Army life was rough. Would you believe it, they actually wanted me to pitch three times a week.
I had been quite judicious about the scripts I was reading, but nothing was really taking my fancy until I pulled this script out: 'Lucifer.' I have to say, within about three or four pages, I thought it was hilarious; I laughed out loud a couple of times and knew this is the one that I wanted to do.
Since being a wee boy, I've wanted to be on the pitch at Hampden. I don't know why. I love all the international games and such but I've never been that partisan. But I've always wanted to stand on that pitch.
I think it's really amazing to have a big family. I've always wanted one.
The best teachers that I had were always the ones I never wanted to disappoint.
My background is in tech. I studied computer science, and was working on TechTV, so the first thing I wanted to do was see my favorite motherboard stories hit the front page; you know, like, really geeky stuff.
A lot of the Republicans wanted exactly what Barack Obama wanted, exactly what Nancy Pelosi wanted, exactly what Harry Reid wanted, which is to raise the debt ceiling, but they wanted to be able to tell what they view as their foolish, gullible constituents back home they didn't do it.
We were signed to a label that wanted us to remain little girls who appealed to other little girls, who were cute and non-threatening.
I wasn't really happy with the way 2008 turned out for me. I wanted to change some things.
Growing up, others girls wanted to dance and help their mums with the cooking. I liked to play soccer with the boys. Or I'd be off on my own, tilting mirrors towards the sun in order to burn armies of ants. That was my idea of fun.
I used to be focused on being the dopest rapper in the game, and then once that became what I was, I wanted something different, and I wanted to become the best businessman in the game. I wanted to learn how to master the business like I mastered the rap.
That's why I do what I do, and that's why I wanted to be an actress from the time I was six years old. If I can't effectively move people, then I would prefer not to do it.
I wanted to show a normal young girl whose only difference was that she behaved in the way a boy might, without any sense of guilt on a moral or sexual level.
Well we'd just seen Gerry. I think he wanted somebody who had that authority and was handsome. The thing is, he's a big hunk isn't he? All I can say, if you look at his chat line, or the Phantom website, it's quite worrying. Because the girls really seem to love him.
The first time I'd ever had a go at production or recording, I just recorded in my room. I just put it on Soundcloud because I have family abroad, and I wanted to show them, 'Oh, hi, Uncle Carl, here's some music that I've done,' or whatever.
My mom worked at McDonald's, and she decided she wanted to make more money, so she got into the management program at McDonald's. And that's how you move up the chain. It's not by demanding that minimum wage is raised; it's by actually acquiring the skills. That's the way that people get ahead in life.
We loved everything. We wanted to be able to do anything.
My mom was like, 'What did I do as a mom for you to want to become a wrestler?' They just didn't understand, and it's really hard to explain what made me love wrestling so much. There's something about it that made me fall in love, and ever since I laid my eyes on it, I knew I wanted to be a professional wrestler in the WWE.
My father was in the coal business in West Virginia. Both dad and mother were, however, originally from Massachusetts; New England, to them, meant the place to go if you really wanted an education.
I came from a Hindi medium school... the principal felt that I would not fit into an English medium college. Though I was top in my class in school, and I got admission in other colleges, but I really wanted to study in St. Xavier's.
You know, actually, I went to Yale because I wanted to stay out of the army.
I've never stopped being Argentine, and I've never wanted to. I feel very proud of being Argentine, even though I left there. I've been clear about this since I was very young, and I never wanted to change.
There are roles I am never considered for. Meryl Streep roles, let's say. Why not? I really wanted to do 'Ironweed,' for example, because the depression era in this country was one of the best for multiracial people, because everybody was poor. Everybody lived in the tents, and under buildings, and under gratings, together.
I've played a lot of roles I haven't wanted to play, either because they needed someone in the theatre or because they couldn't do it without me 'cause they don't have anyone else the right age.
I wanted to be an endurance athlete from a young age. I remember being in a careers class at school and saying I wanted to be a professional athlete and the teacher replying, 'You're not going to make it; it's not possible.'
I could give 48 penalties in every match if I wanted to. It is a question of sometimes choosing what is - in your own mind - of material importance and what isn't, what might be a crucial potential penalty and what might not be.
I was never interested in 'Teen Beat' like roles. I just wanted to work.
When I was six years old my friend was auditioning for 'Annie,' and I decided I wanted to audition with her. My mom was worried I would fall flat on my face because I'd never opened my mouth to sing, so she sent me to vocal lessons. I did the audition and fell in love with the entire process of a show.
When I wrote 'The Interestings,' I wanted to let time unspool, to give the book the feeling of time passing. I had to allow myself the freedom to move back and forth in time freely, and to trust that readers would accept this.
I didn't want to just do a show where my character stood out and other characters were flat or one-to-two-dimensional. I wanted everybody to have meat.
We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.
I had been nine years in the theatre and hadn't had massive success. My only thing was I wanted to be an actor and I didn't care when, where, or how much for.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
I wrote two poems about the '81 uprisings: 'Di Great Insohreckshan' and 'Mekin Histri.' I wrote those two poems from the perspective of those who had taken part in the Brixton riots. The tone of the poem is celebratory because I wanted to capture the mood of exhilaration felt by black people at the time.
If I wanted to do wrong, I could not.
The main problem was a pacing problem. I had wanted the project to be about 20-30 issues, and I should have written it out as a full script beforehand.
