Usually, when I see films that don't have any score attached to them, I think they're beautiful. I love just the naked sound of the voice. That's already music.
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
Even under normal conditions, how we can distinguish various events, various experiences, and be able to reproduce it later is, of course, a very interesting question and, I think, one that we face in day to day life.
I think that big, sort of theatrical relaunches tend to set you up for failure and hype.
I think I was probably a cowboy in a past life.
I don't want to be one of those people that's constantly promoting myself on Twitter. I think the fun thing about Twitter is being able to share all the little random things that happen in my life.
We always see a trend on TV, and others follow suit. I think 'Rangrasiya' will be a trend setter, too.
I think that we, as the African-American men in hip-hop, we have a greater responsibly because we have the ears of so many millions of our young people. And they listenin'.
I like to keep most of my bats. I think I have about 250 bats, including my first - which cost Rs 2000 - a gift from my dad in 1998, when I moved to the hostel.
Sequoia is a firm that a lot of people across tech and the Valley look to, and I think they're setting an important example in adding new diversity to their team.
'Supermodel' was a hard record for me; it was an emotional record to write. I was purging a lot of stuff with that album, and I think the one thing I didn't really consider, that I'd be supporting it for two years and living in that state of mind every night.
There's a number of years that went by going from a white belt to a black belt. And I think, in a similar respect, years go by with your maturation process, and it's just as important to be disciplined with that as it was in karate.
I'm a big sleep guy. I think my schedule sorta starts with sleep and making sure I get enough of it. I'm an eight-plus hours guy. I would love to sleep more. I definitely try to create a routine and not stray from that routine at all, but I will take advantage of having an off-morning. And I really have become a fan of the 20-minute catnap.
It didn't scare me to be vulnerable because I think that's when you get something great.
I think it's easy for me to connect to some people, and I don't know if that's the same thing as falling in love whereas before, I might have said it was.
I love someone who can make me laugh. And someone who's secure - I think that's sexy.
I think of Chicago as a great entrepreneur city, a city that supports its own, that isn't as jaded as New York and L.A.
I think sometimes Hall of Famers might get labeled as guys who aren't suited for a coaching job or to be back at the Major League level.
I try to not be self-conscious in my writing process. I think it's important to just be in your subconscious mind - at least when you're starting an idea.
I think the Caribbean countries face rising oceans and they face increase in the severity of hurricanes. This is something that is very, very scary to all of us. The island states in the world represent - I remember this number - one-half of 1 percent of the carbon emissions in the world. And they will - some of them will disappear.
It is London fashion week, and once again I haven't been invited to any shows. This is upsetting given my well-known love of fashion, or, as I think of it, playing with the dressing-up box.
Sometimes I think I don't want to grow old as an actress and deal with the fact that I'm getting less jobs 'cause my face is changing, and then the men... But at the same time, I'm pretty competitive. I don't know if I'd bow out. I might still be acting when I'm in a wheelchair.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
A writer starts out, I think, wanting to be a transfiguring agent, and ends up usually just making contact, contact with other human beings. This, unsurprisingly, is not enough.
I've never understood why we would want to deny all the joys - and the challenges - of marriage to anyone. Which is why I think any loving, committed couple - gay or straight - should be able to get married.
Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones?'
I think the height of ridiculousness was when I was playing Elizabeth in 'The Golden Age' while preparing to start shooting 'I'm Not There.' I literally finished filming Elizabethan grandeur on Friday, flew to Montreal, and started being Bob Dylan on Monday.
I think that people have to have to have a sense of what ideas are one the progressive side, the Democratic side in order ultimately to be effective in the political world.
I think I said something mean when I was little, and my mother snapped on me. I was just like, 'I'm sorry!' I could relate. If I had cursed out my dad, I probably would be just waking up.
I think that its easy to think of the environment as all doom and gloom and that, 'What can we do, it's too late. And the polar bears are gone, and everything is gone.' But really, just the little steps that we can make as individuals make a big difference.
I think the most important thing about coaching is that you have to have a sense of confidence about what you're doing. You have to be a salesman, and you have to get your players, particularly your leaders, to believe in what you're trying to accomplish on the basketball floor.
The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.
I have problems with the violence and the torture on '24.' What I'm trying to say is that that's not the only story, and I think that the cognitive complexity is as important.
I think the attempt to draw a comparison between Iran and Syria is false, misleading and dangerous.
