I write so that people will read what I write. I don't want to write a book that a thousand people read, or just privileged people read. I want to write a book whose emotional truth people can understand. For me, that's what it's about.
When I read 'Rocky V,' it was a terrific story, a great script. Rocky died at the end. He has this devastating fight with Tommy Gunn, ends up in an ambulance with his head in Adrian's lap, and by the time they get to the hospital, he's dead.
When someone says they've read your book 15 times, you think, 'Well, you should read something else.'
I read the paper pretty much every day, as well as getting news from the Internet and on TV. But I don't do social media at all; I'm a Luddite from that point of view.
I've read plenty of amazing science pieces where the writers don't hang out in labs. I just have fun doing it. And I get rewarded for it; I get gushy, especially when kids tell me they expected to be bored by my books, but weren't.
We got a copy of the 'New Statesman' at my grammar school in Wigton, Cumbria, in the 1950s. It sat mint fresh every week on the library table, with two or three other bargain-offer magazines. The 'Statesman' came out of the unimaginable Great World. I started to read it then and have pegged along ever since.
I worked so hard all my life, and all I want to do now is read.
I try to look at the whole thing and say 'yes' to the projects that I cannot stop thinking about. If I read a script and the subject stays with me - then that's when I want to go to work.
On a scale of the United States, the Hollywood influence on what comes out, that's not the majority views of across the country. What we read in Us Weekly or People magazine, or Entertainment Tonight, it's not what the majority of the country is thinking.
My dad's passion was to teach adults to read so they could read to their kids.
Whenever I pick a script, I make sure I'm choosing something I would want to watch. And 'Quantico' was something I'd definitely want to watch. As soon as I read the pilot - and I read 26 this season - I knew this was it.
If people choose to live their life in a way that does not confront the more troubling aspects of their experience, that's fine, if it works for them. But it will probably make them uncomfortable if they come up against somebody like me. So they just shouldn't! They shouldn't read my work!
I don't read a lot of magazines, but when I'm traveling, I'll pick up a copy of 'Vanity Fair' to read on the plane - it's like a full meal! The articles are so good, especially the crime stories. Browsing the Web is more like snacking - but I live on snacks.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft. I can write more quickly than I can read.
I haven't read a lot of science fiction, and I never intend to write it; it seems to happen a little bit inadvertently for me, in that I'm trying to follow people into points in their lives that demand that I investigate the future.
I try to read the audience, see what they're in the mood for.
'Black Mirror,' I read that, and I had another offer for a movie at the same time that was a bigger movie, an actual film as opposed to TV, but I said, 'No, it has to be Black Mirror.' And it hadn't been sold to Netflix, hadn't gone abroad at that point - but it's just good work - that's all there is to it.
One of the very first serious books I read when I was growing up was 'Atlas Shrugged.'
Farber had a huge effect on me as a writer. I don't mean I write like him. Farber is, first of all, a great stylist, a great writer. Anyone can read Manny Farber's film criticism, whether that person is a novelist, a poet, another critic, a historian, and learn a lot about writing by reading him.
I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to LeRoi Jones was when my mother used to read me the 'Dead Lecturer' poems when I was a kid.
Chadron had a water tower, grain elevators, a tanning salon, a video rental store, a small liberal arts college, a Hardee's, a stoplight, and a curling yellow sign in the pet store window that read, 'Hamsters and Tarantulas Featured Today.'
I deliberately never read about films before I see them.
I drink a bucket of white tea in the morning. I read about this tea of the Emperor of China, which is supposedly the tea of eternal youth. It's called Silver Needle. It's unbelievably expensive, but I get it on the Web.
I've never been much of a guitarist. I mean, I've played forever, but I was always more of a rhythm kind of guy. I don't read music.
I loved statistics from a young age. And I studied very much in Sweden. I used to be in the upper quarter of all courses I attended. But in St. John's, I was in the lower quarter. And the fact was that Indian students studied harder than we did in Sweden. They read the textbook twice, or three times or four times.
While I love to read contemporary fiction, I'm not drawn to writing it. Perhaps it's because the former journalist in me is too inhibited by the press of reality; when I think about writing of my own time I always think about nonfiction narratives. Or perhaps it's just that I find the present too confounding.
Get to know the job intimately that you're applying for. Don't just read the job description - study it and picture yourself performing every task required of you. When you interview, framing your responses so that you reveal your significant knowledge about the job gives you a massive advantage.
I'm always trying to make something that is impossible to film. Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
One thing that writers have in common is that they are readers first. They have read lots and lots of stuff, because they're just infested with lots of stuff.
I've been fascinated by the world ever since I read 'Kitchen Confidential' by Anthony Bourdain. I've watched 'Top Chef' and watched interviews with chefs on 'Charlie Rose'... I thought they're really intriguing characters, and they really encapsulate that tension between vision and commerce, art and commerce.
The only thing I can say that is wonderful about my mother is she forced me to learn three verses of the Bible every day of my life, and I've read the Bible now five times and it taught me the English language.
I study these bills. I read them carefully. If it makes sense, I'll sign on them. If not, I don't.
My writing routine is: get son off to school and sit down at 8 A.M. I read what I wrote the day before, and then write longhand, into a notebook. I prefer paper and pen because it feels closer to my brain.
I've always been a Marvel fan. As a kid, I would pick up a two-foot stack of comics and read them in the back of my dad's car on long journeys across the States. That's how I used to make friends - I'd meet up with other kids, and we'd swap comics.
I'm a strong nonbeliever in the Christmas letter where you don't really read it because it's just full of kind of meaningless information. It doesn't really resonate to the person reading it, but it means so much to the person that wrote it.
I don't read much of anything online.
