I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
And when I have lived elsewhere, every two weeks I have to fly back to LA. Even New York directors go there to audition. So I have to be there to a degree.
We were lounging around in this beautiful house in LA, and I'm coming from NY, so sometimes when we weren't working I would just sit on those folding chairs.
We will spend more time in America, we're going to get a place in LA as hotels aren't great for the baby.
So what I'm trying to say is from a musical aspect for anybody to say that whatever they're doing in Florida is not Hip Hop or whatever they're doing in LA is not Hip Hop, who are these people to say that?
All this flying around got on my nerves. But then I gave the script to Cathy to get her opinion. When she started to laugh, it was like 'That's it!'. I went to LA and I got the part.
After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.
I had been looking for a New York apartment, but I said, Why not give LA a go?
I mean, I love California, but LA to me is still a strange place.
De La Hoya doesn't know about salsa. He should keep on singing mariachis and leave the salsa to me. I'm good at salsa.
After I left LA... it was like waking up. And so I moved back east and stopped auditioning.
The best thing I ever bought is a vintage Oscar de la Renta short gingham dress that I wore to my rehearsal dinner the night before my wedding.
I'm a big fan of moisturisers. Sometimes I'll just buy a night-time nourishing cream from The Body Shop, and sometimes I'll splurge on Creme de la Mer. I also love the Alba Botanica range.
I watched Mark Rylance in the Broadway revival of 'La Bete,' and it knocked my socks off. The complete commitment, passion, and unbridled enjoyment in every moment of what he was doing was overwhelming.
The body, in 'La Belle Noiseuse,' was the source of the artist's creativity.
I am not young but I feel young. The day I feel old, I will go to bed and stay there. J'aime la vie! I feel that to live is a wonderful thing.
I play bad golf for good charities like the LA Police.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
In LA, where I live, it's all about perfectionism. Beauty is now defined by your bones sticking out of your decolletage. For that to be the standard is really perilous for women.
Some people in LA are addicted. They have to be here. My personal life is stronger than my professional life, in terms of priorities.
I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.
You go to LA, or you go to New York, and it's really fun to go there. But they're not grounded. Everybody is just competing all the time for the limelight. It's too much entertainment industry. There are too many choices. And it's distracting to me.
It's changing a bit, but the thing in LA is everyone is either in the industry, or knows someone who is in the industry. So, they don't let on that they recognize you, that's what I've found out.
I met Rodney when I first moved to LA, so I'd say 20 years. He's the eternal teenager.
'La Mancha' was a gift from me to me. I never thought for a minute it was going to be a hit.
I don't want to bother them and ruin the party they are preparing so carefully at La Scala.
We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.
I don't live in this soul music bubble. I love Young Thug, Drake, Kendrick Lamar. I even heard that Kendrick was a fan of my music. Hopefully there's a door open for us to do music together. He's one of my favorite artists. I love Jazmine Sullivan, Lianne la Havas, Usher, Ginuwine. It goes further than classic soul.
I was actually the one who decided to move to LA. Mom and I were driving on Sunset Boulevard during one of our trips back to see her family, and I said, 'Can we just stay?' So we did.
In LA, I live on sushi or salad.
Unlike the majority of the writers of his age, La Rochefoucauld was an aristocrat; and this fact gives a peculiar tone to his work.
The band I've played with for 10 or 12 years now, we've been all over, but we mostly play in LA.
And we had a DJ - my childhood friend from Chicago came to be the DJ at our party out in LA. It was a party, rockin' and rolling, and it was dancing and fun. For me it was different; just to have family with us.
You have to have a lifestyle if you live in LA, otherwise it's deadly.
The only time I ever really got into rap was back in the early '90s, and bands like A Tribe Called Quest, De La Soul, Gang Starr. Musically, they were really interesting. But when hip-hop acts start sampling Sting or Phil Collins, then I just don't get it at all.
The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.