I hate people who splash their own pain on covers, like the whole world should hear about them. Why are we all supposed to be interested in one individual's suffering?
My mom is a translator for the school district in Delaware. She'd hear these different stories from working with families there. Those stories stuck with me.
Writers do well to carefully attend to those moments of inspiration, because chances are that they're writing from a very deep place. The subsequent search that ensues to continually attend to that voice that you hear is what is going to give the story drive.
Oh how sweet it is to hear one's own convictions from another's lips.
The first time I heard Johnny play at the Fillmore East, I wasn't really impressed. He had come on the scene with everybody telling me how great he was, and I didn't hear it.
People are disappointed when they hear my American accent because they regard 'The Police' as an English band but I've clung to my American-ness all the way.
Let's use our stories to encourage listening to one another and to hear not just the good news, but also the pain that lies at the back of a lot of people's stories and histories.
If my kids were to make a talking doll of me as a mother, one of my recorded phrases would be 'I will throw that in the trash.' 'If you don't put that down right now, I will throw that in the trash.' It's very funny to hear myself say certain things - like noticing which phrases become the most popular to use.
I don't expect you'll hear me writing any poems to the greater glory of Ronald and Nancy Reagan.
I like doing radio because it's so intimate. The moment people hear your voice, you're inside there heads, not only that, you're in there laying eggs.
One of my real goals was to hear someone whistling a song I'd written.
When they hear from you, it counts. That's how we're going to win.
It's amazing to hear, as a voice matures and then starts to decline, what kind of emotion is still conveyed by a really good vocalist.
I've seen articles suggesting that Wal-Mart buys at prices lower than our competitors', and that this gives Wal-Mart an unfair advantage. I don't believe it... What we hear is concern that in some circumstances, Wal-Mart may actually be paying more than our competitors.
There is no such thing as an ugly language. Today I hear every language as if it were the only one, and when I hear of one that is dying, it overwhelms me as though it were the death of the earth.
I learned when I started to study piano that I could play by ear. I could hear a song on the radio a couple of times and hear the song and the lyrics and sing it for you after a couple of plays.
What's more enchanting than the voices of young people, when you can't hear what they say?
It makes me laugh when I hear a guy talking about being in touch with his feminine side. But I gravitate towards women; I identify with them. And I do cry very easily, more and more as I get older.
Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.
It was so quiet, you could hear a pun drop.
Sometimes I will tweet an interview I have coming up and ask my followers what questions they have for the celebrity. I feel that way I can really know first hand what people want to hear answered.
I can play a bunch of instruments but drums? My brother's a drummer and I've always been jealous that he's such a good drummer. I always try to play but it's always kinda just bashing. I can keep time but no one really wants to hear me play drums.
The moment a little boy is concerned with which is a jay and which is a sparrow, he can no longer see the birds or hear them sing.
It's a rare person who wants to hear what he doesn't want to hear.
The pressures, I don't really like to think about the pressures, I like to solve them, you know what I mean. I could sit here and complain about pressures but nobody wants to hear about pressures.
No matter how many times you say you're sorry, somebody is not going to hear you.
It's so amazing to hear a crowd of people singing one of your songs. It's the best feeling.
When I hear something going wrong, I insist on it being put right.
I like it when I can hear directly from the writer: what they're seeing, what they're envisioning, and what their intention is.
I can still hear my mom's voice echoing through the house, reminding me and my siblings to 'Make your beds!' It seems like such a small thing, but when you're one of 15 brothers and sisters like me, those small reminders about the importance of discipline and order are critical.
Even in 2012, if there's a black character in the movies or on television that's a professional, if we even hear about their backgrounds they're always 'up from the streets.'
I'm interested in painting the most beautifully compelling pictures and images and metaphors and stories and explanations possible that will put Jesus in language for a world that desperately needs to hear it.
Coming in and out of Hollywood for pilot season, I may have to thicken my accent or hear that, physically, I'm not Latino. I not only am, but there's another 50,000 people who look exactly like me.
You hear all the time about European players playing the game. These players that come over at 17, 18 and 19, they just don't all of a sudden become skilled. From the time they were little fellas, they learned the fundamentals of the game. Let them create.
The thing about the banjo is, when you first hear it, it strikes many people as 'What's that?' There's something very compelling about it to certain people; that's the way I was; that's the way a lot of banjo players and people who love the banjo are.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.