This life and this job and this position that I'm put in, it forces you to grow up quick. I definitely got dropped in the deep end.
It wasn't until I was about 17 or 18 years old that I got into music.
It is very easy to try to type cosmopolitan.com and accidentally type foxsports.com, if you just got your nails done.
I wish what I do was all real. Some of it's real, some of it's an illusion and I try to blur the line between both, but unfortunately I've got to be honest with you. Taking a $1 bill and turning it into a $100 - unfortunately it's not real.
I didn't really like opera. I liked cheerleading and boys and, later, smoking. So my opera career was cut short when I was 15. My dad got sick, and we couldn't afford the lessons, so I stopped and became a cheerleader and wrecked my voice.
Got your mama and sister dabbing.
I've got to be comfortable when I'm on stage.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
I'm very lucky, I've got two very loving parents, still very much together, and always been very supportive.
When I look back on my life, I overpaid for my big successes every time. And when I tried to get a bargain, get it a little cheaper or get a better deal on it, I ended up usually either getting it and not happy I got it. Or missing it.
I got completely fed up with that Hollywood blockbuster mentality. I couldn't take it seriously any longer.
There's such a good vibe in Minneapolis. You've got an upscale downtown, and yet people aren't afraid to sit around the fire pit in the middle of winter and drink a beer. It's amazing.
I always thought, 'Will I go into the business, or will I not go into the business?' But when my father got arrested, I really didn't have a choice. I was the oldest son, and it was something that had to be done.
I was on the dole once. I loved it. It was only for a couple of years, when I was 20 or 21 and playing in a band. Back then, this was something young folk did - you got your rent paid, a little bit of money to live on, and you loafed around, wrote songs, rehearsed and dreamed of playing Wembley Stadium.
I never played sports or got into the whole guy camaraderie of, like, 'I love you, man! Seniors forever!' So suddenly being in the military with these guys who were under these very heightened circumstances, isolated from their families, living this very kind of Greek lifestyle, it changed my life in a really big way.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
The meditative, calm sound is a reflection of my personality. I've got a silly and a crazy side, but it makes sense the music would come across that way. I do yoga every day and try to keep a sense of peace and calm in my life. I don't have a lot of frantic energy.
I started, actually, in journalism when I was - well. I started at the 'New York Times' when I was 18 years old, actually, but really got into journalism when I was 15 years old and had started a sports magazine which was trying to become a national sports magazine.
I work 15 hours a day and still go to the gym. Most people work eight hours a day and say, 'I haven't got time to work out.'
I've got an outspoken personality, which gets people thinking, and my style of fighting is aggressive. Everything's on the line all the time. In my fights, there's drama.
The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
Everybody's got family, or they don't have family, but they come from somewhere.
I dated a guy and he liked me but I didn't like him. I went through his wardrobe and cleaned out his house and got him to get a new car. He said to me, 'If I give you $10,000, will you find me my wife because I want someone like you?' And within a year, he got married. That was the first match that led to me leaving my corporate job.
I don't have a brilliant body at all. I've got very broad shoulders. I've got very big feet. I've also got a very muscular neck.
Music was segregated in the '80s, and then in the '90s the boundaries started to break down, and rock kids got into electronic music. But then you got this reverse snobbery where people would only listen to electronic music and not rock.
While shooting for 'Kodi' at Pollachi, I got this new idea for 'VIP 2'.
Casting young people is always so difficult, and they got it so right in 'Game of Thrones.' All the young actors are amazingly talented and so professional.
My father documented on film for the last time what Tibet looked like before the world got there.
I'm a big rock star, I got a beautiful girl, and they still call me a fag. Its' like high school never ends - the jocks are always on top.
I'll never be Jennifer Lawrence or Tom Cruise, someone who can hold a movie and then be charming and charismatic doing promotion. I haven't got what they've got. But at least I'm now comfortable just being myself.
In Harlem, I got all my black friends. But when I go downtown, I got black, white, Asian, Indian friends. There's no borders, no barriers.
I'm lucky I have a fast metabolism... my whole family does... everyone's got a lot of nervous energy so we burn it off.
I got into acting classes. I didn't want to just go by luck.
What has 'The Patchwork Girl of Oz' got in its favor? Quite a lot, from our point of view in 2009. If you want to see how Oz's creator envisioned his own work, here it is.
I started writing regularly for 'The Atlantic' roughly around the time that Barack Obama got inaugurated.
Before 'Austenland,' I got do a lead role in 'Northanger Abbey', which is Jane Austen. Growing up in England, you can't really ignore Jane Austen. It's always been there.
