I have a thing for red-haired Irish boys, as we know.
Man loves liberty, even if he does not know that he loves it. He is driven by it and flees from where it does not exist.
The unique and supreme voluptuousness of love lies in the certainty of committing evil. And men and women know from birth that in evil is found all sensual delight.
I think in terms of family, in terms of relationships, in terms of work, competition to be the favorite, to be the noticed, to be the one - I don't know if it exists for all personalities, but I know for sure it did with me.
I don't know why, but I never felt I was gonna stay with the Stones forever, even right from the beginning.
I'd hope to reach any kid who feels apart from the group - those who seem to be outsiders, who feel different. Kids who want to reach their parents often don't know how to do so.
For me, I live for performing live because people look at magicians on television, and they always wonder, 'Is it a camera trick?' 'Is it a stooge?' whereas, live, they know there's no set-ups; there's no stooges.
I know it's superficial, and you can't measure art, which is supposed to be up to the individual, but I've watched the Oscars since I was a baby with my mother.
At early previews, the theater gossips are there, wishing you ill every night. They don't grant you any slack. Agents are in from Hollywood. Your friends are there. People who are going to spread the word-of-mouth. If something doesn't work, everyone will know.
Recently I heard a 'wise guy' story that I had a party at my home for twenty-five men. It's an interesting story, but I don't know twenty-five men I'd want to invite ta a party.
To know a man, observe how he wins his object, rather than how he loses it; for when we fail, our pride supports us - when we succeed, it betrays us.
I'd take precision any day over power; as far as being tactical you know you have to see what's going on in there and also understand that for every punch that you or your opponent throws there's always a counter shot or two which you have to be ready to fire or defend.
I don't know why I do what I do. I tend to go for the really weird, bizarre stuff. I actually have to tone it down for the show.
It isn't what we don't know that gives us trouble, it's what we know that ain't so.
I think right now in the world we're feeling like there's no solid ground beneath our feet, you know?
I didn't even know I was the first female Republican campaign manager until someone pointed it out to me on Twitter, and I said that can't be true. And then I realized this must be such a small group of women. And right away, I know them all - Susan Estrich and Donna Brazile and Beth Myers - and I respect them enormously.
Be where the acting is. I live in Houston. Dallas is 4 1/2 hours away. I let them know there's no difference.
I don't know many better training grounds than being mayor of San Francisco - those were pretty intense years in terms of reporting and scrutiny.
I want to be with those who know secret things or else alone.
The sheriff is at the cash register, and if I don't get a hit soon, I don't know what I'll do.
My cousin cleaned out a shotgun for me and let me carry it around the house, because he said, 'Anybody who knows anything about guns is going to know in a second if someone has held a gun before.' I didn't want to be that person. I wanted to be practiced.
I'm not a really big comic book person. I know the typical ones - 'Spider-Man' and 'Wonder Woman' and 'Storm' and that stuff. But don't quiz me, because I'm not good at things like that.
It's more important to know your weaknesses than your strengths.
To know a person's religion we need not listen to his profession of faith but must find his brand of intolerance.
When any government, or any church for that matter, undertakes to say to its subjects, This you may not read, this you must not see, this you are forbidden to know, the end result is tyranny and oppression no matter how holy the motives.
I didn't know I was cool, but I was very flattered that some of the younger comedy writers came up to talk to me at the Emmys. I found that gratifying.
You can always hear a director saying, 'Well I don't really know what this piece is saying, so therefore, I reject it.' There are any number of things you can anticipate going wrong, and sometimes they go right. But I think the things you like most are the things that get rejected first. That's just how things work.
Well, I don't know too many governors who are flaming ideologues.
You would like me to say that the veil will be ripped from the voters' eyes sometime between now and November, thereby restoring the proper version of Democracy to the House and Senate. I won't say that, of course. The simple reason is, I don't know.
I didn't know that there were many rules in music when I first started writing.
Sometimes when you're acting, you only need a little bit of something to sort of channel or, you know, transport into a place.
I think there's a big price to pay for consciousness, knowing that it's all going to end and we're mortal. I envy dogs. They don't know they're getting old! And they don't know it's towards the end. I mean, they never think, 'I used to get by on 16 hours of sleep a day. Now, if I don't get 19, I'm a wreck.'
I believe music should reflect yourself in some way and not just yourself at the given time. I feel that when you die or when you're going, someone's supposed to listen to that music and know everything about you. And I just try to get that across.
Death in itself is nothing; but we fear to be we know not what, we know not where.
I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.
There's a fine line between genius and insanity, as we all know.
