New York City is one of the greatest places on the planet. You have the best in food, art, theatre, and definitely people-watching.
To me, nothing in the art world is neutral. The idea of 'disinterest' strikes me as boring, dishonest, dubious, and uninteresting.
When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
Remember the great adversity of art or anything else is a hurried life.
If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by.
My reputation for writing quickly and effortlessly notwithstanding, I am strongly in favor of intelligent, even fastidious revision, which is, or certainly should be, an art in itself.
Art is what you can get away with.
I feel like science and art are cousins.
I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse. The art world is filled with vibrancy.
A lot of country music is sad. I think most art comes out of poverty and hard times. It applies to music. Three chords and the truth - that's what a country song is. There is a lot of heartache in the world.
If you want to get into the shoes of someone, it's not just about seeing and hearing. It is also about what you touch and what you smell. Smell is so specific and so powerful. And this is the beauty of immersive theatre - it's something you cannot get in any other art form. I think this is the real future for theatre.
At the Museum of Roman Art, the logic of the forms is very much modern. But in spite of that, the idea of the construction could be related to a historical time.
I enjoy art, architecture, museums, churches and temples; anything that gives me insight into the history and soul of the place I'm in. I can also be a beach bum - I like to laze in the shade of a palm tree with a good book or float in a warm sea at sundown.
Whatever may be thought of my art, it is my own; and I would rather possess a freehold, though but a cottage, than live in a palace belonging to another.
Readers are always surprised to learn that authors have little or no input regarding the cover art for their books.
I think art cannot be planned. The audience is too smart to get the dishonesty or 'too much planning' thing. I am not a legend, but I want to be one. I want to be known as an achiever. There is so much more that I can do.
For some years, I've been very interested in the relationship between science and art.
There is a slight problem with being a conceptual artist these days: You won't get paid. But this levels the field and takes the art of money out of the field of serious art. The only conceptual artists who would conceive of making money on the Internet are a lowbrow species known as hustlers.
I consider tragedy the highest form of art.
You forget that sometimes comedy is just a big night out for people. Almost every show, people come up to me and go, 'This is the first comedy show I've ever seen,' so you want to do well. If you do horribly at somebody's first time seeing live stand-up, well, you've not only tainted yourself, you've tainted a whole art form.
There's a spiritual complement to any attempt at transposing a commitment to humanity through music or art.
What the future of the planet and music and art and all of it is sharing; it's diversity.
I went to school at the San Francisco Art Institute, thinking I was going to become an art teacher. Within the first six months I was there, I was told that I couldn't be an art teacher unless I became an artist first.
I love books, I love art, I'm a fanatic nature and wildlife person. People assume I'm a political animal, power hungry, wanting to run for office. And anyone who knows me knows that none of that's true.
I look at composers and conductors, anybody involved in music or writing or art in general; they got more done as they got older. If I can, I'll be one of those people because what I do is my passion.
I have 7,000 DVDs and Blu-rays. I have thousands of books - thousands - and roughly 15,000 comic books or something like that, hundreds of books about different art movements - the symbolists, the dadaists, the Pre-Raphaelites, the impressionists - you know, that I consult before I start every movie.
I own a home in Kyoto, Japan actually on the temple on grounds in Nanzenji that is going to become a Japanese art museum.
Most of the musicians that I know almost to the man everybody uses Apple computers. They've thought of the steps that you're going to think of when you're trying to create your thing. And that's where the tools get invented to make better art.
Dancers are a work of art - they are the canvas on which their work is painted.
When you deal with Alan Ball, you're dealing with a person who is a genius in terms of how art imitates life.
It dawned on me that art was the way I could survive.
We could go work on curing cancer. We could go work on building spaceships. We could go work on art projects. What's fun about working at Asana is we get to work on all of them at the same time.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
Mendelssohn I consider the first musician of the day; I doff my hat to him as my superior. He plays with everything, especially with the grouping of the instruments in the orchestra, but with such ease, delicacy and art, with such mastery throughout.
I don't think architecture should be considered as an art form in the first instance. Whenever I say that, it makes people really angry. But this is a very political profession in the Grecian sense. I believe there have to be reasons for every building, and that the ideas should not be self-referential.
The talent is always there and art is cyclical. I'm optimistic.
