We had many good directors - John Carpenter, Brian De Palma - but things have become polluted by business, money and bad relationships. The success of the horror genre has led to its downfall.
We used to play 'Double Dribble' on Nintendo. Later, in high school, it was more 'NBA Live' and 'John Madden Football.'
I feel like part of me will die when John Goodman dies.
You don't get John Gotti to testify against his driver. You get the driver to testify against John Gotti.
We're a nation of celebrity and hero worshipers, so much so that we make heroes out of those who aren't, such as John Wayne: a patriotic, red-blooded, two-fisted American who spent the Second World War in the trenches on the movie lots of Hollywood.
I can remember - barely - when Elton John was still a good songwriter, or at least capable of writing good songs.
You know for years before the notion of sequels, actors were the franchise. John Wayne would rarely do sequels, but he kind of played the same guy with a different name in every movie. I have no problem with using actors as franchises. And that's what is fun to do.
I'm three-quarters Russian, so I've always felt an outsider. But I don't think you can be in a play with John Of Gaunt's 'This sceptred isle' speech and not feel proud to be British.
I haven't been afraid of John Coltrane or Miles Davis or Bill Evans or Wayne Shorter or Herbie Hancock. Why would I be afraid of the Beatles?
I have been listening a lot to The Carpenters and Neil Diamond, Elton John, and thinking, like, 'God, it'd be great to write a sort of subversive, alternative ballad,' like Lou Reed does so well with 'Perfect Day.' And I really loved 'Video Games' - at the time, it hadn't really got as big, but it's a classic song; you can't deny it.
John Carter was also one of our first recognizable superhumans and there is little doubt that his extraordinary physical feats inspired Superman's creators. Remember: before Superman could fly or turn back time, he was nothing less than an earthbound crime-fighting John Carter in tights.
I remember when I was at the first showing of 'John Dies at the End' at Sundance, and I was talking to some of the people in the standby crowd who were outside and didn't have tickets. They were just waiting in line to see if they could get in. It was this whole gang of die-hard sci-fi wacko people, and they were just fantastic.
I think it was in Moscow last year and I got changed for training the day before we played Moscow, but the fact is they actually wanted to do John's, me and John were next to each other and they did mine by mistake. John had done them I think. So yeah it is true.
The economist John Maynard Keynes said that in the long run, we are all dead. If he were around today he might say that, in the long run, we are all on Social Security and Medicare.
I don't know specifically what scenes I'd like to see violence in - I crave violence when I'm watching a John Hughes movie.
When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.
If you watch any John Hughes film of the eighties, that was my childhood experience.
If I could get someone like John Grisham or someone like that to sit down and write a book with me, I'd love that.
I'd love to have done 'John Carter.' I'd love to work for the Disney Corporation.
Pope Francis reminds us of Pope John XXIII because both men share the same lack of self-consciousness, and neither needs to keep his guard up through the use of psychological defenses such as rationalization, projection or intellectualization.
'Boogie Chillen',' by John Lee Hooker - that is a riff.
The royal family's existence is a constant reminder of the hollowness of John Major's rhetoric, and idiotic statements by its leading members a constant boost to the republican cause. They're fine opening hospitals. It's when they open their mouths they get into trouble.
I think I'd be pretty star struck over John Mayer. I'm a big fan of his music, and I think he's great.
So when you do your family tree and Margaret Cho does hers, and... Wanda Sykes and John Legend... we're adding to the database that scholars can then draw from to generalize about the complexity of the American experience. And that's the contribution that family trees make to broader scholarship.
If Sherlock Holmes can survive the Reichenbach Falls, then surely we have not seen the last of Detective Sergeant John Munch.
John Mayer would be my ultimate collaboration because he's just the man. He has basically captured all I believe in with music.
I would remake 'Club Paradise.' I thought the story was cool, the setting was great. Everything lined up, except I wrote it for Bill Murray and John Cleese.
I used to like John McCain, too, but I must admit that was because he was bucking his party to do things I agreed with. I would not have had that reaction if, say, Bernie Sanders decided to rebel out of principle and support privatizing Social Security.
Although I've been a longtime Democrat (primarily because, unless there is some very compelling reason to be otherwise, I am always for 'the little guy'), my political orientation is not rigid. For instance, I supported John McCain's run for the presidency in 2000.
The people who have impacted the world didn't live long. Martin Luther King. John F. Kennedy. These people who impact the world were not old people, but they lived so effectively that we cannot erase them from history.
I chose John Carroll Lynch as my SAG name when I was 19 years old. I was working in D.C., and I got my SAG card by doing a first aid film for the Red Cross called 'Bleeding Control'. They had a union contract.
The Braintrust developed organically out of the rare working relationship among the five men who led and edited the production of 'Toy Story' - John Lasseter, Andrew Stanton, Pete Docter, Lee Unkrich, and Joe Ranft.
Acceptance speeches can make or break presidential candidacies. It was Al Gore's 2000 acceptance speech that relaunched his candidacy and nearly saved him. John Kerry's speech and overall ineffective convention nearly sank him in 2004 (though he was almost saved by the debates).
A rap dude has his rap persona, his hyper version of himself. Do you know Method Man's real name? Or Elton John, Marylin Monroe? You make up this character. That's kind of what we have done with Die Antwoord, playing with characters.
We should have scant notion of the gardens of these New England colonists in the seventeenth century were it not for a cheerful traveller named John Josselyn, a man of everyday tastes and much inquisitiveness, and the pleasing literary style which comes from directness, and an absence of self-consciousness.
Remember when John Roberts was seeking confirmation of the Supreme Court, and he said judges should be just like umpires, just calling balls and strikes? Well, turnabout is fair play. What baseball needs behind the plate are umpires like those judges who are called strict constructionists, which means you follow subtle law to the letter.
