I belong to a family where I think we're all fairly treated, boys or girls. Although I have to work doubly hard just to be able to be recognised. That meant long hours, but the hard work paid off.
I think shareholders are the great evil of this modern world.
The more shaded, flawed characters that are struggling, I think there's something very relatable about that.
I do still get the odd fan letter about The Good Life, clearly written by somebody aged 18, who says: Will you send a photograph? And I think: Maybe it's kinder not to. I'm deeply into my 50s now.
In Quebec, as women were getting more power, there were the men who agreed with that and the men who were afraid. I think most men are willing to share power with women, but there's fear. Every time you change something, there's a friction.
We are in possession of what I think to be compelling evidence that Saddam Hussein has, and has had for a number of years, a developing capacity for the production and storage of weapons of mass destruction.
I grew up reading Updike. I remember being alarmed to find that he had published short stories by the time he was 22. I think 'Pigeon Feathers' was the first collection of stories I read. Only much later did I discover his non-fiction reviewing and art criticism.
In an era when party fundraising is badly tainted, dinners are a really good way of raising cash for campaigning. Lots of people giving very small amounts of money through ticket sales and raffle prizes: yes, it's much harder work than big donations, but I think it's a more democratic and transparent way of fundraising.
I think it makes a lot of sense and of course I love Christie Clark. I think she's awesome; she's beautiful and fun to work with. I think she has some really unique qualities to her that would bring a lot to the show.
I think the more experience I have working on films, the more I can shed that character rather than carrying around that heavy weight.
I think American actors are much more intimidated by Shakespeare.
Big Stephen King fan. I think he's dismissed often as a hack probably because of his prolific body of work, but he's anything but. I think he's a terrific writer. And not just a genre writer; he really approaches a number of complexities in everything he writes. So I'm a huge fan.
I think I did every drug known to mankind, smoked crack, boozed, dropped acid, you name it.
And I think most people in this country want to see a president that's got the courage to say we're going to cut the tax burden, and reduce the regulatory climate, and we're going to get Americans working.
Most of the most successful films Blumhouse has made have been rejected by everyone else. No one wanted to make 'Get Out.' Nobody. Nobody wanted to make 'The Purge.' I think it was floating around for three years before it came to us. Nobody wanted to make 'The Gift,' when it was a script called 'Weirdo.'
I think it's undignified if you don't do your job.
I hate that there'll be moments in my day and I'll be patting down my legs trying to find my phone. I hate how anxious it makes me feel when I don't have it. When I go on holiday, or I go back to Australia, I put my phone in my bag and I don't worry about it; I think differently and I feel less stressed.
I think I started writing about identity, and I used to believe that identity is the story. But now I'm not so much subscribed to that. I mean, with 'Mr. Fox,' it has a feminist agenda as well. And so, as I sort of been away from writing about identity, I still feel that kind of tug of roots and, you know, cultural background.
Normally I can balance two or three things. The problem is when you're out of work and don't have anything to balance. I think people assume you're always busy. You go through dry spells.
I think theater is powerful. The best experiences I had in the theater are more powerful than the best experiences I had in movies.
I think I'm making a difference for a lot of young singers.
I think people are turning inward more now cause the world's got in such a weird, crazy state. I think its making people think more about their life and what it is really that they are doing. And how do we interact with a world that's going crazy? It's a very important time.
I think working with kids and seeing how kids are universally children - no matter what you do, they love playing on a bongo and they love drawing and they love playing - that is a great uniter.
When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.
I think we all have a lot of darkness in our bellies. As an actor, the challenge of tapping into that, reaching down into that sadness or anger, is very therapeutic.
I've always avoided expressing an opinion about where I think the republican movement should go - if it should go anywhere at all.
I think the most surprising thing about the Olympics would be the amount of interaction and partying that goes on behind the scenes. They have nightclubs at the Olympic Village. It's like college all over again.
I think I don't regret a single 'excess' of my responsive youth - I only regret, in my chilled age, certain occasions and possibilities I didn't embrace.
I think there's definitely a potential there for a congregation to survive without the Crystal Cathedral. The congregation is the people. It's not the building.
I think one of the things I was shocked about was how interested the world is in 'American Idol' and how people, writers, they write about 'Idol' all the time, and I guess I didn't expect that.
Well, in our industry it's that the movies cost so much money to make they have to appeal to a broad audience. And I think that's part of what will loosen up in the future, as technology makes it cheaper, you'll be able to make films for a more selective audience. I think people will be able to make more personal movies.
Especially these days where everything is so polite and so proper, I think that rites of passage are good.
I think I'll take my record of 13 goals to the grave.
I think unionization is good public policy. I think when families secure their economic future, that's good for everyone.
I think that people are interested seeing me on the screen.
I think of novels as houses. You live in them over the course of a long period, both as a reader and as a writer.
