Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
There isn't an amount of money you could offer me to do reality TV. I would rather get my job back on the building site. Or I could own a construction business. Maybe I could retire to my house in Long Island and take up painting, like Captain Beefheart. A crazy recluse: I like that idea.
The voice for 'Surly' is, of course, very close to my own voice, but it's informed a lot by this story, by the arc and the animation and working with the whole creative team on 'The Nut Job' in finding what really works.
The way the recession has affected Hollywood, a lot of actors that had robust opportunities before in film no longer have such plum options, so cable has done a good job of becoming a happy medium for artists deemed film actors.
Motherhood definitely took the focus off of my work. And I didn't mind. I had a few panics when I thought that if I wanted to work I couldn't get a job anymore and then I would get one once in a while and it would make me feel better.
In practice, the copyright system does a bad job of supporting authors, aside from the most popular ones. Other authors' principal interest is to be better known, so sharing their work benefits them as well as readers.
It's a fun job, but it's stressful because you have to be funny. You have to have punch lines and captions. Be funny now! And if you're not inspired, they don't care - be funny now! They have to fill that hole the next day.
Look for the light. Look for it in everything. Look for it in yourself, in your children, in your job, and in your dreams. Look for it in the food you eat and in the people you surround yourself with.
I just try to do as good job with the material as I can and play some jazz as well, some improvised music, and do that every night. Just see where it goes.
I'm one of the great unemployed looking for the next job. I'm waiting for the right offer. Like anyone, I want something that turns me on inside.
Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?
I want to feel like I'm doing something creative and trying different things, putting different hats on and playing. I don't know what's the point otherwise; otherwise, it's just a job. You punch a time clock.
I've always approached my job first as a physician. I'm here to help and take care of patients. I'm an administrator second.
Of course, every job I ever had I thought I was born for.
Business is difficult. But it could be approached two ways: Seriously, or with the same way you're doing your job, with entertainment aspect, with pleasure, with fun.
We do a very good job at fixing broken bodies but not such a great job at healing broken minds with our returning veterans.
I am the granddaughter of a Welsh coal miner who was determined that his kids get out of the mines. My dad got his first job when he was six years old, in a little village in Wales called Nantyffyllon, cleaning bottles at the Colliers Arms.
I audition for almost every role. I get into auditions even when I am just producing a film. Not that someone would fire me, but I keep trying various tests and keep working till I learn the job.
If Jeff Bezos and I had started Amazon.com in a poverty-stricken corner of Africa, there would have been no job creation because there would be no people to buy the stuff from Amazon.com. The difference here is the American middle class, which is by every measure the most extraordinary economic achievement in the history of the world.
I never heard of anyone saying they want to deploy their capital wisely and go buy a sports franchise. What you want to do is just not lose money. You see, I don't have to work anymore. I tell people I don't have a real job. On the other hand, I learned long ago that you can't go broke if you turn a profit.
There I was - 20 years old, living in Ireland, and I'd never heard the word 'venture capitalist.' But I'd said that I wanted a job that involved a lot of negotiation, a lot of yelling at people on the phone, and for it to be high-risk, high-reward.
I love my fans! My job would not be what it is without them.
My job is to look out on that world that I write about and be as honest as I possibly can about that world. If that's optimistic and uplifting, OK. If it's not, OK.
I am running for president to help create a better future. A future where everyone who wants a job can find one. Where no senior fears for the security of their retirement. An America where every parent knows that their child will get an education that leads them to a good job and a bright horizon.
The Marines gave me a really strong sense of discipline and a work ethic that kicks in at my job.
I take more jobs when I need more money, if I'm investing in films. I take fewer when I don't. Or if something really good comes along, I usually find a way to do a good job on it in the time that I've got.
From what we understand about participation by women and minorities, we need to do a better job of exposing people early in their careers to STEM fields.
Music was your real passion, this thing you held dear even above family. It was this relationship that never betrayed you. Once it became your job - this thing that was highly visible, this thing that became about commerce - that's when you were holding onto music like it was a palm tree in a hurricane.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
We are living in difficult times. There are a lot of people out of work - am I going to stand there and whinge? No, because I am lucky to have such a wonderful job.
I got to work for my hero and travel with him on a regular basis. It doesn't get much better than that for a job.
When I was 26, I got offered the Connecticut job, but the ABA started, and I thought I could still play.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
Writing an encyclopedia is hard. To do anywhere near a decent job, you have to know a great deal of information about an incredibly wide variety of subjects. Writing so much text is difficult, but doing all the background research seems impossible.
I was on the cusp - or thought I was on the cusp - of celebrity, the result of starring as an adorable curly-haired alien in the miniseries 'V' on NBC. 'V' was a hit, and then got green-lit as a series. During the hiatus, the only job I auditioned for that fit my schedule was 'Nightmare on Elm Street.' That's the real reason I said yes.
The international community must do a better job of controlling the risks of nuclear proliferation. Sensitive parts of the nuclear fuel cycle - the production of new fuel, the processing of weapon-usable material, the disposal of spent fuel and radioactive waste - would be less vulnerable to proliferation if brought under multinational control.
