Yeah, I shoot. I shot with my dad a little bit when I was little. He was a Marine, so it wasn't like he would take me to the ballet. We would go to a shooting range. It was the only thing he knew to teach his little girl how to do.
I worked with Congress on legislation, gave speeches to CEOs, military generals and Hollywood executives. But I also worked to ensure that my efforts would resonate with kids and families - and that meant doing things in a creative and unconventional way. So, yeah, I planted a garden and hula-hooped on the White House lawn with kids.
Yeah, we went to England to do a show and I got off the plane and I couldn't write my name or hold my hand up.
Oh, yeah, I like a high neck. And I like naked backs. It seems very sexy. Red carpets are about being a bit theatrical - having fun rather than being too safe. You have to be brave. Fashion is fun.
My grandparents actually, whenever they got the chance, took me to Broadway, but that started when I was in high school, because that's when I realized... At the very beginning of high school, I realized, 'Oh my gosh. Okay, this is a career choice for me.' So yeah, then they always brought me to New York to see Broadway shows whenever they could.
Bunting is usually a waste of time. The - generally, yeah, I mean, if you think about it, bunt is the only play in baseball that both sides applaud. The - if the home team bunts, you get a base. The home team applauds because they get an out, and the other team applauds because they get a base. So what does that tell you?
Oh, yeah. I grew up in Southern California in the 1960's. It was very different. I was an only child as opposed to having siblings. My brothers all lived with my step-mom. I am very close to them, but we were not raised in the same house.
It was weird. Like, people came up to me and knew me as Daredevil before any footage had come out. I remember a guy on the subway being like, 'You're Charlie Cox. You're Daredevil.' And I was like, 'Yeah...?' I was barely Daredevil. I hadn't even signed the contract, you know?
If I could inexpensively pick up a killer sales force without a lot of the other things that I don't necessarily need, yeah, I'd be all there.
Mature? Yeah, I get told that a lot. I don't know if it's true. I guess I try to be bright.
Yeah, I paint in my spare time, just to relax myself and wind down a bit.
I'm proud of 'Fifty Shades of Grey.' I don't need to distance myself from that. The more work I do, the more the general public sees the different things I can do. Do I think it opened doors? Yeah. More people know my name.
When we're falling in love or out of it, that's when we most need a song that says how we feel. Yeah, I write a lot of songs about boys. And I'm very happy to do that.
The day-to-day microaggressions that we all face, yeah, you have to let some stuff slide, or you go, 'I gotta keep moving; there's bigger fish to fry.' It's something that I still deal with. But I've tried to have the audacity of equality and to follow my heart in those moments where I feel like something is wrong.
Do I perform sometimes in a manic style? Yes. Am I manic all the time? No. Do I get sad? Oh yeah. Does it hit me hard? Oh yeah.
When I tell my friends, 'I'm in the 'Bourne' movie,' they're like, 'Congratulations! Wait... is Matt Damon coming back?' I go, 'Yeah.' And they're like, 'Yo! Matt Damon! Matty D!' Everyone pretends they know Matt Damon. It's exciting.
One of my major goals off the field is to conduct myself in a way that... parents are proud to say, 'Oh yeah, look, he wants to be like Sonny Bill Williams.'
I'm like, 'Yeah, I could afford braces, but why should I change myself to be what everybody else wants me to be when I'm OK with who I am and I'm happy with who I am?'
There's an unintended consequence when it comes to drone attacks in Yemen. Yeah, you take out the al-Qaida stronghold, but you also wipe out the other half of the block. That makes Yemenis against the United States for the rest of their lives and all their descendants.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
I encourage people not to be passive consumers of music and of culture in general. And feeling like, yeah, you can enjoy the products of professionals, but that doesn't mean you don't have to completely give up the reins and give up every connection to music or whatever it happens to be.
I'm the only talk show host, I think, if there's such a category in, what's called, the book of records, to have a guest die while we were taping the show, yeah.
Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
I'm quite nosy. Somebody will be reading a book on a train, and I'll go: 'How is it? Is it any good?' and they'll be like, 'Yeah, now let me read it.'
I'm focused on the work. And now I've done 'Morris' and 'Mr. Robot,' my appetite is whet to go deeper. It's fun, and it's challenging, and it stretches me. I'm not saying I'm done with comedy by any stretch of the imagination. I'm saying, yeah, let's see how deep the rabbit hole goes.
I'll watch a Pixar movie over and over and over again. I'll be with friends of mine who have kids, that want to watch 'Finding Nemo,' and I'm like, 'Yeah, okay, let's watch 'Nemo' again, for the seven billionth time!,' because they're amazing movies.
When I started acting, one of the first things I learned was - especially in Hollywood - was branding. I'm a tall guy. I'm like, 'Yeah, that's probably going to be my foot in the door,' because that's my impression on everybody. I'm an athletic guy, and I think, because I grew up disliking jocks so much, that became, like, the character for me.
Do I believe, for example, that by using magic I could fly? No. How would you get around gravity? Impossible. Do I believe that I might be able to project my consciousness into a very, very vivid simulation of flying? Yeah. Yes, I've done that. Yes, that works.
Piano should be the one. Yeah, because that's your basis. Everything is right there in front of you.
I say to my mother all the time, 'You're the child.' And she says, 'Yeah, you're the mother.' I've been that way with her since I was 11.
I do feel my loved ones that have passed on; I feel them looking over my shoulder... So yeah, that's pretty profound, when you're not expecting it, you didn't particularly believe in it and then it just sort of happens too often to ignore.
Oh, I love horror movies, yeah.
Do I believe it's possible that some young person, young voting actor, or even older voting member for the Emmys, would sit there and go, 'Yeah, that's a great performance, but oooooh, I just hate everything he stands for?' I don't believe that's possible.
There are always leading characters. There are always complex characters; there are very rewarding plays with great directors and tremendous playwrights, yeah. I've done a lot of things with theater that I'm very, very proud of.
I am something of a ham. Yeah, I'd always been a writer. But in high school, I acted in plays. So it wasn't as if you had to drag the words out of my vocal chords.
I'm kind of a horse whisperer; I don't know what it is. I'm not great on a horse. I'm getting better, but I'm not brilliant. So yeah, I've spent a lot of time with horses. They're great creatures; I love them. I do love riding them when I get the chance to.
