Happy Days, which we did for 11 years, we did with three cameras in front of a live audience. Very special. We had a party every Friday night. The boys, Ron, Henry, they grew up on that show.
Most athletes are media shy. They keep to themselves and to their training. I'm not saying it is absolutely necessary for them to come out and face the cameras with confidence, but if they do, it will only help them. They will find themselves closer to their fans and will also get their word across more effectively.
I like quiet. No television cameras. I'm not the Hollywood type.
Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation.
I can't even tell you the anxiety I get from being around those cameras!
Cameras in the courtroom is a great idea.
A lot of the stuff in 'Speed Racer' has never been done before, from it having a multi-tone, to it having a retro-cool family movie, to having the photo-realism with the CG-backgrounds and infinite focus the way they worked with these digital cameras, to even the color experimentation.
It is really funny to see people that you know acting unpleasantly just because there are TV cameras on.
I moved to L.A., because that's where they point cameras at you. And that's what I'd like them to do.
If you can remain true to the people who know you the best and not be sidetracked by the flashing lights and glimmering of the cameras, it's like, just being down-to-earth and just kind of staying real.
Walking down the red carpet, suddenly I felt very special and different. All the flashlights from cameras and requesting voices from the media, the scene, it was just like what I remembered seeing on TV or a movie when I was a little girl - the scene only when movie stars appeared.
Sometimes cameras and television are good to people and sometimes they aren't. I don't know if its the way you say it, or how you look.
We've lost these qualities, these abilities to do something by hand. Some illustrators have it still, but it's just not art. We have photography. We have cameras and computers that do it better and faster.
If you shoot with a billion cameras, then there's no perspective. You want to use one shot at a time, so it's better to discover what that is before you shoot, rather than trying to make something in the cutting room, and then it just becomes generic.
One good thing about television is that you have a lot of people with money who have real good cameras going around to all these countries. You haven't been there? Great. Turn on The History Channel or The Discovery Channel. So, we're lucky in that way.
And if you take the cameras out of the courtroom, then you hide, I think, a certain measure of truth from the public, and I think that's very important for the American public to know.
I go from pub to pub, or jumping on buses or stopping cars. I don't need a TV audience. Every time I go naked, all of a sudden TV cameras pop up around me.
I have not fully had the opportunity to evaluate the impact of cameras in the courtroom.
I am simply the most conspicuous part of a large, thoroughly dedicated and professional staff that extends from just behind these cameras, across this country and around the world, in too many instances, in places of grave danger and personal hardship. They're family to me.
I used to watch 'The Apprentice' all the time and I thought Bill was a fox. That was that, we didn't see each other for years, and then we saw each other and 45 minutes after the cameras stopped rolling, we were still talking.
If I went to them all dressed up and flashed a nice smile for the cameras it would probably be easier for me to get work. But I just can't tolerate it.
Joanna points her camera at a section of society unused to having cameras pointed at it. But I don't know about categorizing them in terms of class; I'm a bit wary of that. My dad is the son of a shipbuilder.
While the recent addition of the National Guard providing a support role manning computers and cameras has allowed more Border Patrol agents to work the field, more agents are still needed.
I'm such a believer in going to set, even when you're not working, because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily.
Look at lots of exhibitions and books, and don't get hung up on cameras and technical things. Photography is about images.
So now what happens is the cameras follow me around and capture exactly what I've been doing since I was a boy. Only now we have a team of, you know, like 73 of us, and it's gone beyond that.
I started acting when I was 17. I started modeling when I was 13. It helps in the way that you don't get fazed by cameras too much.
I sort of feel like my job is to be a conduit to opportunities, to maximize the creativity of the day itself - because that's when the cameras are running. That's the important thing to me. Some of these shots you need to think about in advance; you need to have some ideas for them.
There are things that I am nostalgic about from the 'good old days.' I loved motion control cameras, actually. I love the way they sound. I used to do a lot of miniature work, and it's still warranted, but it's done less often, largely for budgetary, schedule, and flexibility reasons.
I have developed my eye as a cinematographer through the craft of operating. When I am not operating, I am often anxious, uncertain, restless, sometimes irritable. When I am in the position of working with Steadicam or remote cameras, I fly with a broken wing.
My system uses the speed of components in cameras and cell phones to get four inches of depth through the brain.
I'm very interested in directing actors - many directors direct cameras.
I think cameras should be in the courtroom, but they need to be managed properly. You need a judge to hold the line.
The IMAX cameras are big and heavy. And they're loud. So you have to be mindful of whether or not they're worth it; I'd say the image quality is incredible and the scale is amazing.
I'd be a really boring person to have cameras around all day.
I am unwilling to strip completely before the cameras.