I really do hope that the people will like 14:59. The critics seem to like it. We got a lot of good reviews.
The more we refuse to buy into our inner critics - and our external ones too - the easier it will get to have confidence in our choices, and to feel comfortable with who we are - as women and as mothers.
Critics! Those cut-throat bandits in the paths of fame.
Critics themselves, they used to tear me up.
One of the things that strikes me is so many of the critics are people whose lifestyle doesn't change when the price of fuel changes, or if they keep a Wal-Mart store out of their area.
I'm my own worst critic. I could tell the critics a thing or two about my shows.
These critics organize and practice in my case a sort of obsessive personality cult which philosophers should know how to question and above all, to moderate.
I'm not reading reviews and critics. I don't care. I guess I'm still a little on my own planet.
I wish all consumers were as gullible as advertising's biggest critics. Anyone who believes advertising is that powerful will believe almost anything.
Of course there are critics who believe that no matter what we do, the Florida dream is over. They claim that we must accept the idea that inevitably our future is one of high taxes and big government.
I don't make films for critics.
How you look has become ridiculously disproportionate to what you do. Critics are more harsh on female presenters.
I wish all critics, no matter their color, were more sophisticated when it comes to the moral questions a film like 'St. Anna' is trying to raise.
Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
The difference between critics and audiences is that one is a group of humans and one is not.
But you can still find good films if you read your local film critics and are willing to drive a bit. You have to be a proactive film viewer to have the most provocative cinema life.
There are many critics who have an idealised version of where my strengths lie.
I learned that lesson a long time ago. When you write popular fiction you're going to get bashed by critics.
My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
While we use American power to fight hard for democracy against extremism on both left and right, our critics seem suspicious of any assertion of United States power or influence against any government or group that claims to be on the left.
Film critics said I gave a voice to the fear we all have: that we'll reach a certain point in our lives, look around and realize that all the things we said we'd do and become will never come to be - and that we're ordinary.
In terms of the feeling of the piece, I cant think about what people are gonna think about it, what are the critics gonna say, I'm trying to bring some resolution, and realize that myself. It's a struggle; it's a process that gets us this.
Critics only make you stronger. You have to look at what they are saying as feedback. Sometimes the feedback helps, and other times, it's just noise that can be a distraction.
I find it very interesting: when 90 percent of the critics that review films are men, how is that helpful when trying to create stories from a feminine point of view?
'Dawn of the Planet of the Apes,' while not nearly the masterpiece proclaimed by many critics, is certainly a fascinating cross-species: a big-budget summer action fantasy with a sylvan, indie-film vibe, and a war movie that dares ask its audience to root for the peacemakers.
It's a great pleasure having survived six generations of TV critics.
You don't want to dwell on your enemies, you know. I basically feel so superior to my critics for the simple reason that they haven't done what I do. Most book reviewers haven't written 11 novels. Many of them haven't written one.
Many of the critics today get airline tickets, hotel accommodation, bags, beautiful photographs, gifts and other expenses paid by the distributors, and then are supposed to write serious articles about the movie.
We're just trying to make ourselves laugh. We realize critics are going to hate it, but it just makes fans like it more.
The amazing thing now is that most of those so-called critics who were telling me to find my own voice seem to have lost theirs.
I criticize those critics. The reason being that they're doing one of the worst things that ever can be done to an actor, which is to say, Look, you do what we like you to do or else.
The critics of Donald Trump are looking for people to blame for his rise. There are many people who are either surprised by his strength or don't like him and want to blame someone to explain why he has been this popular.
Filmmakers and critics wrote about each other and sometimes very harshly. This no longer exists.
The ideology of the Smashing Pumpkins was ultimately more valuable than the music of the Smashing Pumpkins. That's what critics can't put their finger on.
Most professional players are their own biggest critics. Some of the things you read in the papers that strike you as bang out of order will already have been thought by the players themselves.
In any job, you can come under attack or have a door slammed in your face. You do want to listen to critics; you don't want to be in a cocoon and never change. Get a second opinion from coworkers and friends. Know that criticism can be valid, but don't take it personally.
