I can't really say how big the cult is. But I'm proud of it. I'm proud that it has a life.
The show I did in England catered to a broad range of people. I like that. I don't want nouveau cult status, though I know we've got that sort of audience in the states.
This death cult has no reason and is beyond negotiation. This is what makes it so frightening. This is what causes so many to engage in a sort of mental diversion. They don't want to confront this horror. So they rush off in search of more comprehensible things to hate.
I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing.
Yes, there was a sort of underground cult following, which came from nowhere, and grew, and grew. It was quite surprising to us all, because all of us had spent probably the previous five to ten years without it. So it was quite overwhelming. Overwhelming and humbling.
The cult of celebrity turned me off, and when the opportunities came along for me to play different characters, that's what I went for rather than the safe choices.
When I was in my early teens, I joined a cult. And we weren't allowed to listen to secular music or anything that wasn't made by us. So I spent a lot of time not listening to music, and by the time I could, I just didn't get into it.
It was a special show that became a cult classic of sorts, and I made a lot of money for it.
If we could sell 100,000 units every album, that would rock. We'd have a big cult following, we'd have a built-in fanbase so we could pretty much play anywhere, people would show up and rock out.
In a strange kind of way I know were really popular and probably the biggest band in the country at the moment, but at the same time there is this real cult thing going on.
Revolution did not necessarily involve sanguinary strife. It was not a cult of bomb and pistol. They may sometimes be mere means for its achievement.
'Can't Stop the Music' has become a cult film. It's kind of shocking to me. People come up to me all the time and say, 'I just saw it!'
Architectural kitsch is most common in the commercial pop vernacular - typified by the Big Duck of 1931 in Flanders, New York, a Long Island roadside poultry stand resembling a duck, which Venturi and Scott Brown made a cult object through their writings.
For whatever reason, every project I do becomes sort of a cult, or a cultish show, you know, like 'Battlestar,' or even a film I did years ago, 'Kalifornia,' people refer to it as a cult film.
I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.
I'm certainly not a person who spends their every waking moment soaking themselves in signs and signals of the sort that cult studies people study; and it's partly, I suppose, because some of those signs and signals aren't worth bothering about. You have to be selective about these things.
I grew up with Scientology - my parents at one point were clerical. It's a pragmatic philosophy, not merely a belief system. Yeah, it's had media exposure because certain luminaries do Scientology, but millions of people do it who are not celebrities. It's not a threat or some cult.
I've never understood the cult of Hitchcock. Particularly the late American movies... Egotism and laziness. And they're all lit like television shows.
A cult classic is one that has been fully embraced by an alternative audience, not the popular audience.
Too many younger artists, critics, and curators are fetishizing the sixties, transforming the period into a deformed cult, a fantasy religion, a hip brand, and a crippling disease.
We met The Cult and were talking to them for a while. We went a few places with Offspring.
On the web the thinking of cults can spread very rapidly and suddenly a cult which was 12 people who had some deep personal issues suddenly find a formula which is very believable.
To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.
I have never done Cult TV before, the convention was good. It gives the fans a chance to meet the celebrities. Connect with the guy that used to be a bunch of coloured dots on your TV screen.
People in the Pentagon had colleagues killed and maimed by bin Laden. They're trying to find bin Laden and kill him and his cult. Naturally they consider that a legitimate thing to do, but they're having mixed success at the job.
I think directing in a team is a really good idea because it stops the cult of the director as God straight away, and also you're discussing things on set so it opens it out to everyone and it becomes a totally collaborative thing. And you have someone who supports you when you're feeling a bit insecure.
Near Marseilles in the south of France, bouillabaisse is a cult food. In Toulouse and Carcassonne, the bean-based stew cassoulet is a cult food. Spain has paella and a number of others. Italy has so many, its cuisine is practically defined by them.
I'm sure a few marriages broke up because of feminism; it doesn't make feminism a cult.
The cult of individuality and personality, which promotes painters and poets only to promote itself, is really a business. The greater the 'genius' of the personage, the greater the profit.
These critics organize and practice in my case a sort of obsessive personality cult which philosophers should know how to question and above all, to moderate.
I am not a cult director at all. I make Hollywood movies.
Mitt Romney is a Mormon, and don't let anybody tell you otherwise. Even though he talks about Jesus as his Lord and savior, he is not a Christian. Mormonism is not Christianity. Mormonism is a cult.
A cult following is a nice way of saying very few people like you.
My feeling about the Internet or anything else is that the more it tends to become a cult, the more I want to call it into question.
I can understand why some of these drummers and bass players become cult figures with all of their equipment and the incredible amount of technique they have. But there's very little that I think satisfies you intellectually or emotionally.
If you're not interested in history, if you're living for the day, you need some sort of cliche hook. I certainly don't think of myself as a cult anything. It's a strange thing to even consider pursuing.
