Zitat des Tages über Melodie / Melody:
My buddies worked with me for weeks, and I went up to take my test, and started crying because I couldn't remember the words. I can remember songs. If you put it to a melody, I would have sung it to 'em in a minute.
From the time I could play the piano, I remember trying to write tunes. They were in my head, and I would just sit down and start noodling. Next thing I knew, I had written a melody.
The world is never quiet, even its silence eternally resounds with the same notes, in vibrations which escape our ears. As for those that we perceive, they carry sounds to us, occasionally a chord, never a melody.
I found a sound that people really liked - I found this basic concept and all I did was change the lyrics and the melody a little bit. My songs, if you listen to them, they're quite a lot alike, like Chuck Berry.
If I'm proud of one thing in my playing, it's being able to slow it down and focus on the melody.
I write while I'm walking, on little scraps of paper. If I have a melody going, I can feel it for days.
Doing the instrumental thing, you're really looking for the power of the melody to carry the record.
I won't deny a song or a melody. I can't deny it.
Melody is a form of remembrance. It must have a quality of inevitability in our ears.
For me it's always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it's always sound first and then the line afterwards.
So, essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.
A lot of Woody Guthrie's songs were taken from other songs. He would rework the melody and lyrics, and all of a sudden it was a Woody Guthrie song.
I try to incorporate melody. Even though I'm screaming, I still like to think I bring melody into screaming.
I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe; it can even be the poem's overall form.
In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here.
My sense of divine brings with it a strange sound of music with its glories, a marvellous melody sounding like a multitude of flutes.
Well, I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing.
If you're going to start with melody you'll need some tympani, I think.
Sometimes I just think that there are more things to be said to make the audience understand what I'm trying to do more. When I'm singing, I don't want you to just hear the melody. I want you to relive the story, because most of the songs have pretty good storytelling.
To me it's no accident that all the symphony orchestras around the world tune up to the note A. And A is 440 cycles, except in Germany where it's 444. But the universe is 450 cycles. So what I'm trying to say is, I think it's God's voice, melody especially. Counterpoint, retrograde inversion, harmony... that's the science and the craft.
We knew that we wanted to play heavy music but I hadn't gotten into melody and things like that.
When you use a sample in a big way, when you loop something in the way I did with 'Runaround Sue,' it's like you have your chords and your melody and the quality of the song right there before you add your own production. It's like the song is already made, in a sense.
I'll just start laying out the melody exactly where I want it to fall. And then I'll go back and fill it out. Whereas, in other pieces I'm really just going a couple bars at a time.
When I sing, it's different from when I speak in a very interesting way. I think that, when you're singing, a message is carried in a different way. I don't know if that emotion needs a melody.
My inspiration comes from so many things, it is hard to give credit to one. I find music of all kinds to be a great inspiration. A melody or a lyric can fire my imagination. Exercise is another. Endorphins fuel my thoughts - I tend to work out scenes and dialogue when I am exercising. Reading is also a great inspiration.
We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.
I don't write lyrics. I hear the track and sing in gibberish over it, then I try and fit words into the phrasing and melody that I already have set. Everything is left to chance.
After all my years of doing instrumental music I still like just a simple instrumental song with a nice catchy melody and an opportunity to play a solo over a harmonic structure.
In 'Kill Rock n' Roll,' the choruses came about at the moment I was listening to a lot of the Supremes, and if you listen to that part, you can hear a melody and a harmony there that's not too far away from what the Supremes would probably be doing, but there's heavy guitars in the back.
Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
I can't even speak Hawaiian, but if you go there and listen to a Hawaiian song, you get captured because it's so beautiful, like the melody is just gorgeous and you know Bob Marley is on the radio every single day. It's very reggae-influenced down there. Basically, you haven't been to paradise if you haven't been to Hawaii.
I applied for a job on 'Melody Maker' once.
I've always been a fan of melody and emotional melancholy, whether it was Rites of Spring or Tears for Fears or Neil Young. If I hear a song that has a sweet melody, I'm a sucker for it, whether it's Linkin Park or Little Richard.
I don't really have time to sit down and write. But when I think of a melody, I call up my answering machine and sing it, so I won't forget it.
From a very early period of my life I have derived the highest enjoyment from listening to music, especially to melody, which is to me the most pleasing form of composition.