I want to say to you Indiana people that I owe you a big, big debt of gratitude because nowhere in the world is a sporting group followed more than this state follows basketball. And I just want to thank you for the opportunity that I had to coach in this state - it will always be something that I will cherish.
I just like a good story. I want the story to be good and I want the character to be different than the last one I played. That's not always possible, but that's what I want.
I'm never without my personalised Anya Hindmarch diary - I keep my schedule online, too, but my diary is always in my bag. It's crammed Post-its.
My interests started about in science and in mathematics; I always thought I was going to be a mathematician.
I was never really a career woman. My life always came first.
It's good to have a foothold in reality, a base somewhere that's always been a base. Sharman Macdonald once said she needs life to write; she can't write if she's just in theatre all the time. I'm the same way, I think. I've always felt that if my life was all about the job, I wouldn't be so good at the job.
The fashion world is so interesting because it's always changing, but if you know yourself really well, despite of all the changes in the fashion trends, you know how to stay true to yourself.
Awards season is always a huge amount of fun whether you're a part of it or not. It's always really exciting seeing what films are coming and a lot of new talent as well.
I was something that is always hated in Hollywood - a perfectionist; nobody likes a perfectionist, you know.
I've always said I don't believe in God, I believe in Al Pacino.
January is always a good month for behavioral economics: Few things illustrate self-control as vividly as New Year's resolutions. February is even better, though, because it lets us study why so many of those resolutions are broken.
I wasn't very confident about clothes; I was always hunting through racks, never sure what looked right. It can be like that again when you're older.
I'm one of those apocalyptics. From the start of my immigrant days, I've been fascinated by end-of-the-world stories, by outbreak narratives, and always wanted to set a world-ender on Hispaniola.
One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
I grew up in a house that was always happy, and my family was always music, music. I started playing percussion very young, because I had some uncles who were musicians and all my aunts were singers.
I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
I've always believed very, very strongly that the way you treat people is more important than anything, professionally or otherwise.
I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.
I've been asked a lot lately what message is there in the Lusitania for the modern day. To be honest, not much. Except that maybe hubris and overconfidence are always dangerous things.
Growing up in Northern California, I've only seen snow at Christmas maybe twice in my life! I was always jealous of my cousins on the East Coast with their white Christmases.
In TV, you're always confused because you legitimately don't know what you're doing the next week.
I always wanted to do something different with each film. So I guess that means that I wanted to not repeat myself. There has to be some kind of a new element in each project that I take up.
As an athlete, I've always been very proud to represent the United States.
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
I understand now why Hillary Clinton always wore navy blue pantsuits. Remember, for four years? If you have one or two themes, then you have the same shoes, the same bag. Otherwise, it's a nightmare.
Even if the government spends itself into bankruptcy and the economy still does not recover, Keynesians can always say that it would have worked if only the government had spent more.
I always wanted to be healthy and look good. I taught myself in my mid thirties about eating right.
My mother told me you marry whoever you want to, as long as you are happy. My parents are very accommodating, and I know they will always support me.
When you lose someone whose life was so extraordinary like my dad's, you have two options: You can curl up in a dark corner... or rise above it and dust yourself off and continue with their work. He will always be with me.
I was always a storyteller. I just didn't know it. I never shared the stories I made up inside my head when I was growing up. I never wrote them down, either. But I can't remember a time when they weren't there.
I think I always try to be accommodating and open and available and proving for my director. I love to give as many takes as they want. I love to give them as many choices as they want.
I never really thought about what characters I play. I always just wanted different characters.
I always say, I'm certain I changed 'Watchmen' less than the Coen brothers changed 'No Country for Old Men.' I'm certain of it. But you don't hear the Cormac McCarthy fans, like, up in arms about it. They should be. It's like an amazing Pulitzer Prize-winning book.
I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark.
It's going to be a rule, I think, for wearing a crash hat, and I actually fractured my skull through not wearing a hat. I was so lucky to escape from that, and now, it's something I always do.
I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.
