All the Jewish tradition I had came from my grandmother, who grew up in Palestine and eloped with my grandfather and went to New York. She lived very close to us until she died when I was around 20. She sang a lot of songs, led the Passover seders. It was a very rich part of my life, and my grandmother was a big part of my life.
I've always had an interest in story-telling and history and just film and art in general, but particularly when it comes to storytelling, I think the reason why we became involved in film is because we wanted to get some great stories out there.
My protest about the post exchange seating bore some results. More seats were allocated for blacks, but there were still separate sections for blacks and for whites. At least I had made my men realize that something could be accomplished by speaking out, and I hoped they would be less resigned to unjust conditions.
Before Little Bighorn, Sitting Bull had dream of soldiers falling from the sky.
I worked my way through the education system and was treated as though I had value.
I had no inclination to perform as a kid. I was a shy child - I always had my nose in a library book. I didn't start acting until I went to college. Once I started, it seemed to fit like a glove. I felt completely at home on stage. It was the perfect way for me to express myself, even better than writing.
I had always been interested in markets - specifically, the theory that in financial markets, goods will trade at a fair value only when everyone has access to the same information.
DePaul's plot to deny me tenure had nothing to do with my faults. In fact, and ironically, it viciously attacked me and destroyed my career because of my virtues. Which, although few in number, they still found threatening.
It certainly would have been adaptive for ancestral man to have a chubby wife during stressful times of famine. Not only would she have had more calories to burn, and thus more energy and endurance, but since fat stores estrogen, she would have remained fertile for longer.
The bowlers I respected or feared or rated were not the ones who gave me lip or stared at me or abused me. More the ones who, at any stage of the game, when had they had the ball in hand, they were going to be at me, and they were going to have the skill and the fitness and the ability to be aggressive.
I had always been literary, in the sense of loving poetry and discovering novels, but I found my voice, as they say, in an office full of elderly people who looked after blind ex-servicemen.
You know, I had no trouble with the girls.
My favorite zone is from 1890 -1915, that zone that spans the overlap of the so-called Gilded Age and the Progressive Era. People had such a boundless sense of optimism; They felt they could do anything they wanted to do, and they went out and tried to do it.
Every time I stepped onto the stage as Jesus, it felt like someone was pouring some honey into my body. It was amazing, an amazing feeling. And then when I had to let go of it, it was hard.
After Westlife, I was in a scared place, you know; you've three children, and I worry about providing for them, and I had no guarantees going forward about the future.
By the late Nineties, we had become a more visual nation. Big-money taste moved to global standards - new architecture, design and show-off contemporary art. The Sloane domestic aesthetic - symmetry, class symbolism and brown furniture - became as unfashionable as it had been hot in the early Eighties.
In the case of the FBI, I revealed that William Sessions, the FBI director, had been engaging in abuses of all kinds, and I exposed that. And that led to his dismissal by President Clinton.
One of the most amazing things about 'Crazy Ex-Girlfriend' is that every song is an original. There are no covers. I think 'Glee' had to deal with forcing covers into their plotlines. That can be difficult to pull off.
The first light-field camera array I saw at Stanford had a bunch of applications, like to do special effects like you see in 'The Matrix,' where you spin the camera around in frozen motion. It took up an entire room.
I've always had an incredible interest in the villains, which are a lot more fun to play.
I've had the honour of being elected as a Labour councillor, MP and mayor, thanks to the hard work of Labour members, and I believe that the will of our membership should be respected.
I had no inkling of how crazy the political life would turn out to be. You shuttle between your constituency and Ottawa, you try to make every barbecue, festival, parade and charity run, but sometimes you feel pulled in 14 directions at once.
My mother, a nonpracticing Jew from Delaware, had married a non-practicing Protestant in California. Sometimes, certainly not always, Jew + Protestant = Unitarian, and that is what we were - 'Jewnitarians,' as I like to say.
In 'A Royal Affair' I had to learn to act like a queen and learned Danish. It's so much different to act in another language. It's the nuances in the words.
It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
I have had some great successes and great failures. I think every entrepreneur has. I try to learn from all of them.
Sexuality surrounds us like a dangerous aura. The same reverence that is given to the spirit is not given to the flesh. We have had a sexual revolution, but the sexual revolution only has made sex more pervasive. It hasn't granted the level of reverence and respect that it should have.
I had spent years thinking about one thing while I was doing another. I had, in fact, prided myself on being able to do two things at once.
The first 'Star Wars' movie had come out in 1977 and had become this huge phenomenon with all the toys and everything - it just kind of swept America. But internationally, it was also a big deal.
I had written a tune called 'Shake, Rattle and Roll,' but the white stations refused to play it - they thought it was low-class black music. We thought what we needed was a new name. But a white disc jockey named Alan Freed laid on it, and he thought up the name 'rock n' roll.'
I had spent my childhood making up adventures in my head. Then I realized when I went to acting school that there were adventures written down, and you could learn lines, and you could do the adventures for real, not just in your head.
In October 1920 I went to Leeds as Reader in English Language, with a free commission to develop the linguistic side of a large and growing School of English Studies, in which no regular provision had as yet been made for the linguistic specialist.
Conservatives have always wanted border security before we had immigration reform.
I'd really like to show women my age - who've had children grow up or lost husbands or retired after working all their lives - that there are options. There are choices. We don't have to just sit around and be invisible.
I wish when I was 17, somebody had told me not to care so much about what other people had thought.
My ambition was to be cosmopolitan. I grew up in the suburbs. I went to college in Maine. I had a dream in my head that if you wanted to be the most urbane, living-life-to-the-fullest kind of person, Paris was the place to be.
