works by contemporary artists would be shown. Mother was viewed as a very progressive person, and not everybody liked the paintings she bought.
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.
Art cannot be modern. Art is primordially eternal.
The notion that the public accepts or rejects anything in modern art is merely romantic fiction. The game is completed and the trophies distributed long before the public knows what has happened.
Should graffiti be judged on the same level as modern art? Of course not: It's way more important than that.
Like most sensible people, you probably lost interest in modern art about the time that Julian Schnabel was painting broken pieces of the crockery that his wife had thrown at him for painting broken pieces of crockery instead of painting the bathroom and hall.
I don't know much about modern art, but I guess I am modern art.
Even when I was a little girl, I remember going to the Museum of Modern Art. I think my parents took me there once or twice. And what I really remember is the design collection.
It is one of the primary motives of modern art that it wants to abolish the distance which the viewer, the consumer, the audience maintain vis-a-vis a work of art.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
To say the word Romanticism is to say modern art - that is, intimacy, spirituality, color, aspiration towards the infinite, expressed by every means available to the arts.
I am quite certain in my heart of hearts that modern music and modern art is not a conspiracy, but is a form of truth and integrity for those who practise it honestly, decently and with all their being.
The public history of modern art is the story of conventional people not knowing what they are dealing with.
The role of a museum of modern art is to make a good selection and identify what we believe to be the coming movements, and that requires taste.
What distinguishes modern art from the art of other ages is criticism.
Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.
Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.
Modern art is what happens when painters stop looking at girls and persuade themselves that they have a better idea.
In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.
The strangeness will wear off and I think we will discover the deeper meanings in modern art.
It is not hard to understand modern art. If it hangs on a wall it's a painting, and if you can walk around it it's a sculpture.
We met with the poet Frank O'Hara, who was a link between Upper and Lower Bohemia, and who worked at the Museum of Modern Art, where we had hoped to do the readings.
Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.
Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask.
I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page.
I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.
My popularity has to do with the divorce between modern art, where everything is obscure, and the viewer who often feels he needs a professor to tell them whether it's good or not. I believe a painting has to talk directly to the viewer, with composition, color and design, without a professor to explain it.
On the personal side, family is really important to me. I have a big family - five kids and 12 grandkids - so keeping that going is wonderful. And I do a lot of philanthropy. I'm chairman of the San Francisco Museum of Modern Art.
The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.
I have trouble with modern art. But in general, all art forms fascinate me - art is the way human beings express what we can't say in words.
I love the idea of modern art in a home that isn't totally modern. There's a certain energy that comes out of that juxtaposition.
When you think about Dada and the great moments in Modern Art, it's always the sense of when you're not sure that art is most likely to be occurring.