I think in just about any business the low cost competitor is always going to have an advantage.
I think that when you are struggling as an actor, you imagine that if things were to pan out, everything in your life would change, But really, it's not so different. You're still pursuing good work. You still panic that you're doing it all wrong.
But I think Barry Sonnenfeld let his ego go out of control. He told me in a meeting that he had to do something to make it his film.
For me, you say the words 'concept record,' and the first thing I think of is theater or the opera or something.
I think it's very important for people to not judge the people you're playing. You have to find a way to love them because their story is theirs. I just don't think there would be any use in that.
Yeah, I've worked with a couple of female directors, now, and I think that they're amazing. As good or better than guy directors.
I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.
The fact is that viewers are fickle and it's rare that such a large group of people can be categorized in any type of way. There's enough content to go around, and if we stop focusing on numbers and start focusing on the quality of the project, then I think everybody - viewers and artists alike - is going to be a lot happier.
I think that power comes in numbers, and we're in an industry where the actors need to have a bigger voice.
I think half the battle is just being comfortable in front of the camera - and I already am, doing so many videos and interviews, so then it just takes that extra step of trying to get into character.
I've done my best to work from a place of humility - always looking over your shoulder saying, 'Does this suck?' and I think that's a good way to work. The other way to work is where you start to think, 'I'm on fire, I'm amazing!' and I don't think that's the way to work.
I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure.
I think a lot of gay kids in the midwest or in places not in New York have to overachieve in order to sort of get through the fear of what they're going through.
I think what I reacted to so strongly when I first saw 'Pinocchio' was that I identified with the character so strongly. The movie takes you on a whole journey, a rollercoaster of emotions, and that sometimes means some very scary places. But in the end, it comes out okay.
I think I succeeded in getting the Egyptian people excited about the importance of science, and this is the only way Egypt can get out of this dark ages.
I think God's going to come down and pull civilization over for speeding.
I think if you pick someone that you love, you will continuously fall in love with them.
It hasn't been a problem with Ben, I think we worked together very well, we don't have rows.
In a deeply tribal sense, we love our monsters, and I think that is the key to it right there. It is monsters; it is learning about them: it is both thrill and safety. You can think of them without being desperately afraid because they are not going to come into your living room and eat you. That is 'Jaws.'
I think there is much more queer visibility than there was when I was a kid. There is marriage, more trans visibility, and many more celebrities who are open about the sexuality. This was so not the case when I was a kid.
What's wrong with a bit of nostalgia between friends? I think nostalgia sometimes gets too much of a bad press.
Once I decide I want to do something, I just work really hard and I do it, and I just know it's going to work. I think really positively.
I think everything that happens to you becomes a part of what you end up doing and being and standing for.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
If we want to travel into the future, we just need to go fast. Really fast. And I think the only way we're ever likely to do that is by going into space.
I wish HP nothing but the best. I think HP is an icon. Those of us who had their careers in the Valley think of Dave Packard and Bill Hewlett as role models. We would love to be half as good as they were.
I've always felt that even though a man was not a Christian, he still has to know the truth some way or another. Or if he was a Christian, he could know the truth. The truth itself doesn't have any name on it to me. And each man has to find this for himself, I think.
And people talk about the stimulus package and the jobs that it was supposed to create, it certainly didn't have the intended effects that everybody was hoping for or that the president and administration certainly was hoping for. So I think it's time to lay some new solutions on the table, some new ideas.
I think it's always great to not be the smartest person in the room because I don't want to ever feel like I can't improve upon what I'm doing. I just want to surround myself with people that are better actors than me and better singers and dancers and see what happens.
I think that it's the job of the artist to be in transition and constantly learn more.
There was a point where there was a vision that we'll get to a certain age, and then we'll retire and be happy. Now that's like, that's being compromised every day. So I think we have to start living happy now and stop waiting for the forty years because by then you'll be so sick, you wouldn't enjoy it anyway.
I think America has a brilliant future.
We need a government, not politics. Because there's too much politics. Of course there should be debate. But there seems to be so much pettiness and not enough good faith. It is civilized to agree to disagree, and this idea is slowly disintegrating. The great statesmen of the past knew this, and I think it helps drive civilization.
I think the guys that get to the All-Star Game deserve a lot of credit. They deserve their opportunity to get out there and let the baseball fandom see them.
The weekend after 'Kimmy' started streaming on Netflix, I did notice a definite difference in people on the street recognizing you. I think that's such a strange thing to happen. It's like, you asked for it, you went and put yourself in the public eye, so don't be surprised people recognize you, but that part can be strange.
The day I think about throwing the ball away at the beginning of a play, I should stop playing.
