The White House would love to see Obamacare taken apart all at once, bit by bit, however we can do it.
When I'm acting, it's like I am the character - no one can talk to me. But I'm not so method I'd sell my house and live on the street to play a tramp.
'House of Leaves' is certainly about the unsettling nature of fear - and it was my aim to address that - but it's also about recovering from fear.
My wife works harder than anyone else with the children around the house. I make the money, sure, but she does everything else.
Being a celebrity stylist, there are many tricks of the trade that I use in my house and with my clients.
We were so poor as kids. I didn't even see a bathtub, running water, hot water, commode - we didn't have any of that. We started with a humble log house, milk cow, garden-raised our own food, killed a hog every year in the fall, and had the meat hanging up in the smokehouse - that was our childhood, me and ol' Si.
Today, we're very dependent on cheap energy. We just take it for granted - all the things you have in the house, the way industry works.
Being a parent is weird. It changes people in subtle and unsubtle ways. In my case, it awoke a kind of manic sentinel in my brain. Anything in the house that might be a threat to the kids or to my wife gets terminated - food, sharp edges, poor wiring.
Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.
Some say the economy means that you have to persuade people to invest in clothes - to buy less things but more expensive things. I disagree - invest in jewelry, or a house, maybe, but not in fashion.
Rapping was something I always wanted to do, so after school, my friends and I would catch the bus to my house and just sit there writing songs, every day.
In America, people of a certain age ask, 'Where were you when Kennedy was shot?' In my house you were more likely to be asked, 'Where were you when you first read 'The Catcher In The Rye?'
I love HGTV. I love working on my house and have really been bit by the 'luxury remodeling' bug. 'Million Dollar Rooms,' 'Million Dollar Listing'... any show that can give me design inspiration, I soak it in and try my hand at it. Home Depot is my second home!
A babe in the house is a well-spring of pleasure, a messenger of peace and love, a resting place for innocence on earth, a link between angels and men.
One of the earliest institutions in every New England community was a pair of stocks. The first public building was a meeting-house, but often before any house of God was builded, the devil got his restraining engine.
Standing here in a house of history, and acutely aware of my own imperfections, I pledge that if I am confirmed I will do all my powers permit to be a faithful servant of the Constitution and laws of this great country.
Common would come to my house and give me a freestyle verse. I'd make a new beat for it and put it with something else. That's how I met Eminem - he came to my house back when he first started. He gave me a bunch of freestyles, and that's how we built a relationship. Everyone came to my house.
I have been blessed to have the same editor and work for a great publishing house.
I read somewhere that Mitt and I have a 'storybook marriage.' Well, in the storybooks I read, there were never long, long, rainy winter afternoons in a house with five boys screaming at once. And those storybooks never seemed to have chapters called MS or breast cancer.
Let's say, 100 years ago, I'm not sure how many people had to empty out their relatives' homes; they just stayed in the same house, because they lived there. Nowadays, almost everyone, at least once in their life, somehow, has to deal with this experience.
My first memory of the national team is the 1982 World Cup. I remember those days at our home or at my uncle's house, with all the family and those long dinners watching the matches. But I also remember that, during the games, I went outside or onto the balcony to play.
The notion that before you even set out to go to Thailand, you say, 'I'm not interested,' or you're unwilling to try things that people take so personally and are so proud of and so generous with, I don't understand that, and I think it's rude. You're at Grandma's house, you eat what Grandma serves you.
I was raised looking at women who were strong, and they weren't really into playing race cards or playing gender cards. I didn't grow up around women who were like, 'Well, let the boys do that, and let the girls do that.' I didn't really see that in my house.
My husband and I met in a house fire, basically.
I cannot sleep for dreaming; I cannot dream but I wake and walk about the house as though I'd find you coming through some door.
A house isn't really understandable until it settles into the site: until it's built, furnished and lived in for four or five years. The reality is not on paper but in how a building sits on the land - how it relates to trees, to slopes, to water, to gardens.
It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.
On one occasion, I accompanied my father to Pinares de Mayari. I was eight or nine years old. How he enjoyed talking when he left the house in Biran! There he was the proprietor of the land where sugar cane, pasture, and other agricultural crops were planted.
Key West is the place where your sickly house plant back in New York grows to 10 ft. It's also the place where an 8-ft. cactus, the century plant, produces a huge yellow flower every great once in a while, like a robot proffering a bouquet. After the plant flowers, it dies.
A dark house is always an unhealthy house, always an ill-aired house, always a dirty house. Want of light stops growth and promotes scrofula, rickets, etc., among the children. People lose their health in a dark house, and if they get ill, they cannot get well again in it.
I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on.
To me, the idea that any kind of disaster helps create a nation seems a ridiculous one. There was no family in the house on the land next to me, and there might have been.
I had a job to take care of my parents, to take care of some bills at the house, because my daddy wasn't working. I had to figure out how to make that all work at one time. I was working at Boston Market... I told my coach, 'I can't play football because I have to make money to help my mom.'
When I'm in a restaurant, I don't eat red meat. It doesn't taste like anything. But if a friend of mine is grilling stuff at his house, its almost always great.
It was the late '70s when my parents met. My dad was a lighting director for a soap opera, and my mom was a temp at the studio. They moved into a house in The Valley in L.A., to a neighborhood that was leafy and affordable.
I'm usually late to the game on shows and watch them after they've aired. But I love 'House of Cards,' 'The Killing,' 'Orange Is the New Black,' loved 'True Detective,' and 'Arrested Development' when it was on. Also 'The Wire,' though I was way late to the game on that.
