Admitted mama's boy here - put that on the record.
People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
I have a weakness for anything savory or bad guys. Bad boys.
The bravest person I've ever met was a young boy going through massive amounts of treatment for a very rare, complex and unpleasant disease. I last saw him at a Discworld convention, where he chose to take part in a game as an assassin. He died not long afterwards, and I wish I had his fortitude and sense of style.
I like how TV used to be - 'Boys from the Blackstuff' and 'Play for Today', instead of 'Stars in Your Eyes' and 'Celebrity Come Cook With Me' or whatever. I hate all that stuff.
But whatever the Lord throws at me right now, I think I've been given more blessings than I ever deserved. If he wants to top it off with anything - boy, girl - I would love either of them.
My joints hurt. I'm slower. But I remember what it was like to run and play with the boys. I want to be one of the boys.
A boy's story is the best that is ever told.
Boy's natural play is rough and tumble play, it's the universal play of little boys. And it's very different from aggression. And we are a society that's failing to understand the distinction.
During the time I was on The Hardy Boys, I was also watching other people's careers. I thought the next step was to be a movie star. I kept saying no to projects, and offers stopped coming in. I was no longer hot.
My dad actually taught me to box when I was, like, nine years old, because I got picked on at school all of the time. I was on a boys' hockey team, so I would get all of my aggression out there.
I'm a lapsed altar boy.
The very rough story is this: Melbourne boy, out of both my parents' houses at a young age, lived with my grandmother, drama teacher twisted me into doing this TV thing that I thought my mates were doing, too.
My story starts with my dad, a black boy born to a single mother in a small town in North Carolina. It starts with my parents meeting in Washington, D.C., in the '60s, at a time of incredible activism.
I'm not a dieter. I have the palate of a 7-year-old boy, although I'm working on it. I order off the kids' menu! I'm working hard to eat more fruit and veggies and round it all out, but I'm a big pretzels and Diet Coke kind of girl.
I am just a nice, clean-cut Mongolian boy.
My views on everything from welfare to a balanced budget to affirmative action can be traced to what Buddy and Helen Watts taught me as a young boy growing up poor but proud in Eufaula.
I believe the old boys' network is a powerful one. No one gives up power and privilege willingly, do they?
I was on a couple of scholarships. I had a job in the school administrative office. I had a job as a hat-check boy in a restaurant. I had another job as an assistant to a casting director. It took a lot to get myself enough money to put myself through Juilliard.
A team is where a boy can prove his courage on his own. A gang is where a coward goes to hide.
From the boys' point of view, scouting puts them into fraternity-gangs, which is their natural organisation, whether for games, mischief, or loafing; it gives them a smart dress and equipments; it appeals to their imagination and romance; and it engages them in an active, open-air life.
We must declare ourselves, become known; allow the world to discover this subterranean life of ours which connects kings and farm boys, artists and clerks. Let them see that the important thing is not the object of love, but the emotion itself.
The only acting I knew when I was a boy came from Lochgelly. With a double bill, people would live their lives in the cinema. You would even see babies being breastfed in the audience.
Bernard Vonnegut, named for his paternal grandfather, was born August 29, 1914. He was a serious-looking little boy, even in informal photographs.
Whatever notoriety Fall Out Boy used to have prevents me from having the ability to start over from the bottom again.
So now what happens is the cameras follow me around and capture exactly what I've been doing since I was a boy. Only now we have a team of, you know, like 73 of us, and it's gone beyond that.
For the longest time, I thought I was a boy. I really did. I wore boys' clothes, played tag football.
The only thing that can ever make a Louisiana boy feel better is Popeye's.
Even though I would love a little girl for me, personally, I love being a mom to boys.
My father was a public figure all my life, and so the presidency was an extension of that. I guess you get used to it, though you can stand back occasionally and think, 'Boy, this is really weird!'
I was talking to one of my aunties at Christmas and she said she didn't think it was ever in my nature to go against the grain, that I was always a good boy. I think she was right - I did always want to be good.
Between his eyes, there were four lines, the marks of such misery as children should never feel. He spoke with that wonderful whisky voice that so many Spanish children have, and he was a tough and entire little boy.
As a kid, I didn't need to be convinced the future promised peril and oppression, so when I started thinking up the middle-grade science fiction novel that became 'The Boy at the End of the World,' it seemed only natural to build the story around a dark vision of the future. In my book, civilization has nearly destroyed itself.
Every small boy wanted to be a steam engine driver when they grew up in the old days, including me. There's something very special about them - the noise, the smell, the steam coming out everywhere.
'The Nature of Jade' is about a girl who works with the elephants at the zoo near her home, and who, through her involvement with them, becomes involved with a boy and his baby.
I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
