I think people should be protected from being made to feel that they want to know what somebody famous had for breakfast.
I try to be as real and honest about everything and very genuine with people and say, 'Listen, I'm a Christian, and I'm not perfect. I screw up every day, but I think that's what grace is all about.'
I think there is an enormous appetite for great roles for women.
Sometimes I think, 'Why should I work out when I can spend time with my kids?' I feel guilty doing something for me.
I think as a woman it's in our nature to nurture someone else. Sometimes at the expense of ourselves.
Just taking risks for risk's sake, that doesn't do it for me. I'm willing to take risks that I think are worth it, and I've worked so hard to make sure that I survive.
I think it's impossible to maintain a good, strong, muscular physique without taking some supplements. Between the protein shakes and the multivitamins that I take, I use C4, the pre-workout mix. I try to keep it as basic as I can, but I think I would shrink and disappear if I stopped taking protein shakes.
I've taken a philosophical position on e-mail. Although I think it's a wonderful communication technology, and it has a lot of good uses, it is abused quite a lot.
Tortured characters are, I think, an actor's dream.
I think we're all hooked, I feel my own hook-ness on immediate gratification you know. I want what I want.
There are things I'm doing with 'The After' that would've never flown on 'The X-Files' and on network television, so it's more permissive. That's not to say that you want to abuse that. I think that a show like 'The X-Files' actually worked better as a network show with the restraints put on it, the censorship that was applied.
I think people who sit around and are always yearning for the next thing are not always the happiest people.
Sartre said that wars were acts and that, with literature, you could produce changes in history. Now, I don't think literature doesn't produce changes, but I think the social and political effect of literature is much less controllable than I thought.
I think that the continuity of what I do as an editor with what I did when I started out 40 years ago is very direct. The delivery system is changing and will continue to, but the actual interaction between publisher and author is exactly the same.
I think I learned a lot from a lot of experiences that I dealt with over my career.
Thirty was a big deal for me. It was the age where I reevaluated everything - how I approached life and how I thought about myself. When I look at my 20s, or when I look at any period in my life, I think about how much time I've wasted trying to find the right man.
I think the basic thing that happened is we have lost our story. Humans think in stories, and we try to make sense of the world by telling stories.
In Washington, I am a leader on the issues that matter to my community, and I think that's what my constituents want, and also I think that's what voters want. Someone who understands them, who wants to represent them, and who works tirelessly every day on behalf of their interests and their values.
I think everybody wants to be a rock star.
This idea that the open exchange of information can have a positive global impact is being proven over and over again around the world nearly on a daily basis - and for Secretary Clinton to recognize that, I think, is a huge step.
I don't watch TV. I think it destroys the art of talking about oneself.
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
I just like to stay a little quiet and just do my own thing. If I win a little more, I think I'll get a little bit more attention.
When I go there to Afghanistan or Pakistan, the question both asked - and if it's not asked, implied - is, 'Are you staying this time?' because we left last time, in 1989 in Afghanistan, and we sanctioned Pakistan from 1990 to 2002. So I think it's a fair question.
I think there's definitely a way to tell a story, to also look at marriages that are working, but find drama from what's challenging them. That's what I think, certainly, 'Parenthood' is kind of about: the unexpected things that come up in your life that challenge you as a man, as a woman, as a husband and a wife, and as a parent.
I think we get too hung up on categories. Obviously, the book market has to categorise things, and it makes it easier for a reader to go into a bookshop and choose, but as a writer, it helps to get rid of all of that and imagine you are a storyteller around a campfire.
I think all girls in the world wish they were a Parisian girl - that sort of effortless chic confidence and comfort in their own skin.
I think - in general, I don't think I've been involved in a single movie that turned out the way I anticipated it to turn out. Just because, as an actor, there's only so much that I can bring to a project.
I think 'The Condemned' has a great story. It's a lot more than a mindless action flick.
I think there will always be need of trusted voices in the investment community, but what the ICO markets are showing is that the world has incredible demand for future-looking projects!
Seven-11 is the pulse-beat of America. I think that Bruce Springsteen should do a song about a 7-11 in Asbury Park, New Jersey, but write it in such a way that American's youth can identify and slurp along with the Boss. Hail the Boss! Hail 7-11!
I think I've spent more time in front of a camera than off camera. That's just the way it is.
I think every artist needs a rule that's stupid but that helps him, like a deadline would.
At the end of the day, I think the most conservative principle there is, is giving people a dollar worth of value for a dollar worth of tax paid.
I've always felt like there are certain politicians that wear their religion on their sleeve in a way that you almost feel is disingenuous. I think that your faith has to be first personal. I struggle with those people that preach something and go back behind closed doors and live differently.
I think of myself as a very ordinary person. I like writing about the juxtaposition between people: the beauty of them at times and then the banal, everyday context in which we find ourselves.
