Nature can always be more complicated than we imagine.
Self-love, it is obvious, remains always positive and active in our natures.
I've always surrounded myself with talented people, both in film and in business.
That's the way I work and one day I won't have the energy to do it, so I think it's always good to make the most of your life and living as much as possible.
My love for the theater has always been a priority. That hasn't changed. I got into acting that way. The film work that came up was really a surprise.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
Shock can kill you. Shock is terrible. But what you've got to do is live in the present, which is what I have always done.
When I was a kid, the idea of gettin' paid to paint your face... listen, I grew up in Ossining, New York, a nice little town by the Hudson, and nothin' ever interested me except being your usual high school big shot, which I was an' loved it, played all the sports and goofed around, always out on the street with the guys, everything was funny t'me.
There will always be a certain element of extremists on either side, left or right, who no mainstream news outlet is going to satisfy.
I came up in a family oriented towards the sick, so I always felt an obligation for doing something.
I was desperately shy when I was wee. Totally lacked confidence socially. When I look back at school photographs, I'm always the one shrinking in the back. What I really wanted to do was become a writer, and I don't think the residue of that has ever gone away. I still feel the ultimate achievement would be to write a novel.
The good die young but not always. The wicked prevail but not consistently. I am confused by life, and I feel safe within the confines of the theatre.
There is always one person on the set who has a lot of anxiety, an actor who is really intense and has to stay in character and holds himself away from the rest of us.
Mexico will never accept U.S. military intervention. Mexicans always remember 1848.
I always was trying to make people laugh as a kid. I was a big fan of Carol Burnett and Gilda Radner. I watched them and I remember feeling as a child, when I heard the laughter they got, a little jealous that they made someone laugh like that.
I've always stuck with Gibsons. I've had Guilds and Fenders, too, but I always wind up going back to Gibsons.
My mother had always taught me to write about my feelings instead of sharing really personal things with others, so I spent many evenings writing in my diary, eating everything in the kitchen and waiting for Mr. Wrong to call.
I always ended up having the funny part in Shakespeare, but I really thought I'd be doing theater. That was my ambition for myself.
I always say the next big thing will happen in unexpected places - up and coming cities that aren't necessarily boom markets.
I want to run with the best, that's how I've always lived.
I'd always loved poetry and I'd always loved writing music and composing music, but I hadn't thought of putting the two together until around that time.
I've always been able to sense the relationship between two people based on how one person says the other's name!
I think when I do things outside of music, I am always thinking of different things that are eventually one way or another going to come back to my music. I have to make sure it is all cohesive, as that's important to me as an artist and a person.
I have always tried to perform the music I love, and I think I am lucky because my preferences are often the ones of the public.
I've always been pretty ravenous about pop culture, highbrow and lowbrow.
Dick Cheney said he was running again. He said his health was fine, 'I've got a doctor with me 24 hours a day.' Yeah, that's always the sign of a man in good health, isn't it?
Since I was a kid - youngest of five kids - I've always been starved for attention, like 'Look at me! Look at me! Look what I can do!'
I always try to communicate to our people that we can never make enough money. We can never make enough profit.
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
I'm always thinking about what I might want to do next, but there's still things I want to do with Powerpuff - so I can keep going with this one for awhile.
We always get bored with those whom we bore.
Fire has always been and, seemingly, will always remain, the most terrible of the elements.
I always thought of myself as a later bloomer, so I like some of my work more later than earlier.
France is not poetic; she even feels, in fact, a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
It has always been the aim of royalty and aristocracy to lower the individual liberty and independence of the common people. A baron and a minute-man could not breathe the same air.
Wherever I see people doing something the way it's always been done, the way it's 'supposed' to be done, following the same old trends, well, that's just a big red flag to me to go look somewhere else.
