I'm a traditionalist. I have certain values I live by.
As an immigrant, I chose to live in America because it is one of the freest and most vibrant nations in the world. And as an immigrant, I feel an obligation to speak up for immigration policies that will keep America the most economically robust, creative and freedom-loving nation in the world.
We had staffed up to do 'Doom 4' internally in parallel with 'Rage'. We also had our mobile and 'Quake Live' departments. We were taking a lot of steps to kind of provide a little bit more scope and protection for ourselves. And we certainly were listening to offers from all the majors about acquisition.
I am utterly in love with my son and my boyfriend and live in the most magical place on Earth. I've been in Norway for ten months now and I have loved every minute of it.
I live in America. I have the right to write whatever I want. And it's equaled by another right just as powerful: the right not to read it. Freedom of speech includes the freedom to offend people.
I have learned that as long as I hold fast to my beliefs and values - and follow my own moral compass - then the only expectations I need to live up to are my own.
Back when I was helping put the swing into the swinging '60s, I used to hang out with Cathy McGowan. We'd be doing 'Ready Steady Go!' on T.V., and Biba used to make our dresses. We'd be in the flat in Cromwell Road on Friday night, just before the live show, and they'd still be sewing.
When I was shooting for 'Mahabharat,' in those one or one and a half years, I didn't live my life. I was living as Arjun. Not even one single day I was Shaheer. But that paid off very well, as everyone loved my role.
I want to live my life, not record it.
I live a very nice life. I have a wonderful time. But it's not lived drawing on a full level. I'm relaxed, cool, and enjoying it.
We live in an age of global expectations. Our hopes have converged in many ways, none more so than in our democratic aspirations.
If it's hemorrhaging cash, you've got to do something about it. You can't live with your head in the sand.
But I really want to be an artist, so therefore I have to live a little bit like a monk.
In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
We live as though there aren't enough hours in the day, but if we do each thing calmly and carefully we will get it done quicker and with much less stress.
I only made two studio movies, that was a long time ago and obviously I removed myself. I think some of that is geographical. I live in New York and I want to work there, it's as simple as that.
Most people live and die with their music still unplayed. They never dare to try.
I cannot live without flowers everywhere. I grew up having a big garden, the size of a city block, in Rombas.
I just go at my own pace and I like control of the TV and I like to decide when I take a shower and wash the dishes and stuff like that. So I don't know who would want to live with me to be honest!
How are we to live with the desert, in the desert, within the desert?
Our behavior toward each other is the strangest, most unpredictable, and most unaccountable of all the phenomena with which we are obliged to live. In all of nature, there is nothing so threatening to humanity as humanity itself.
The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.
We will ensure that associates continue to possess unsurpassed product knowledge and maintain their dedication to customer service and respect for their colleagues and for the communities in which they work and live.
I live cinema and passionately love music, and my efforts in both these crafts are unfolding.
South Africa belongs to all who live in it, black and white.
I felt a responsibility to Simon and to our kids to be able to live with integrity and not have some strange split psychology of 'This is who my dad is at home, and this is who he is to the public.'
I grew up in Queens, which is the most diverse borough: the rich and the poor and homeless and people of every sexual orientation and gender and age group. Everyone is saying we live in this bubble, and there's some truth to that. But I do not think it is healthy to all of a sudden invalidate the way we live in New York.
The hallway of every man's life is paced with pictures; pictures gay and pictures gloomy, all useful, for if we be wise, we can learn from them a richer and braver way to live.
I have very, very few friends. I live in a very tight circle and emotionally I'm probably not as generous as I once was. In an average week I probably meet 150 new people and that's uncomfortable sometimes.
I don't go off and sit down and try to write material, because then it's contrived and forced. I just live my life, and I see things in a word or a situation or a concept, and it will create a joke for me.
To live is to feel oneself lost.
I have sworn to only live free. Even if I find bitter the taste of death, I don't want to die humiliated or deceived.
But whenever I look at the question of how to live, the answer's always staring me in the face. I'm already doing it.
I had been coming to America very frequently for many, many years, so I had plenty of exposure - and maybe the best kind of exposure, because I think first impressions are very important. Maybe I notice stuff that is just subliminal to people who live here all the time.
I have made stage adjustments which allow me to hear myself better onstage so that has made playing live much more enjoyable.
I live in my house as I live inside my skin: I know more beautiful, more ample, more sturdy and more picturesque skins: but it would seem to me unnatural to exchange them for mine.
