I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
I've had the privilege of meeting and/or interviewing most of the top metal and hard rock artists at various points in my career and sharing their stories and music with millions of fans on air through TV and radio.
The President then proceeded to read his Emancipation Proclamation, making remarks on the several parts as he went on, and showing that he had fully considered the whole subject, in all lights under which it had been presented to him.
There's always a sense of tragedy with icons. It happened to both the Princess of Wales and Diana Dors. A lot of people had grown up with them, and everybody loved them. Then, when they had at last found happiness, they were taken in the most dreadful way.
We once believed we were auteurs, but we weren't. We had no idea, really. Film is over. It's sad nobody is really exploring it. But what to do? And anyway, with mobile phones and everything, everyone is now an auteur.
When I was ten years old, I had great pride in myself, which sometimes even took the form of boasting and self-praise; although I myself did not want to, I used to assume the air of someone undertaking some great work and mighty act of heroism.
I was nearly 40 when I published my first book. I was a slow starter - or rather, I was slow to gather my work together, though I had published translations, mainly of the Italian poet Montale, by then.
My brother was a great audience, and if he liked the picture, he would laugh and laugh and laugh, and he would want to keep the picture. Making people laugh with an image I had created... what power that was!
It was quite a thespian - 'thespy' - sort of household. My mum had a dance school, and my dad now works in a theatre, so I spent a lot of time going to see dance as a young child - it was just a part of who we were.
We never really had any kind of a Christmas. This is one part where my memory fails me completely.
As long as I can remember, I had a strong interest in fishing, and my parents, even though they had never fished or camped, took us on canoe camping trips in the wilderness of Quetico Provincial Park in Ontario, Canada, where I could fish to my heart's content.
I was 5' 10 when I was 14, skinny and flat, with huge feet, and I never had a boyfriend.
I think I realized my parents' relationship was special when I had my first girlfriend, and she came from a broken marriage. I watched how much closeness there was between her and her mom, and also how much bickering.
As an actor, whatever I get the opportunity to do, if it has a good story then I'm in. I thought 'Dead End' had a great story; 'Nightmare on Elm Street,' of course, was probably the first real horror film I was in.
I've definitely had my moments in relationships where I've been able to say yes, I have been heartbroken, my heart has been broken.
Had I not become a professional golfer, I think I would have pursued some type of career in aviation.
My parents were not born in Vienna, but they had spent much of their lives there, having each come to the city at the beginning of World War I when they were still very young.
I had me jaw broken, and so my chin stuck way out. That's how I became tough - I learned to pick up anything and fight back.
Growing up, I had an internal struggle with my body because I was really chubby. My sisters were younger, and they were all skinny and all cute. As a teen, I definitely had, like, an extra 30 pounds of weight.
If I had to go back to something, I would go back to the 'Victory Tour' of the Jacksons, because I love me some Michael Jackson. I'd get my one glove, and my high water pants on, and my sparkly socks and black loafers.
If Al Gore had allowed us and if the Florida Supreme Court had not intervened and rewritten the law, which they're not supposed to do, we could have certified, which is a mere procedural action, and then after that, they could have petitioned any justice for a recount statewide with uniform standards.
I think I lived those years very impersonally. It was almost as though I had erected someone outside myself who was the president's wife. I was lost somewhere deep down inside myself. That is the way I felt and worked until I left the White House.
I have seen and heard comedians who had really funny 'stuff' but yet could not make the people laugh; then, again - I have seen others whose stuff was anything but humorous, and the audience would howl with laughter.
I had a real yearning to make use of the opportunities I had at school. When I heard about the gap year of teaching English at a Tibetan monastery, I knew I had to do something about it really quickly, otherwise it was going to get allocated.
You can't go looking for another one of those franchises. You only ever get one of those. You get 'Stars Wars'; you get 'Indiana Jones' or get 'The Matrix.' I've had my franchise.
The first two crusades brought the flower of European chivalry to Constantinople and restored that spiritual union between Eastern and Western Christendom that had been interrupted by the great schism of the Greek and Roman Churches.
I was the second of six kids. I wouldn't say we were poor; we had no money. That's different.
American audiences tend to underappreciate the British, but 240 years ago they were us: They were the most powerful nation on Earth. Their mercantile empire spanned the planet. They had the most potent and experienced army and navy the world had ever seen.
In my case, when it arrived at 49, perimenopause was terrifying and like nothing I had ever before physically experienced.
When I was 12 years old, I went to Natchitoches, La.; it was summer vacation with my family. We visited a plantation, Melrose. And I met an Afro-American woman who was a painter. I already had some idea of what I wanted to do in life, and one of the things that interested me was painting.
Dick Clark and I had such a hysterical relationship with each other.
Bill Phillips was this nervous, chain-smoking student. He had signed up to be an engineer, he had gone away to fight in the Second World War, he had come back. He had switched to sociology because he wanted to understand how people could do these terrible things to each other. And he did a little bit of economics on the side.
I've had to gain weight for roles and ugly myself up for roles. So yeah, I'm game. I'm game for that kind of thing. I'm certainly not too vain in that respect. If it's a great role, I'm willing to do whatever it is that it takes.
Only twice have I really had a hard time leaving a character. The first was my character in 'Rome' and then in 'Homeland.'
I grew up with my stepfather in Brighton, but I did spend a lot of time with my natural father, and I was loved by both, so I suppose the advantage of this was that I wasn't bound by one set of experiences; I always had an alternative.
When I was growing up, I said I wanted to be a model, but people said I had no chance and when I realized my ambition, people in the business still continued to state negative stuff.
