I go out every day. When I get depressed at the office, I go out, and as soon as I'm on the street and see people, I feel better. But I never go out with a preconceived idea. I let the street speak to me.
Yes, I guess you could say I am a loner, but I feel more lonely in a crowed room with boring people than I feel on my own.
I feel about aging the way William Saroyan said he felt about death: Everybody has to do it, but I always believed an exception would be made in my case.
That will only happen if I have a bout of amnesia or if I feel like mooning someone in the audience.
I just don't think CGI is up to manipulating the human face yet. I feel like you can get away with it with aliens or monsters or something that's intentionally foreign, but I have yet to see anything digital to do with the human face that doesn't just look ridiculous.
I love acting. When I'm acting I feel like I'm on vacation. I'm just having a wonderful time. The nightmare is just getting the work to happen.
People always tell me, 'Don't work so much', but I can't help it. I feel like all the things I've done are important to get to this adult stage and now I'm getting all these adult offers, so it's working.
Honestly, I feel like I spent the last 10 years just trying to work, just get my hands on the best material I could. I'd like to say that it was quite calculated and genius, my ability to take one step forward and two steps back.
I feel responsible that everyone has a really wonderful experience and to do the best work possible, and to always know my lines and to always be on time and to bring a level to the show in terms of quality that other people will follow.
Quality is timeless: It will clearly define itself. And so I make reference to and acknowledge things that I feel have been dismissed, trying to restate those musical and cultural elements clearly and vehemently.
This year, I feel strong. I'm looking forward to having my best season in the last few years.
I think a lot of my songs are very silly and very stupid, written to entertain people, but in the end, I always come to that last line, and I feel that I have to wrap this up with a bit of dignity and a little tear in the eye; otherwise, the joke would be on the characters in the song.
How happy I am to go to the front at last. To do my bit. To prove with my life what I think I feel.
Most of the time I feel stupid, insensitive, mediocre, talentless and vulnerable - like I'm about to cry any second - and wrong. I've found that when that happens, it usually means I'm writing pretty well, pretty deeply, pretty rawly.
When an executive walked on our floor, it was at their own risk. As far as what others thought of working for me, I know I was very tough at times, and would storm down the hall after watching some bad animation from Korea. But overall, I feel we had a good time.
I feel less pressure to dress youthfully. I'm 50 and everyone knows I'm 50 - who are you kidding? Jeans are my uniform. I have about 15 pairs.
I feel comfortable here primarily because I think Los Angeles is made up of people who don't come from here, so you can find kindred spirits very easily. It's a town of gypsies.
When I am in form, my style is a little bit stubborn, almost brutal. Sometimes I feel a great spirit of fight which drives me on.
I like the performing part, it gives me a huge rush but it still makes me nervous. Being in front of large crowds is intimidating to me and I feel myself withdrawing.
If I feel like I've completely drained every ounce of energy out of me for this song, and I can't go any further with it, then I stop, even if the song is unfinished. Most of the time, when it's finished, it's because I've used every ounce of me to write it.
I would probably choose supporting roles if I had to make a choice. It's actually a really hard thing to say. It's all on a role-by-role basis, ultimately. I shouldn't be so quick to say that. I feel like you're given greater license to be colorful and eccentric in supporting roles, and that's interesting to me.
It is chiefly in New York that I feel induced to urge this, because New York is, by innumerable ties, connected with Europe - more connected than several parts of Europe itself.
I've read the poker books, but at this point, everybody who's playing has read the poker books. I feel like I'm knowledgeable enough to understand what's going on in the game, and I understand why I suck. And I'm not sure if I'll ever rise beyond that to the level where I don't suck.
I've always been into dressing and being stylish because I feel like that's where I gained a lot of my confidence and swag as a rapper, so fashion goes hand-in-hand with music to me.
I look at it this way. I'm not putting age limits on what I can do. As long as I can do the job to help the team win and feel like I'm playing at a high level, which I feel I can do for a long while, I'm going to play no matter what my age is.
I feel like, if the guys can look at me in the huddle and see a calm and collected face, that they're going to relax a little bit. The way I look at it, leadership and being that guy is, don't be someone you're not. Don't be a hoorah guy jumping around and clapping your hands if you're not that guy.
I feel like I'm not smart enough to answer the questions I'm asked.
I feel like I have things to say. And that's what I'm looking forward to.
I feel like going to class every morning is so humbling. You're always working to improve, and you're always being critiqued on your next performance. It's not about what you've done. There's always room to grow.
For me, as a feminist, as somebody who wants to lift up women - because I do; I come from a single mom who raised three boys on her own - I feel like, you close the door on women, you close the door on humanity.
I feel like I haven't done my best work yet. I feel like there's a world of possibilities out there.
I feel Irish-Americans are the forgotten minority group. Nobody else is making films about them.
Since I am known as a 'rich' person, I feel I have to tip at least $5 each time I check my coat. On top of that, I would have to wear a very expensive coat, and it would have to be insured. Added up, without a topcoat I save over $20,000 a year.
I feel like what I owe my audience is what I'm most passionate about.
I feel fashion needs me for many, many years more.
I feel blessed to keep my adventurous passion at peak while doing a daily soap.
