Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.
Sometimes I really wish that I could sit back and enjoy it, live in the moment more. But I am terrified, and I want to better myself, not that I want to prove anything to anyone other than myself. I am ambitious, and there are many things I want to do. It doesn't get any easier.
Just because you live 20 years or 100 years doesn't make it less meaningful. They're both short amount of times. So all we can do is just live in that time, whatever time we're given.
I don't live by all these rigid, weird rules that make me feel all fenced in. I just like the way that I feel like, and that makes me feel very free.
You have to understand how lucky I feel. I was on 'Saturday. Night. Live.' I played with the Clash! On what planet would I look at anything in my life in any less-than-stellar way?
Most of us, myself included, have forgotten what real darkness is like. We live in a world where light is inescapable. It comes from street lamps, headlights, security floodlights, and even the faint glow of our alarm clocks.
So many writers live their whole lives in rooms. You can be too civilised in the environment you have around you, too oriented towards speaking engagements and literary festivals and dinner parties. That has no interest for me these days. You get to a point where you don't care anymore. At that point, you can start to write.
People who have discovered a purpose feel better, like themselves more, age more subtly, and live longer.
I suppose illustration tends to live in the streets, rather than in the hermetically sealed atmosphere of the museum, and consequently it has come to be taken less seriously.
I live in L.A. and love L.A., and you couldn't drag me out of there kicking and screaming.
I just love the weather. I live on Miami Beach, which is all boutique hotels and cocktails. I do sometimes go along to smart parties in my white suit, but I wouldn't really recognise any famous people if they were there because I'm not very good at star-spotting.
I knew how to sell. I felt confident I could run a business. I was willing to outwork anyone. I wasn't afraid to live like a student on next to nothing. So that meant I had absolutely nothing to lose and everything to gain.
Surveys often show people would prefer a detached house with a lawn and driveway to an apartment. I understand this. It's not my place to presume to tell people where they can live. But perhaps that dream will simply not be possible in the future.
As an actor, there are places you can live, and when I graduated from school, it was either New York or L.A., and I liked the East Coast. That's why I ended up in New York.
The end doesn't justify anything, because all we ever live with is the means.
No one gave me an opportunity, which I desperately needed in my struggling days. If there is one thing that I have learned during that period is that you need to create an opportunity yourself if you want to live your dream.
My main base is Monaco, and that's where I live most of the time.
The clothes that I design and everything I've done is about life and how people live and how they want to live and how they dream they'll live. That's what I do.
I use to live on this street when I was a kid where there was an old person retirement home, and all of the old people would listen to that band Herman's Hermits, and they would wear white nursing shoes. And they would throw away stacks of VHS tapes, and I would go through the trash and take them.
My parents' long and happy marriage was a great ideal to live up to, but a tough one.
Our kids are in a little band, and they like to play video games, and my wife and I do our best to live a low-key, non-Hollywood kind of life.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
As a former writer for the 'National Lampoon,' I've probably contributed to the sea of sarcasm in which we live.
The industrial stomach cannot live without coal; industry is a carbonivorous animal and must have its proper food.
I am focusing more on overseas gigs, as my international fans do not get a chance to be a part of my live concerts, as they visit India once in a blue moon.
If I could live in one city and do every single thing I do there, I would choose Venice. You can't turn your head without seeing something amazing.
More than 300 languages are spoken in London. Religions are freely practiced. Rich and poor live on the same street, side by side. We've actually escaped many of the most difficult problems - integration and community cohesion.
I was with the CIA for only three years. I worked in the Directorate of Operations, which is now called the National Clandestine Service. It's the part of the organization where the spies live. I didn't have much experience beyond the training.
I want my home to look good, feel good, and smell good. I want it to be inclusive, to reflect the people who live there.
If you look at where innovation - defined as ideas, not as commercial product - tends to live, the university system is remarkably innovative.
I live in L.A., where every coffee shop is filled with scriptwriters, producers and directors.
Kathie Lee and I were working together on our 'Live' morning show when she started dating Frank. I always loved trying to get her to tell me about her new romance, and it wasn't long before we were watching them take their vows in front of close friends in Southhampton.
It is our historical experience, that Hungary can only live in wealth and safety if Berlin, Moscow, and Ankara are on our side and also interested in our success - even if we do not always agree on certain questions.
'HEAVN' is about black girlhood, about Chicago, about the people we miss who have gone on to prepare a place for us somewhere else, about the city/world we aspire to live in. I hope this album encourages listeners to love themselves and love each other.
If you can live in Vegas, or visit Vegas, and leave in one piece, still loving it and somehow laughing about it, you should spend at least part of your last night in town doing something that will serve you well no matter where you go next: thank your lucky stars.
If any man claims the Negro should be content... let him say he would willingly change the color of his skin and go to live in the Negro section of a large city. Then and only then has he a right to such a claim.
