Zitat des Tages über Klinge / Blade:
There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
I loved when the superhero genre crosses with horror. Morbius. Those are the guys I gravitated towards. Blade. So for me, to be interested in doing a superhero movie, it would need to be on the dark side or a Jack Kirby property. Kamandi, Demon, Mr. Miracle - I love any Kirby.
A mind all logic is like a knife all blade. It makes the hand bleed that uses it.
The last thing I wanted to do was 'Battlestar Galactica.' I thought, 'I've done sci-fi. I did 'Blade Runner.' I don't have to do anything more.'
If the sight of the blue skies fills you with joy, if a blade of grass springing up in the fields has power to move you, if the simple things of nature have a message that you understand, rejoice, for your soul is alive.
To us also, through every star, through every blade of grass, is not God made visible if we will open our minds and our eyes.
No man can stand still; the moment progress is not made, retrogression begins. If the blade is not kept sharp and bright, the law of rust will assert its claim.
The sets were incredible. You would walk in at 6 in the morning, and we were really living in 'Blade Runner.'
A city should decide where it doesn't want to develop, saving at least some of the canyons and hillsides and wetlands from the bulldozer's blade.
It's a nice visual. I had just done Blade and I put on more weight for Blade and I thought I might as well use it so I kept it and added a little more. I wanted him to be a big bear.
The cast clubs were a big part of it, too. I found I wasn't getting that instant feedback I was used to with a forged blade. The sweet spot is a shade bigger, and when I didn't hit the ball dead center, I didn't know it, because it still felt great.
I've always used a mallet putter on tour. I get too much face rotation with a blade.
I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien', 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.
In that, Blade 2 is very much like a rock concert... if it's too loud, you're too old.
Mishaps are like knives, that either serve us or cut us, as we grasp them by the blade or the handle.
But the community knew Blade, and everybody but us was shocked at the box office, and subsequently the DVD. That was the beginning of the DVD revolution, and Blade was just like wildfire.
Blade Runner helped make my career. Everybody was in it. Who knew?
I could talk about Blade Runner forever.
Everyone fears the cut of the blade. It doesn't matter after that. I know the spirit survives as there is so much evidence of the survival of the personality in the afterlife.
Each blade of grass has its spot on earth whence it draws its life, its strength; and so is man rooted to the land from which he draws his faith together with his life.
I wonder if people who see 'Blade' will have even seen my other movies. But I don't want all my movies to be in a vacuum. I need a balance because one pays, and the other doesn't.
I would like to see a fierce Fantasia mixed with Blade Runner, Lord of the Rings, and Star Wars all in one. That's the kind of movies I want to make.
In creating, the only hard thing is to begin: a grass blade's no easier to make than an oak.
After one hundred days of confinement following a bone marrow transplant, I rejoiced in taking short walks to a nearby park as I was writing 'Girl in Hyacinth Blue.' The uncertainty of my survival made every blade of grass gorgeous in its green intensity, lifting itself up, doing its part to make the world beautiful.
Blade Runner appears regularly, two or three times a year in various shapes and forms of science fiction. It set the pace for what is essentially urban science fiction, urban future and it's why I've never re-visited that area because I feel I've done it.
The moment one gives close attention to any thing, even a blade of grass it becomes a mysterious, awesome, indescribably magnificent world in itself.
The visual team of 'Blade Runner' - one of the last big fantasy movies to be made without much computer graphics finery - worked directly for Scott, who sketched each of his prolific ideas on paper (they were called 'Ridley-grams').
I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.
I wasn't a big science fiction aficionado, there were a few films like 2001 or Blade Runner that were favorites of mine, but since I started this series I have gained more respect for the genre and become more of a fan myself.
The fulness of the godhead dwelt in every blade of grass.
'Blade Runner' is such a unique film. How do you describe a diamond? I don't think you should ever touch it again.
You can't let injuries dictate the outcome of a football game. You have to persevere and keep fighting. That is how we are. If there is a blade of grass to defend or take, we do it.
'Blade' was amazing; I can't imagine the character without Wesley Snipes. He just made a long, black leather trench coat look so cool.
I had seen other comic friends of mine go to indie labels. Like David Cross and Pat Oswald went to Subpop, and Subpop didn't make total sense for me, but the metal version of that did. So I made a small list with Metal Blade, Prosthetic and couple of other labels, and Relapse was one of them.
Everything dies, from the smallest blade of grass to the biggest galaxy.
Teen problem novels? I can go through them like a box of chocolates. And there are fantasy books out now that need a lot more editing. Fantasy got to be so popular that people began to think 'We don't need to be as diligent with the razor blade,' but they do.
